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What is "Ping"? What is Xu?
According to the rhyming books revised from Sui Dynasty to Song Dynasty, such as Qieyun and Guang Yun, there are four tones in Middle Chinese, which are called Ping, Shang, Qu and Ru. Except for the flat tone, the other three tones have high and low changes, so they are collectively called Legato.
There is a certain format in the use of flat and even words in poetry, which is called meter. Pingsheng and Silence refer to the poetic rhythm composed of Pingsheng. Flat tone is an attempt to dualize the four tones. Four tones are four tones in ancient Chinese. Tone refers to the level, fluctuation and length of sound. On the basis of four tones, the flat tone is summarized through incomplete induction. Flat refers to straight, flat refers to twists and turns.
Extended data:
In addition, if you want to distinguish a level tone, you must first know the four tones. Four tones are four tones in ancient Chinese. Tone refers to the level, fluctuation and length of pronunciation.
Tones in ancient Chinese can be divided into four types: flat, upward, far and progressive. "Flat" refers to the flat sound of the four tones, including the yin sound and the yang sound, and "virtual" refers to the four tones, including the upper, lower and middle tones. According to the traditional view, a flat tone is a flat tone, a rising tone is a rising tone, a falling tone is a falling tone, and an entering tone is a short tone. Simply put, the key to distinguish flat tones is "uneven is flat".
In modern Chinese, there are four tones: even tone, rising tone, rising tone and falling tone. In modern Chinese, the tones of ancient "Pingsheng" can be divided into Yin Pingping and Yang Pingping, namely the so-called first and second tones. In modern Chinese, the tone of the ancient "Shang Sheng" is partly disyllabic and partly Shang Sheng. Shangsheng is the third sound of modern Chinese Pinyin.
The tone of "Qusheng" in ancient times is still the fourth tone in modern Chinese. In modern Chinese, the ancient "Rusheng" tone no longer exists, and it has become a flat tone, a rising tone, a falling tone. The four tones of modern Chinese are: flat tone (first tone), flat tone (second tone), rising tone (third tone) and falling tone (fourth tone).
When it comes to the rhythm of poetry, it generally includes three aspects: first, the harmony of levelness, second, the neatness of antithesis, and third, rhyme. The so-called coordination between levels means that the levels of the corresponding words in the upper and lower sentences are relative, the level in the upper sentence and the level in the lower sentence.
For example, one sentence in the seven-character poem is flat and even, then the next sentence should be flat and even. This method was first put forward by Shen Yue in the Southern and Northern Dynasties, and was widely used in metrical poems after the prosperous Tang Dynasty. Generally speaking, regular poems and quatrains must pay attention to flatness, while classical poems are broader.
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