All the lines in The Name of Vegetables

All the lines in The Name of Vegetables are as follows:

I ate steamed mutton, steamed bear's paw, steamed deer's tail, roast duck, roast chicken, roasted goose, braised duck, braised chicken, bacon, pine flower, dried belly, sausage, assorted soup, smoked chicken, white belly, steamed eight-treasure pig, stuffed duck rice, canned pheasant, canned quail, braised chicken and so on.

Rabbit breast, vegetable python, whitebait, steamed hash, assorted shredded chicken, assorted shredded belly, assorted tofu, assorted diced meat, rotten duck, rotten crab, rotten fried fish slices.

Slippery crab meat, fried crab meat, mixed crab meat, steamed pumpkin, stuffed pumpkin, fried loofah, stuffed white gourd, chicken blood soup, mushu soup, three fresh soup, red meatballs, white meatballs, south fried meatballs, preserved fish meatballs, three fresh meatballs, Four Joy Meetballs, preserved meat meatballs, slippery meatballs, fried meatballs and preserved meat.

Matters needing attention in contact with cross talk

1. Familiar with the brushwork and performance skills of cross talk: Cross talk needs to master the basic skills and performance methods of cross talk, including a deep understanding of the language rhythm, tone, intonation and movements of cross talk. It is necessary to observe and understand the performance styles and skills of excellent crosstalk performers.

2. Cultivate a sense of humor and witty response: Crosstalk needs a good sense of humor and witty response. You should dabble in all kinds of jokes and humorous stories and cultivate your sensitivity to jokes. At the same time, we should be good at giving clever answers and responses in the dialogue to create a comedy effect.

3. Mastering role transformation and role interpretation: In cross talk, actors usually need to quickly change roles and perform in different contexts. We should be able to accurately grasp the language characteristics, behaviors and expressions of different roles, and how to change roles in a short time.

4. Rich language skills: Crosstalk needs rich language skills. We should constantly enrich our language and culture, accumulate various words and idioms, use them flexibly in performances, and skillfully use rhetorical devices to enhance the artistic appeal of performances.

5. Cultivate tacit cooperation and team awareness: Crosstalk is usually a multi-person cooperation, and actors need to have good tacit cooperation and team awareness. It is necessary to participate in collective rehearsals and performances, listen to and respect the opinions of teammates, rationally allocate performance space, and jointly create wonderful crosstalk works.

6, more practice and reflection to improve: we should constantly practice and perform cross talk, and constantly improve our performance level through the accumulation of actual combat experience and feedback from the audience. Reflect and summarize your own shortcomings in time, and make targeted improvements and improvements.