They are the last treasure in the comic book industry, and the only surviving crosstalk artists. Who are they?

Crosstalk used to be a word-of-mouth industry, so it pays special attention to learning from teachers.

Crosstalk is also a Jianghu business, so we also pay attention to seniority.

Nowadays, the apprenticeship system in phonology has gradually turned to employment system or contract system, and the cross talk creation has gradually changed from "learning from the master" to "learning from the network".

It is difficult to hear serious crosstalk on the crosstalk stage now, so we miss the crosstalk doyen more and more.

With the passage of time, there are not many predecessors in phonology, among which the most precious is undoubtedly a handful of precious artists.

According to incomplete statistics, there are currently less than 20 surviving Baozi artists in the field of phonology, among which the following ten are well-known.

First, Yang Baozhang.

Born in 1925, formerly known as Yang Yungui, the apprentice of Tao Xiangjiu, a famous crosstalk predecessor, is a representative of Henan crosstalk.

Yang Baozhang is the oldest existing treasure character artist, more than 20 years older than Chang Baofeng and others. He is good at writing, once performed with Hou, and recorded a long stand-up comedy Liu Legend on CCTV.

On Lao Yang's ninetieth birthday, Degang Guo visited him and joked that "he pushed an 80 million Shang Yan."

After waiting for the 20th anniversary of Deyun Society, he was invited to attend and replied, "I pushed a 160-million-dollar church, but Hou and his party were afraid to go."

Second, Jiang Baolin.

A lot of information about Jiang Baolin on the Internet is wrong. For example, he was actually born in 1928, but many sources say that he was born in 1938. In his early years, he studied under Chen Ziquan, Ji Pingsan and Li, not Chen Zizhen.

In addition, Ma Zai 1988 was publicly accepted as a disciple, which was a formal ceremony in front of his predecessors. There were recordings to prove it, but some people always questioned his knowledge.

In addition, Jiang Baolin's apprentices in his later years, such as Qiu Yingjun and Yu Dan, are often criticized. In fact, compared with Ma Xiaochuan's Malacca brothers and Xie Jinlai, Qiu's handsome Yu Dan is worthy of being a literary generation.

Lin Bao was also the last crosstalk partner in his later years.

Third, Chen Yongquan.

1932 was born in Beijing. His grandfather Zhong and his father Chen Zizhen were both representatives of cross talk in the Qing Dynasty. Classic crosstalk such as "Eight Changes" and "Selling Five Instruments" are all works of Zhong.

What Chen Yongquan has been talking about is his theory of "degeneracy". He and Gao Fengshan's relegated generation do not belong to the same situation. Chen Yongquan entered the crosstalk industry late, so he chose Tan Boru, a longevity master. Therefore, from the beginning of entering the cross talk industry, he is a treasure generation, and it can be said that he has never been demoted.

Chen Yongquan is also a late bloomer. By cooperating with his grandson Li Jindou, he became a famous crosstalk artist in China before he retired.

At the same time, Chen Yongquan is also the purest descendant of cross talk in Qing Dynasty.

Fourth, Yang Shaohua.

1932 was born in Beijing. 12 started to work as a handyman in Qi Ming teahouse, and studied under Guo Rongqi.

Yang Shaohua is also an old artist who is often praised for several generations, but at present, his generation of precious words has long been recognized by the phonological circle. There was discussion before because of some grievances between him and Shao Ma and Zhao Weizhou.

Yang Shaohua became famous later than Chen Yongquan. It can be said that he was the first to win popularity in Zhao Weizhou, and then he got out of hand.

Verb (abbreviation of verb) Tian Lihe

Son of Tian, 1935, born in Tianjin, is a fan of Chang and later a close disciple of Chang's master.

However, Zhang Shouchen's acceptance of Tian Lihe was criticized by Tianjin audio industry. Finally, Tian Lihe took the initiative to become brothers with several teachers and nephews of the literary generation, which calmed the debate.

Interestingly, Tian Lihe's wife Zhang Wenxia is also her nephew.

In addition, tian teacher was the first teacher.

Sixth, Yang Zhenhua.

1936 was born in Shenyang and loved art in his early years. 1957, entered the crosstalk industry from Yang Haiquan.

There are also some disputes about qualifications in Yang Zhenhua. Some people say that he should belong to the literary generation and so on. In fact, Fengjiamen in Northeast China are generally older than their peers behind closed doors because of their slow inheritance, but there is no way. Feng Jiamen is also a crosstalk family with a long history of Hong Miao. Feng Zhensheng (the same name as Ma Guiyuan's apprentice Feng Baohua) is a German generation, Yang Haiquan, who can speak French crosstalk, is a longevity generation, and Jin Bingchang, Yang Zhenhua, is a treasure generation.

Yang Zhenhua was a smash hit in the 1980s, and he was a cross talk star comparable to Ma Ji in China. His cross talk is ironic, spicy and bold, and the typhoon is very trendy. It was Yang Zhenhua who put forward the famous guitar crosstalk.

Now it is said that Yang's father has also begun to "shake", and the old man is not old.

Seven, Zhang.

Born in Tianjin, 1945, Zhang Shouchen's son, Zhao Peiru's younger brother Della, is Jiao Shaohai's apprentice.

Zhang often cooperates with Geng Bochun, the son of Geng. He is good at telling some very old and rare jokes, which is a deep family study. It's just that teacher Zhang has always kept a low profile, so his attention outside Tianjin is not high, but as long as he is doing a program about it, Zhang must be the first choice guest.

Eight, often

Chang was born in Tianjin on 1944, and his fifth son (excluding those who died prematurely) ranked eighth, so he was called Chang Baye.

It may be the reason for working in the Fuzhou Military Region Art Troupe all the year round. Often never worked as a crosstalk teacher. After retiring, he returned to Tianjin, and was brought in by Tian Lihe Della on 20 18, becoming Zhang Shouchen's apprentice. He is probably the last master to enter the door in Bao generation.

Nine, Ma Zhiming

1945 was born in Tianjin, Hui nationality, the eldest son of Ma.

Shaoma's first crosstalk teacher was Zhou Toad, and his master was, but his real crosstalk teacher was his father Ma, so Shaoma was also the most authentic descendant of Ma's crosstalk.

Shaoma's living porcelain is solid and atmospheric, and the key is to know more. A Bai Pai Jing Yun is a master in phonology. In addition, he is also good at cross talk creation, and a song "Zheng" can be called an urban song.

Chang baofeng

1947, Manchu, Chang's sixth son, ranked ninth, called Chang. Chang Baofeng and his third brother Chang Baoting's starling are often born by one mother, and they are often half-brothers with their eldest brother Chang, second brother Chang and fourth brother.

1985, Chang Baofeng became a disciple of Ma Xiangsheng, but he was also an artist. The real crosstalk was learned at Chang's home. Chang Baofeng is also the master of Ma Zhiliang's son Ma Xiaochuan.

Of course, another identity that Chang Baofeng is often mentioned now is Meng Kai, a teacher in Degang Guo.

In addition, Chang also keeps pace with the times and begins to play live broadcast.

These are the ten most famous artists of the steamed stuffed bun generation.

In addition, our two sons are Guo Qiru's apprentices, and Yu Chunzao is Hou's apprentice. They are also artists with precious words.

Also, the famous female crosstalk artist Zhang Baozhu, formerly known as Zhang Yumei. She is Jiao Shaohai's apprentice, so she is also a living treasure character artist.

Also, Ma Delu's disciple, Gao Guiqing's disciple, Liu Guangxi, has long been rooted in Shandong and is also a treasure artist.

In addition, Hou's son, his apprentice Hou, is said to be still alive, but I can't collect his information. Readers who know it might as well share it.

Shi Fukuan, Cui Qi and others can't be regarded as treasures, because Gao Fengshan, the demoted master, is actually a generation of literary giants.

Mr. Xue Yongnian's apprentices, such as Fan Zhiqiang, Jia Jing Miko, Xiong Liu and others, can't be counted, because although Xue Yongnian is nominally a long-lived generation, he has been walking the rivers and lakes as a literary generation, so his apprentices also entered the crosstalk industry as an Amin generation.

Finally, the artists of the Baozi generation generally have a deep foundation in crosstalk, and they have mastered a lot of crosstalk, which is the last treasure in the phonology field in China. I wish the old gentlemen a long and healthy life.