What does cross talk mean? What is crosstalk?

English translation: Cross talk or funny cross talk, talk show, or China cross talk cross talk originated in Beijing and is popular all over the country. It is generally believed that it was formed during the reign of Xianfeng and Tongzhi in Qing Dynasty. It is a folk art form that makes the audience laugh by telling jokes or interesting questions and answers. It evolved from "Xiang Sheng" in the Song Dynasty. In the later period of Beijing School, crosstalk formed modern characteristics and styles. Mainly in Beijing dialect, there are also "dialect crosstalk" in local dialects. In the process of cross talk, we have absorbed the artistic advantages of ventriloquism and storytelling extensively, combined Zhuang and harmony, expressed truth, goodness and beauty with satirical jokes, made people laugh as the artistic feature, and took "speaking, learning, teasing and singing" as the main artistic means. There are three forms of performance: stand-alone performance, counterpart performance and group performance. Stand-up crosstalk is performed by actors and tells jokes; Crosstalk consists of two actors hugging each other and teasing each other. Usually, there are two categories: "one head is heavy" and "mother is dumbfounded". Crosstalk, also known as "group work", is performed by more than three actors. Traditional plays satirize all kinds of ugly phenomena in the old society and reflect all kinds of phenomena in life mainly through humorous narration. After liberation, in addition to continuing to carry forward the satirical tradition, there are also works praising new people and new things. Terms of speaking, learning and singing. Four basic artistic means of cross talk tradition. "Speaking" means telling jokes, riddles and tongue twisters. "Learning" is to imitate the calls, hawking, singing, styles and languages of all kinds of birds and animals. "Tease" is to catch each other and make you laugh; "Singing" crosstalk refers to Taiping lyrics. For some reason, the crosstalk performed on TV in the past attributed all singing categories to singing, which was wrong. As long as Taiping's lyrics are being sung, everything else is for learning. In cross talk, there are often programs that emphasize one or two of them, such as "Turning careers" and "Opera Dialect", which emphasize "learning" and "singing", while "Eight Fan Screen" and "Spring Lantern Mystery" emphasize "telling jokes". Actors often form different styles because they are good at using some means. Nouns with cushion words and quyi. The prologue of a crosstalk performer before performing a formal program on stage is sometimes a short program to attract the audience's attention or point out the content of the formal program. Terms of living quyi. Refers to a piece of content used to introduce stepping stones into the topic during cross talk performance, which has the function of connecting the preceding with the following. Terms of Yu Bao Quyi. Refers to the methods of organizing jokes in cross talk, one-man show, Shandong fast book and other genres. When a joke is brewed and organized, it is called "tying the burden", while generate calls it "shaking the burden". It is customary to call jokes "baggage". Three turns and four shakes. Crosstalk is one of the means to organize baggage. Refers to the cross talk performance, after repeated bedding and foil, rendering the story of the characters or creating an atmosphere, and then shaking off the burden to produce jokes. Artistic terminology of single head sinking. One of the manifestations of cross talk. When two actors are performing, one is the main narrator, that is, teasing; The other is to use dialogue to assist narrative, which is bang. Because the narrative story is mainly funny, it is called. Terminology of Zimu Quyi. One of the manifestations of cross talk. Refers to a cross talk performance, in which two actors undertake basically the same tasks (teasing and cheering), such as organizing the burden by arguing with each other. Master the terminology of music art. When performing cross talk and storytelling, the funny content of the program is inserted to make the audience laugh. Actors often grasp the theme of interjection on the spot and combine the content of the program to achieve good results. The term "Fighting Crazy Quyi". Actors who mainly tell stories when performing cross talk or cross talk are usually called "A" now. In cross talk, jokes and jokes cooperate with each other. Through the foil and foreshadowing of jokes, the narrative gradually forms a burden and produces jokes. Group crosstalk with "mud seam" is basically the same as "bang" The term "Bangzi Quyi". Actors who tell stories with humor in cross talk performances are now usually called "B". Terminology of mud sewing quyi. An actor who tells a story with "humor" during a cross talk performance is usually called "C" now. Leg-to-leg-to-leg-to-leg-to-leg-to-leg-to-leg-to-leg-to-leg-to-leg-to-live-learn to sing or perform an emotional episode in cross talk. Two people put on some makeup, subcontract and grab the corner, enter the role performance, and then quit the narration. This cross talk segment is called "live leg to leg" in the industry. Hang Hang, Hang Hang, Hang Hang, Hang Hang, Hang Hang, Hang Hang, Hang Hang, Hang Hang, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou, Hangzhou. Pass is also called "jar". In order to tell a long story with vivid rhythm, like a string of jade, actors skillfully recite words in advance to play the role of rendering lyricism, showing skills and even making jokes.