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Bao jun detailed explanation daquan
Title of the work: Bao Jun Source of the work: Taiping Guangji Literary genre: classical Chinese originality, translation, word explanation, exercises, source, originality Once someone set up a song, but he didn't feel it. A pedestrian stole it, but he was heartless and left with abalone in his pocket. When the Lord came, he took it from the prison and thought it was God, so he dared not go back. So he built a house and a temple, and named it Baojun. Those who serve too much, get sick or recover occasionally in the future will be called God. 1978, the owner of abalone went to the bottom of the temple and asked him why. Nye said, "This is my abalone. Why is there a God? " So it is a rest. Once upon a time, a man set a rope net to catch a roe, and he caught a roe. The owner didn't notice, and a passer-by stole it away. (Passers-by) I feel embarrassed to think about it, so I put the salted fish with me in the net and left. When the original owner came back, he was surprised to see salted fish in the rope net placed there. He thought it was sacred and dared not take it back. The villagers built a temple here called Baojun. Later, many people believed in the patron of this temple. The sick man recovered unexpectedly after asking for god's protection, what's more, this god is particularly clever. Seven or eight years later, the man who put salted fish in the net passed by the temple and asked what was going on. The villagers told him truthfully. The owner of the salted fish said, "This is my salted fish! Good god! " So the matter was settled. The explanation of the word 1. A (sound: jū): a net for catching rabbits, generally referring to a net for catching wild animals; 2. I got it but didn't feel it: I got it but didn't find it. 3. Steal: Steal, steal. 4. Abalone: This refers to the fish pickled with salt. 5. Go: Leave. 6. blame: blame ... flexible use of parts of speech, adjectives as verbs. Hold: hold; Hold; Take it. 8. Occasionally. 9. Healing: Healing. 10. Go ahead. 1 1. So, the reason. 12. Tools: true and concrete. 13. 1. The symbol of prepositional object is meaningless and reasonable. 14. This is my abalone. What is God? This is the salted fish I put in. What is God? 15. Rest: The owner of the exercise "dare not go back" because he took the abalone into the basket and blamed it for being a god. My own words: (original owner) thinks it (abalone) is a god. (If the original text is not needed, translation is acceptable. This classical Chinese text illustrates a truth: everything should be carefully thought out, calmly analyzed, investigated and asked, and don't follow suit, believe unscientific things and make jokes. Actively explore the truth; Dare to question. The Origin of Taiping Guangji is a great work compiled by people in Song Dynasty. There are more than 500 volumes in the book, and the catalogue is 10. Based on unofficial history's novels from the Han Dynasty to the early Song Dynasty, as well as essays by Buddhism, Buddhism and Taoism and novelists. Liu Yun, Hu Meng, Li Mu, Xu Xuan, Zhao Neiji, Wang Kezhen, Bai Song, Lu Wenzhong, etc. 12 were ordered by Song Taizong. It started in the second year of Taiping Xingguo (977) and was completed the following year. Because the book was written in Song Taiping's period of rejuvenating the country, it was compiled at the same time as Taiping Yu Lan, so it was called Taiping Guang Ji. There are about 400 kinds of books cited in Taiping Guangji, and the source is generally indicated at the end of each article, but occasionally there are some mistakes, which cause the same book to have different names or different books to have the same name, so it is impossible to make accurate statistics. Now there is a bibliography in front of the book, with 343 kinds, but it doesn't match the actual number in the book. It was probably added by people after the Song Dynasty. According to the theme, Taiping Guangji is divided into 92 categories, and the following categories are divided into 150 small categories, such as cattle, horses, camels, donkeys, dogs, sheep, tapirs and so on. , which is more convenient to check. From the content point of view, this novel is the most collected, in fact, it can be said to be a collection of novels before the Song Dynasty. Many of these books have been lost now, and their remains can only be seen in this book. Taiping Guangji preserved many novels before and after the Tang Dynasty. The book is divided into 92 categories according to the subject matter, divided into 150 details. Fairy stories account for the largest proportion, such as fairy 55 volumes, fairy 15 volumes, retribution 33 volumes, fairy 25 volumes, ghost 40 volumes, which shows the focus of its materials. This book is basically a classified collection of ancient novels. Many books have been lost, only this book has been lost, and some works of legends of the Six Dynasties and Tang Dynasty have been handed down because of this book. The most noteworthy in the book are nine volumes of miscellaneous biographies, such as Biography of Li Wa, Biography of Liu, Biography of Wu Shuang, Biography of Huo Xiaoyu and Biography of Yingying, most of which are only found in this book. There are also Gu Jingji, Biography of Li Zhangwu, Biography of Away from the Soul, Biography of Liu Yichuan, Biography of the Stone Man and Biography of Conan's Taishou. The classification of Tai Ping Guang Ji is really convenient to look up and has great research value. Fairy stories account for the largest proportion in the book, such as 55 volumes of immortals, 15 volumes of female immortals, 25 volumes of immortals, 40 volumes of ghosts and gods, etc., plus stories of Taoism, alchemists, aliens, monks, interpretation of certificates, animals and plants, etc. , which basically belongs to fairy tales, represents the mainstream of China's classical Chinese novels. Until the Qing Dynasty, the imitation series novels of Strange Tales from a Lonely Studio could not jump out of this range. The fairy tales in the book, with a total of 70 volumes, rank first in the book, showing the focus of novels in the Tang and Five Dynasties and a cultural and academic tendency in the early Song Dynasty. The competition between Taoism and Buddhism in the Tang Dynasty was fierce. Although Taoism did not prevail, the fairy tales fabricated by Taoist priests and Taoist scholars had a great influence and produced many beautiful and moving novels. For example, The Legend of Eternal Sorrow written by Yang Guifei, who was searched by the alchemist in heaven and earth, is a masterpiece. Famous novels in Tang Dynasty, such as Liu Yichuan, Warrior Biography, Campus Guest Biography, Du Zichun, Zhang Lao and Pei Xing, are also related to Taoism. The immortal thought in the late Tang and Five Dynasties is pervasive. Du Guangting is a great immortal biographer, and many of his works are included in Taiping Guang Ji. The novels in the early Song Dynasty still maintained this trend. However, the classification standard of Taiping Guangji is not uniform. For example, Dong Yang's Ye Guai Lu and Ling Ying Zhuan, both of which are classified as miscellaneous biographies, are not easy to find at present. It can be seen that in the early Song Dynasty, people called some Tang legends "miscellaneous biographies" instead of using the name "legends". Taiping Guangji has a great influence on later literature. After the Song Dynasty, the singles of novels in the Tang Dynasty have gradually disappeared, such as storybooks, zaju and Zhugong tunes. Most of them choose themes from the book Taiping Guangji and quote stories to perform. The speaker even advertised that "I learned peace and tranquility when I was a child" ("Talking about drunkards?" Novel development "). Cai Fan Ceng, a poet in Song Dynasty, took information from books and compiled Thirty Volumes of Deer Skin Affairs and Thirty Volumes of Deer Skin Documents. Feng Menglong, an Amin, adapted this book into 80 volumes of Taiping Guang Ji Chao. Books compiled in the Ming and Qing Dynasties, such as ancient and modern sea-related stories, novels of the Five Dynasties, stories of the Tang Dynasty, etc. , often quoted from Taiping Guangji and changed its title, and researchers can also make textual research on it under the guise of the author. Before the Ming Dynasty, Tai Ping Guang Ji was rarely published and circulated, and the original book had already disappeared. In the forty-five years of Jiajing in Ming Dynasty (1566), Tan Kai was revised and reprinted according to legend, becoming the earliest existing edition. Later editions are mostly from Tan Kai's prints. In addition, there are Shen, Zhu Zhai's notes and the Song version of the school. The current edition is Wang proofreading, published by People's Literature Publishing House 1959 and reprinted by Zhonghua Book Company 196 1. There are many books quoted in Tai Ping Guang Ji, and almost all the books with little space are included. Lost books can be rearranged and restored according to it, and books with biographies can also be rearranged and supplemented with it. For example, the quotations from Drama Notes, Queshi and Sanshui Xiaojia are slightly different from the existing versions, which are worth studying. People who study ancient novels should take Taiping Guangji as the basic material. Lu Xun made full use of this book when editing "The Ancient Novel Hook" and "The Legend of Tang and Song Dynasties". He pointed out in the article "The Story of Hui People in the Broken Tang Dynasty": "I think Taiping Guangji has two advantages. First, it covers almost all novels from the Six Dynasties to the early Song Dynasty. After a cursory study, you don't need to buy many books. Second, ghosts, ghosts, monks and Taoism are distinct, and gathering together can make us very tired. For the future generations who now say that the fox's "Tai Ping Guang Ji" has no courage to read it. "However, the classification standard of Taiping Guangji is not uniform. The editor of Tai Ping Guang Ji puts immortals and Taoism in front of different monks and explanations, which is obviously to respect the religious culture of the nation. As a novel, stories that preach the efficacy of Buddhism and karma can tempt some readers, but their artistry is not as good as fairy tales. In the novels of the Tang Dynasty, it is often said that fairies came down to earth, and there are many magical changes, which are even more dazzling. Of course, all fairy and ghost stories are products of fantasy, and propaganda with negative religious superstitions generally needs to be treated critically. The representative works of novels in the Tang Dynasty, such as Liu Chuan, Yingying Chuan and Li Wa Chuan, should also describe the real life of the world best, and there is no supernatural element at all. The writing method is closer to the road of realism. China's novels matured in the Tang Dynasty. Most of the novels in the Tang Dynasty are collected in Tai Ping Guang Ji, but the collections of novels in the Tang Dynasty compiled in Ming and Qing Dynasties are often fake books with a new look, so Lu Xun instructed readers to read Tai Ping Guang Ji. Of course, the collection of Taiping Guangji is not only the works of the Tang Dynasty, but also many works of the Han, Wei and Six Dynasties. Among them, most of the single stories of Tang legends have been included in new anthologies, such as Legend of Tang and Song compiled by Lu Xun and Novels of Tang People compiled by Wang Bijiang, which are relatively easy to read. However, many lost novels rarely have carefully arranged versions. If you want to know the whole picture of China's ancient novels before the Song Dynasty, you can only read through Taiping Guangji. "Tai Ping Guang Ji" had a far-reaching influence on later literature and art. After the Song Dynasty, editors of scripts, quyi and dramas all chose the material of "Tai Ping Guang Ji" and adapted many famous stories. For example, The Story of the West Chamber tells the story of Zhang Sheng and Cui Yingying, with various scripts. This story is almost a household name, but little is known about Yingying Biography, the earliest preserved material of Taiping Guangji. Tai Ping Guang Ji is a treasure of China's ancient novels and is worth reading. But after all, it is an ancient work, and there are many text obstacles, so it is not convenient to recommend it to readers. Now, Gao Guang, Wang Xiaoke, Wang Yang and other comrades have vowed to clear away obstacles and build bridges for the younger generation of readers. They have spent a lot of time translating the whole book into modern Chinese, which is a very meaningful work.
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