149: It's autumn in the lotus pond, leaving the residual lotus to listen to the rain, spending a lot of money in Luogang, and it's not bad to remove the name.

Subtitle: Lin Daiyu's final ending, "leaving the residual lotus to listen to the rain" is the key, and Xue Baochai pretends not to understand.

149: It's autumn in the lotus pond, leaving the residual lotus to listen to the rain, spending a lot of money in Luogang, and it's not bad to remove the name.

Grandma Liu played a lot of jokes when she gave a banquet in the village. Later, Cao Xueqin described in detail the furnishings of the autumn frost den-just like other people's rooms-and revealed the life of Jia Tanchun. I married a princess far away, but I was lucky enough to give birth to a son, who lived a long life. As mentioned above, I won't go into details.

Here, Grandmother Jia just said, "The phoenix tree on the back porch is fine, but thinner." Just as he was talking, a gust of wind passed and there was a faint sound of knocking. Grandmother Jia asked, "Who wants to get married? It's close to the street. " Mrs. Wang smiled and told her that twelve little actors from pear fragrance court were rehearsing, which was far from the street. Where can I hear the sound of "marriage"?

Pay attention to Cao Xueqin's description. As soon as she wrote about the furnishings in Tanchun's room, it foreshadowed her life after a long marriage. Grandmother Jia talked about Wu Tong. "Wu Fengqi Tong" and "Feng" reveal the outcome of the future princess marriage in Jia Tanchun. The sound of drum music, which grandma mistook for "marriage", came at the right time, and the result was destined to be a dream.

This is nothing more than a closely related little detail like A Dream of Red Mansions.

Hearing this, Grandmother Jia sent someone to the garden to ask the little players to rehearse. On the one hand, they also wandered around, on the other hand, everyone also took the opportunity to go to the opera. There are two points to note in this description.

First of all, the young actors in Lixiangyuan are private troupes in Jia Yuanchun, and Jia Jia doesn't need them much at home. Every time the troupe is invited in from outside.

Second, Granny Liu was not qualified enough, and Grandmother Jia didn't arrange a play, but the Jia family had a play, which was also a kind of "high pressure" at that time. Let granny Liu see the "enjoyment" of one or two noble ladies.

Grandmother Jia sat for a while and ordered a banquet to be held on the Lotus Champs-Elysé es, and the two of them would take a boat for a while. He also said that children love cleanliness and don't like others to dirty their houses. This is the old man's home. Jia knows the generation gap with his children and refuses to be a nuisance.

Jia Tanchun couldn't help talking, of course, only saying please don't invite the old lady and the concubine. She's good at this. Jia is an old woman and must be respected. Aunt Xue is Mrs. Wang's sister. Respecting menstruation means respecting the first mother. Jia Tanchun's attendance rate is obvious.

I won't mention how to decorate the Lotus Champs here, but this is a very important place for grandma to take people by boat. Combined with the above description, it becomes a portrayal of Lin Daiyu's life, which echoes the foreshadowing of Jia Tanchun's indoor furnishings after marriage. This article will focus on the story of "leaving the residual lotus to listen to the rain".

Back to the 17th and 18th, when Jia Zheng and Jia Yuanchun came here respectively. Visible importance.

Guo Ting Hualien was changed to Hualien by Jia Yuanchun. At first, when we read this passage, we said that Jia Yuanchun's amendment represented her opposition to the marriage between Lin Daiyu and Bao Dai.

Jia Baoyu's name "Hualien, Guo Ting" has a profound meaning. In front of this place is a lake planted with lotus flowers, and there are red reed on the sandbar on the shore. Zi Ling Island, Lotus Root and Xue Lu Temple are all here. Through the Polygonum cuspidatum flower, it is Wu Heng Garden. Upstream is Xiaoxiang Pavilion.

"Guo Ting" comes from the poem "Wild Goose" written by Ye Luo, a poet in the Tang Dynasty, which means a sandbar where wild geese rest and breed.

"Flower Mang" comes from the poem "Picking Lotus" written by Tang Dynasty poet Cui, which means the song of picking lotus on the lake.

Beautiful Flowers highlights a leisurely life, a paradise where lotus flowers and geese are born. Lotus and wild goose are symbols of Lin Daiyu.

However, Jia Yuanchun didn't like it, and removed "Guo Ting", which meant that Jia Fu no longer gave Lin Daiyu a foothold, so he had to throw her out like a broken goose (sixty-two times) and "wait for death". The rest of the lotus "flowers" means that Jia Fu squeezed the last value of Lin Daiyu. It also corresponds to the story that Lin Daiyu died for Jia Baoyu and had to marry a princess in a foreign country with Jia Tanchun.

We have already said this when we read Lin Daiyu's Three Chrysanthemums.

Anyway, Jia Baoyu threatened to pull out the residual lotus on the water here because it was annoying. Lin Daiyu disagreed. It is said that I like Li Shangyin's poem "Leaving a Residual Lotus to Listen to the Rain", which corresponds to the scene of a residual lotus in late autumn. When Jia Baoyu heard that it was good, he said, "Don't pull it out." .

If we combine the foreshadowing of "leaving the residual lotus to listen to the rain" with the foreshadowing of "loving flowers" to "loving flowers", we will find that the foreshadowing of Lin Daiyu's life is particularly clear.

Listening to the rain with a remnant lotus is a poem revised by Lin Daiyu. The original text is from Li Shangyin's "Love in the snail pavilion pays tribute to Cui Yong and Cui Zhou"

Bamboo dock is clean and clear, and acacia is separated from the city.

Autumn frost flies late, leaving dry lotus to listen to the rain.

Li Shangyin's parents died when he was young, so he had to go to his cousin Cui Rong. Cui Rong treats Li Shangyin as his own, and treats him and his two sons, Cui Yong and Cui Zhou, and his three cousins with deep feelings.

Unfortunately, Cui Yingnian died young, which changed Li Shangyin's rare leisure life. After the death of his cousin, the Cui family lost his official position, and Li Shangyin had to leave the Cui family and part ways with his cousins.

After Li Shangyin left Chang 'an, he was lost on the way forward alone. On a miserable night in late autumn, he stayed in the Shuige of a family named Luo, unable to sleep at night, listening to the sound of rain and withered lotus outside the window, and could not help but write this poem about missing two cousins.

The feeling of missing my cousin, confusion about the future, and complicated feelings about my pessimistic life are intertwined in the poem, which is a particularly sad sentimental poem.

After reading Li Shangyin's life experience, combined with the fact that "Hualien, Guo Ting" was removed, "Hualien" predicted that Lin Daiyu had no position in the Jia family and wanted to marry far away, we would find that their lives basically overlapped.

The same parents died without family support, the same loneliness in my uncle's house, the same affection with my cousins, and the same loneliness. ...

"Leave the residual lotus to listen to the rain" represents the end of Lin Daiyu's future departure from Jiafu.

As for the foreshadowing of Lin Daiyu's distant marriage, from Song of Burying Flowers, Three Exquisites of Tipo to three chrysanthemum poems, and later the wine order of Broken Goose, Lotus signed Don't Blame the East Wind, and the most intuitive Qingwen died tragically after being driven away ... There are many foreshadowing. In particular, Jia Tanchun named Lin Daiyu Princess Xiaoxiang, which is the story of two lesbians getting married. Both of them have the foreshadowing of marrying foreign countries as princesses. Lin Daiyu's allusion is the combination of the above-mentioned autumn cool lent furnishings in Jia Tanchun and the "cloud" of apricot flowers "planted on the clouds". ...

The consistent view of Jun Jian Ya Kan Hong Lou is that both Lin Daiyu and Jia Tanchun are married to foreign countries. Lin Daiyu soon missed Jia Baoyu and died in tears. The point of view remains unchanged, so I won't repeat it.

Then, Li Shangyin's original poem is "Leave the withered lotus to listen to the rain". Why did Lin Daiyu change her words to "stay dry and listen to the rain"? I think there are two reasons.

First, when Li Shangyin wrote poetry, it was autumn in September, and the lotus leaf in the pond had withered, which was called withered lotus. He heard the sound of rain beating the withered lotus in order to "leave the withered lotus to listen to the rain."

Grandma Liu came from the Mid-Autumn Festival, but at the end of August. Although the lotus in the pond has withered, it still has vitality. There are mottled lotus leaves and late-blooming lotus flowers, which are called residual lotus. What Lin Daiyu saw was "leaving the residual lotus to listen to the rain".

Different times are doomed to different States. Li Shangyin's Dead Lotus is full of vitality. Lin Daiyu's Residual Lotus is still alive.

Second, Lin Daiyu was the "Lotus Master", so she got the "Lotus Sign". Since Zhen, a large number of tragic figures related to Furong, Rong and Ling in A Dream of Red Mansions are all poor people headed by Lin Daiyu.

"Leave the residual lotus to listen to the rain", and the residual lotus is the embodiment of Lin Daiyu. Apart from Li Shangyin's experience of "Love and Cuizhou in Luoting", it also means that Lin Daiyu has not stopped breathing. At this time, Baochai's love still has a chance.

"Flower Mangzi" is connected to the lotus pond on one side and the Wu Heng Garden on the other. The flowers in Lotus Picking symbolize the opposition between Bao Dai's marriage and Liang Jinyu's marriage.

Lin Daiyu thinks Residual Lotus is good, so stay! Xue Baochai thinks that the residual lotus is not good and wants to "pick lotus". She said, "Have you let this garden go this year?" The implication is that the residual load should be removed when there is time. The reality is that the two sides stand in opposition.

This episode took place between Baochai and three other people. Lin Daiyu's life is hidden in the details. And then it will usher in Heng Wuyuan. What kind of fate does Xue Baochai predict? If you want to know how, listen to the next decomposition!

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