Appreciation of Zhu Ziqing's Prose Qinhuai River in the Shadow of Paddle Lights

Appreciation of Qinhuai River in the shadow of oars and lights: Under the cover of dusk, the author began to swim on Qinhuai River, entered the "dream-like" spiritual world with the help of a boat, and relieved his inner melancholy through the displacement of the moon. The appearance of geisha forced the process of empathy to stop and had to return to reality.

The formation of the author's feelings is not only due to the special environment in Yangzhou, but also closely related to the unique emotional experience. Literary creation has become the best choice for the author to express his inner feelings in order to achieve "instant" satisfaction. Qinhuai River, which is "obsessed with paper and gold" and "golden powder of the Six Dynasties", has gradually lost its former charm with the flowing of the long history.

This paper describes the experience and feelings of boating on the Qinhuai River in summer night. Accompanied by sound, light and color, the author keenly captures the graceful charm of Qinhuai River in different times and situations, which leads to nostalgia for the past.

The most striking feature of the article is poetry. The Qinhuai River described by the author is picturesque and dreamlike. The strange "seven-board" ship is enough to make people think; Gentle and fragrant green water seems to be condensed by the gold powder of the Six Dynasties; The ethereal songs are like the whispers of the breeze and the river. See the magical, meaningful and poetic artistic conception and painting realm in plain, as the saying goes, there is a picture in the text and a text in the painting.

The author's brushwork is nuanced. When describing the scenery of Qinhuai River, he did not seek to be bold and unrestrained, but described the beauty and comfort of Qinhuai River in detail, which fully reflected the author's meticulous description technique. Ships, green water, lights, moonlight, large and medium-sized bridges, songs and other scenery, the author grasps their light, shape, color and taste, and describes them in detail, but they are not carved in the bright and beautiful, elegant but not tacky, making Qinhuai River shine in the water, lights and moon.

History is the nourishment of Qinhuai River. It can be said that history has made the Qinhuai River, and the Qinhuai River has lost all its meaning without history. The author walks into historical memory from reality and awakens Qinhuai River from two aspects: form and way. The author began to fall into history from the lamp, vaguely and vaguely, which is really caused by many historical images:

Going by boat and seeing flowers in the fog are all floating and hazy; The ethereal singing sounds as unreal as real. With that help of reminiscence of historical image, the author described Qinhuai riv in a vague and illusory way, which was intoxicating and fascinating. The author focuses on the natural landscape of Qinhuai River, but downplays nature and his aesthetic taste with the appearance of geisha.

The author deeply analyzed his ambivalence at that time, that is, he wanted to listen to music, but he was bound by moral laws, and he wanted to transcend reality, but he couldn't forget it. It is true and concrete, but it gives readers great attraction and profound meaning. Paved the way for the dream to return to reality.

Generally speaking, the article "Qinhuai River in the Shadow of Paddles and Lights" clearly embodies the cautious and meticulous characteristics of Zhu Ziqing's prose. When describing the scenery of Qinhuai River, the combination of natural scenery, historical images and realistic feelings is filled with a sincere, deep and delicate feeling, giving people a feeling of nostalgia and yearning. Qinhuai River under the shadow of paddle lamp shows an unforgettable image of Qinhuai River under the shadow of paddle lamp.

Extended data:

Zhu Ziqing's description of words constitutes an oil painting effect, which not only requires him to write his own detailed and unique observations when describing natural scenery, but also requires him to make a full outline by splashing ink;

This meticulous style also requires his words to be gorgeous, bright and fine. Only such words can guarantee many images in his paintings and achieve a very accurate, full and vigorous crossing.

Although his carefully polished words are gorgeous and bright enough, there is no trace of carving. Under these catchy and emotional words, it is full of images. He tried his best to use literary talent to render and contrast the image, not to destroy it. This is precisely the superb use of words by him.