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Qi Jun: Write softly and affectionately.

Qi Jun is famous for his prose and is known as "a shining star in Taiwan Province's literary world". She has a deep knowledge of Chinese studies, but she never shows off her skills. She talks like a family, and the poems she quoted are just right. This is what I like most about her.

Everything in Qi Jun's works is sentimental, and articles recalling relatives in his hometown are warm and melancholy. After I came to Taiwan Province Province, my portrayal of life was more humorous. Generally speaking, it is inseparable from the warmth and thickness of writing.

A writer's writing style is bound to be closely related to his life experience. To trace the formation of Qi Jun's writing style, I think we should start with her life experience.

In the preface to Forever Lovers, Qi Jun wrote.

Qi Jun, whose real name was Pan Xizhen, was later renamed Pan Xizhen and nicknamed Koharu. She was born on 19 17 in an ancient family in Quxi Township, Yongjia County, Zhejiang Province (now ouhai district, Wenzhou City). Her father (that is, her uncle) is an officer in other places, and she lives in the country with her loving mother (that is, her aunt) who believes in Buddhism. Her kind and open-minded grandfather often came to live at home, and Qi Jun planted the seeds of generosity and sympathy at an early age.

She followed the same Yan Qimeng teacher who worshipped Buddha. At the age of five, she began to know square characters and learn to draw red. Later, she familiarized herself with The Book of Songs, Tang Poems and Four Books year by year, which laid a solid foundation for Chinese studies. At the age of ten, she was able to read, recite and write. In the meantime, I peeked at Erma's books with my uncle, all of which were forbidden by adults, such as The West Chamber and Strange Tales from a Lonely Studio. My second uncle, who was studying in Shanghai, brought her love education and Andersen's fairy tales, and unconsciously broadened her reading range.

When he came to Hangzhou at the age of twelve, Qi Jun was admitted to Hongdaoshe Girls' Middle School. In addition to classical literature such as Tang poetry and Song poetry, he borrowed a large number of foreign literary masterpieces from the school library and began to imitate the brushwork of famous writers to write novels. He was promoted to "General China" by his classmates. When she graduated, she was admitted to the Chinese Department of Zhijiang University with excellent results, and studied under Xia, a great poet in eastern Zhejiang. On the wall of Shaoxing Shenyuan Garden, the "Feng Feng" commemorating the eternal love tragedy between Lu You and Tang Wan was written by him.

Xia Chengtao, whose real name is Qu Chan, was affectionately called "Qushi" by his classmates. He often said, "You don't have to be a poet, but you must cultivate a poetic heart." You don't have to have religious beliefs, but you must have a sincere heart. "His teaching in poetry creation and Zen epiphany has benefited Qi Jun for life. During the war, he often wrote letters to encourage Qi Jun to concentrate on his studies, with a view to writing immortal works like Little Women within ten years. Qi Jun's novel "Orange is Red" in his later years is not only to commemorate his deceased relatives, but also to comfort his teacher's spirit in heaven. This novel was later adapted into a TV series of the same name, starring Gui Yalei and Zhou Xun, which became popular all over the country.

Qu's reading and writing methods are still worthy of consideration and reference by today's authors. After years of sincere practice, Yan Qijun Zun guided her to form her own writing principles: fax, conciseness, implication and freshness. What is particularly worth mentioning is that this novelty refers to establishing one's own style and making readers feel intimate. Qi Jun did it.

This talented teacher is not only Qi Jun's academic guidance, but also her role model. When he graduated from college, he gave everyone a pair of couplets considering that his classmates would get married in the future. "If you want to cultivate a fairy family, you must be husband and wife."

Qi Jun didn't write about her love positively, but from her articles about writing, as well as other people's comments and interview articles in the appendices of various anthologies, we can roughly string out Qi Jun's love.

As you can imagine, Qi Jun was pessimistic about love when he witnessed the pain his father's concubinage brought to his mother and the love and marriage tragedies of other women in his time. This point, she has borrowed the heroine's mouth of the short story "Two Generations" to express, "I really don't have any unforgettable lovelorn pain, because I am withdrawn. I just feel that it is difficult to meet a bosom friend in this world. It's nice to be alone, without attachments. "

During the Anti-Japanese War, his parents died one after another, and he went down to Taiwan Province Province in a turbulent situation. At the beginning of his life, but his spirit was empty, with the encouragement of Sun Duoci and Xie Bingying, Qi Jun published "The Golden Box" to reminisce about brotherhood, and it was out of control from then on.

As early as 1946, Mr. Li, who came to work in Taiwan, loved literature. After reading this article, he was deeply moved. It happened that a friend introduced him to a Miss Pan Xizhen. After talking, she learned that she was Qi Jun who wrote The Golden Box, and she admired her very much. Later, he wrote to Qi Jun, attaching Du Fu's "He knows that the dew will frost tonight, and the moonlight at home is so bright!" A sister-in-law love that lasted for more than half a century began.

195 1, they formed a "harmonious but different" family. In the later marriage life, she was passionate and romantic, full of childlike innocence, and relied on Li He to bicker everywhere. On the contrary, she is more like a child. Li has always been the first reader of her articles and likes to draw circles on the bar with a pencil. When Qi Jun's first collection of novels and essays, Qin Xin, was published, they spent all their savings at that time and printed 5,000 copies. Every day after work, Li carries books to the bookstore on Chongqing South Road to sell books, and people looking for books are in an endless stream. Probably all happy marriages are similar. Qi Jun's later poet Xi Murong and her husband Liu Haibei were also the first readers of her works.

Qi Jun has worked in the judicial field of Taiwan Province for 26 years and served as a court clerk. Facing the ugly side of society, he increasingly hopes to turn hostility into peace with the power of words. The textbooks she compiled for prisoner education were quite effective, so she became interested in teaching and taught classical literature and modern prose creation in several universities. At the same time, I am committed to writing, so I learn from teaching.

Half-life wandering life makes Qi Jun more worried and cherished. Adhering to her kind and generous nature, she died for her aunt who came to Taiwan Province Province with her, and for taking care of her sister, many past events about her aunt (sister's biological mother) could not bear to be made public.

When I was a child, my family and mentor had a subtle influence on me. The careful teaching of university teachers, the intimacy of marriage life, and the valuable proverbs of my predecessors were at work ... Qi Jun's compassion for Buddhism and poetry was constantly polished and naturally infiltrated into the word-for-word articles, creating this gentle and affectionate Qi Jun. Although she had regrets and pains, she was happy all her life.

Xia Zhiqing, a famous literary critic, once said, "Qi Jun's prose is of the same origin as Li Houzhu and Li Qingzhao's ci, but her achievements and realm are higher than Li Er's. I am really proud of China's contemporary literature. I think there are many essays in Qi Jun that should be handed down from generation to generation. "

Now that the Sri Lankan people are gone, the words left to future generations are beautiful and meaningful.