What are the people in the phonograph world who are over-praised? And whose level has been excessively devalued?

When it comes to cross talk, people may first think of Degang Guo and Deyun Society.

Deyun Society is in full swing. Yes, Deyun Society is in full swing in the field of Quyi, and no one can shake its position. There is no denying the level of Degang Guo's cross talk. Whether speaking, learning, teasing and singing, or "speaking", "singing", "living" and "singing" in the process of performance, he is just right, and he can't pick out any shortcomings in controlling the atmosphere and rhythm of the scene. However, his apprentice is not as good as online. Take Zhang Yunlei as an example. ?

In fact, Zhang Yunlei's "Deyun Girl" level in Zhang Yunlei is mostly for his face value. Speaking of his crosstalk, he is not as good as Lian Yue Peng Yun, but he is good at singing. Zhang Yunlei's "singing" is second only to Degang Guo in Deyun Society. He learned all kinds of ditties and tunes from Degang Guo at an early age, and with his excellent voice condition, he was ridiculed by Degang Guo as "the old artist of Taiping lyrics".

Although this is a joke, I'm afraid Degang Guo wouldn't dare to exaggerate it without a solid foundation. To tell the truth, if there were no Zhang Yunlei, who would know "Riverside Tour of Qingshui River" now? How many people can say "Sorin's Capsule"?

However, Zhang Yunlei's shortcoming is that Zhang Yunlei is good at singing, and he can pay attention to many things in cross talk performance. The most important test of crosstalk performer's talent is his ability to react on the spot. Zhang Yunlei's shortcomings can be seen from his current lifting ability. Every time he meets the audience, he can only smile awkwardly. In many cases, Jiulang helps him bypass. As for other skills such as Guankou, Zhang Yunlei is not the top among other disciples of Deyun Society. Zhang Yunlei's crosstalk level is really overestimated.

Now the crosstalk performers of the senior generation basically have their own glorious past. Even if they have a bad reputation today, they can't deny his professional level and contribution to cross talk. I know that the level of two crosstalk performers is underestimated.

1. Peak. Gao Feng is also a member of Deyun Society, but he is not an apprentice of Degang Guo, but a respected teacher of Deyun Society. Deyun Society has to ask him to nod when recruiting new students.

Gao Feng's crosstalk is like chicken soup stewed with slow fire, without seasoning, as plain as water. You need patience and sensitive facial features to taste his taste. To tell the truth, I think he is the best crosstalk performer in Deyun Society, but I can't say anything about him. The peak gives the impression of "a middle-aged greasy uncle who looks like Lei Jun", but he doesn't dislike it, only feels affinity.

Gao Feng's crosstalk style is unique in the whole Deyun Society, which seems out of place. When a new generation of actors such as Yun-peng Yue created a cross talk style that caters to the entertainment taste, Gao Feng has been spreading traditional art. Although it seems that the effect is not obvious, just like himself, after a long time, everyone will find his unique charm. It is no exaggeration to say that among all the middle-aged crosstalk performers today, I only see the demeanor of the older generation of artists in him.

2. Many people in Yang Zhenhua are not familiar with the name Yang Zhenhua, but Jin Bingchang's name has long been a household name in northeast China. In 1980s and 1990s, his fame and strength even surpassed that of Ma Ji.

Ma Ji's crosstalk is mainly eulogizing, while Yang Zhenhua pays attention to satirical effect and criticizes the current disadvantages. He created many classic crosstalk works, such as Chess and Family Planning. However, the mainstream crosstalk monopolized all the resources, and Yang Zhenhua was robbed of the limelight by Ma Ji. It's a pity that he didn't even make the list of the top ten crosstalk performers in China.

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