Talk about jokes about Wu Gou.

The vast southern autumn sky is desolate, the river flows with the sky, and autumn is boundless. Looking at the mountains in the distance, I only feel sad and angry about the decline of the country, and the mountains are like women's hair. The sun in the west shone obliquely on the roof and flew away from the group of people in the sky.

In the lonely goose's plaintive voice, there is also my homesick wanderer who lives in Jiangnan. I looked at this treasure knife and patted all the railings upstairs. No one understood my intention to go upstairs now. Don't say that chopped bass can be made delicious. The west wind blew all over. I wonder if Zhang has come back? People like Xu Yunfeng, who only buy land and real estate for themselves, should be afraid of shame when they meet Liu Bei, who is talented. It's a pity that time passes like running water. I'm really worried about this stormy country. As Huan Wen said, the trees have grown so big! Who will ask those red and green singers to wipe away the tears of the hero's frustration for me!

background

This word was written during Jiankang's four to six years as a general (1168-1170). At this time, the author has returned to South China in 1989, but he has been idle for a while and has been punished for health preservation, so he can't serve the country. Occasionally, when I visit Zhou Lan, I express my grief and indignation. Jiankang (now Nanjing, Jiangsu) was the capital of the five dynasties, namely, the Song Dynasty, the Qi Dynasty, the Liang Dynasty and the Chen Dynasty. Shangxin Pavilion is a pavilion on Jiankang City in the Southern Song Dynasty. According to "Ding Jing Jiankangzhi", "Yangxin Pavilion is located in Shuimen City (west of the city), next to Qinhuai, which is the best to watch."

Word, the last landscape: from water to mountains, from heartless scenery to affectionate scenery, there are many layers. The first two sentences, "Clear autumn is a thousand miles away, and autumn water goes with the sky", are the scenery I saw on the banquet pavilion. Chutian thousands of miles away, the distance is vast, and the autumn scenery is boundless. The river flows to the horizon, and I don't know where it ends. Looking at the sky from a distance, Tianshui blends with the weather and the brushwork is vigorous. The Chu land of "Chutian" refers to the middle and lower reaches of the Yangtze River, which once belonged to the State of Chu during the Warring States Period. "Water goes with the sky" refers to the mighty Yangtze River. "A Thousand Miles of Clear Autumn" and "Endless Autumn" show the broad momentum of autumn in the south of the Yangtze River and write the characteristics of autumn in the south of the Yangtze River. It is rainy and foggy in the south all year round. Only when the air is crisp in autumn can you see the spectacular scenery flowing from the big rivers to the endless horizon from afar.

Wang Bei is the front line of the Yangtze-Huaihe River and has no influence; No matter how far away, the old Xinjiang in the Central Plains will be recovered. Looking south, the mountains and rivers are good, but only half of them are left; The imperial court is in charge of peace, and people with lofty ideals can't take their place, that is, they are enterprising, but they can't stretch their strength. These are people who hate it and are deeply worried. In the words of distant mountains, writing your own inner responsibility is always tied in the word "Deng Yi" in this sentence. The first two sentences are pure descriptions of scenery, and the three sentences of "mourning for hate" go a step further. The words "sadness" and "hate" have been pointed out, and lyricism has begun to change from simple scenery description, from objective to subjective, and feelings have gradually become stronger from plain. Everything is deepening and sublimating in the process of progress. The six sentences in "The Tower Head of Sunset" imply that the sunset is about to set in the west, and the sound of lonely geese spread to the banquet pavilion from time to time, which aroused the author's yearning for his hometown in the north. He looked at his waist wearing a nod, angrily flapping the railing of the pavilion, but who can understand his mood at the moment?

The three sentences here, "The sunset is on the roof, the sound is broken, and the wanderer is in the south of the Yangtze River", although still describing the scenery, are all metaphors. Sunset is an everyday sight. Xin Qiji used the word "sunset" to describe the decline of the Southern Song Dynasty. "Duan Hong" is a lonely goose who has lost her flock, which is a metaphor for her wandering life experience and lonely mood as a "wanderer in the south of the Yangtze River". Xin Qiji crossed the Jianghuai and returned to the Southern Song Dynasty. Originally, Song was his hometown and Jiangnan was his hometown. However, the Cecilia Yip Group in the Southern Song Dynasty had no intention of going north to recover lost territory, and people with lofty ideals like Xin Qiji did not regard Xin Qiji as one of their own, and always took a skeptical and exclusive attitude towards him. Xin Qiji felt that he had really become a wanderer in the south of the Yangtze River. "After seeing Wu Gou, I patted all over the railing, and no one would attend." Three sentences are straightforward expressions. At this time, the author's thoughts are surging and excited. However, the author does not directly use language to render, but chooses typical actions to express his grief and indignation that there is no way to serve the country and his ambition is hard to pay. The first action is "Look at Wu Gou" ("Wu Gou" is a hook knife made by Wu Di). There is a line in Du Fu's poem "After Dyke": "Teenagers have no gifts, but look at Wu Gou with a smile". "Wu Gou" should have killed the enemy on the battlefield, but now it is idle, just for fun, and there is no place to use it. This sets off the author's ambition to make contributions on the battlefield, but it is also a hero's frustration. The second action is "beating the column dry". According to Wang Songbizhi's Notes on Swallows in Lushui, Liu Mengjie, who is "at odds with the world", often stands still by the railing, thinking about the world, whispering alone or patting the railing with his hand. I once wrote a poem saying, "After studying for forty years, I was drunk several times." Patting the railing is full of unspeakable depression and depression, and it is vented by patting the railing. Used here, the author's eagerness and anger of nowhere to display his ambition are presented to the readers. In addition, "See Wu Gou, shoot all over the column" is not only a typical action description, but also a profound and intriguing idea because of its sparse and dense way of putting strong thoughts and feelings into plain pen and ink. "No one will attend the meeting, attend the meeting", lamenting that he has no ambition to restore the Central Plains, and no one in the Southern Song ruling group is his confidant. After a few words, the feelings are getting stronger and stronger. In the end, "no one will" is expressed incisively and vividly, which can be said to be "incisive" Readers can know the author's mind and mood when they read this, and every reader will be impressed by this kind of emotional contagion.