Can people who study vocal music sing?

I believe that friends who browse under this question don't want to be sent away by a simple "singing must go to a vocal music teacher". Here, I will talk with you about my vocal learning experience and share a thing or two. 1, "treble" goes to the fucking treble first! How many people learn to sing with the misunderstanding that "the higher the voice, the better", "learning to sing is learning high notes" and "there is still high notes between me and singing". Baidu search "learn to sing", there are countless "skills" to teach you to conquer the treble, which is really deeply rooted in people's hearts. In order to attract attention through advertisements, it is necessary to understand people's most common needs. However, if you don't know the characteristics of your vocal cords and have no basic skills, do you want to sing high notes? Does the treble suit you? Do we have to sing high notes? High notes = flowers+applause? No, most untrained tenors are usually crowded. Even if the vocal cords are thin and short, they are thin and flat without training-students who feel that they are good at singing (Hou) and can "pull" their tenors very high, record their tenors, give it a try and you will know what I am talking about. 90% of your friends who love to order Love After Death at KTV are weak chickens who can't sing. 2. "Scope" Therefore, the first point above is to pave the way for this paragraph. After understanding the common sense that "singing high notes is not equal to singing awesome", we entered the stage of learning and understanding. Everyone has his own range. Vocal music majors should be taken to the hospital for examination before entering school. Check what? Check the vocal cords. The vocal cords are short and thin? Well, you are suitable for singing high notes ... The voice is wide and thick, and it is a good bass material ... There is no difference between high and low, and bass singers are quite rare. Ordinary players who are not music majors can make a preliminary judgment according to their own way of speaking and sound texture: high or low, sharp or vigorous. Turn on the K-song software of your mobile phone, pick a few songs you like and hum them-the chorus will make you scream and be eliminated immediately, and if it is too low, it will make you fall into your throat. Find a song (you can hold it) where the lead singer and the chorus are comfortable, and take it as the goal of long-term practice. Vocal range can be improved through training. Don't rush for success. You can grow through experience. 3. "Emotion" Next, you may tell me that all you can grasp and feel comfortable are some plain songs, such as "Ten Years" and "Later". You sing as calmly as water, as if you were reporting a running account. Then I tell you, in this case, even singing "Leave the Song" is the same as "Leave the Surface"! What you lack is not only skill, but emotional input! Tell a story. On the eve of a competition, the teacher stopped to listen to me sing the entries. "all right! Stop singing and think back to your former girlfriend, which makes you feel the most sorry and sad! " What! ? Laozi's children are almost ready to make soy sauce, and you actually let Laozi think about something that destroys the happiness and harmony of the family? Do it or not! "Then you can only watch some bitter Korean dramas ..." How can you let a straight steel man go to see Korean dramas? However, the teacher said that to express this song well, you must have that kind of painful experience and emotion. So I took out this month's salary slip … So in this article, I want to talk about the importance of "emotion" to singing. The reason why I put it in front of the "skills" I will talk about next is because emotion is the soul of songs. Children's songs are gentle and ethereal, wrapped in pure beauty; Folk singers can talk about life by brushing chords lightly ... Their singing skills don't need to be perfect, so they can easily walk into your heart and express their emotional information to you. So to sum up, the emotion in singing must be more important than the skills you master. Don't try to "finish" the song, but "pour out" the heart of the song to your audience. On second thought, I don't describe this article as a "skill" article, nor do I write a "breath" article. A lot of knowledge is available online, but to be honest, it's messy and useless. The most important and true thing is "feeling". Singing is like a pregnant woman's "pregnancy in October", which needs constant practice to verify the theory. Here, I will not use a lot of useless space to explain the theory in order to seek praise, but try to explain the boring theory in the simplest language and the most "sensible" form. (1) Feeling breath is the basis of singing. You can listen to Tia Ray's Let It Go. The song is sexy, lazy, lost and sad. You will find that every word in this song, even where there is no sound, has a continuous breath, like a long silk thread. This is the biggest difference between ordinary people who sing at the meeting. People who can sing will "wrap" their voices together in the breath, so that the voice sounds coherent and profound, and the words will not come to an abrupt end. * How to feel the breath? We can "smell the flowers" and feel the breath coming in through the nose, and the lower abdomen will swell up because of the inhaled air-that is the breath we want to sing, which is the so-called "abdominal breath". * Wrong breath: If you shrug your shoulders when inhaling and feel your stomach is still and your chest is full of breath, sorry, there is not enough breath for us to sing, please give up. * How to exhale: Use an image metaphor to "swallow a basketball and spit out a silk thread". Inhale slowly and intensively, and spit with the lyrics when singing. * Breath support: Many vocal music teaching will ignore this point, but it is the most indispensable feeling point. What is the state of the body when inhaling and exhaling? How can I vomit slowly, so as not to let it all go? This involves "support". Compare the human body to a balloon, inhale the "flower fragrance" and the balloon will bulge. Exhale and the balloon will shrink. This is a normal process. But! In order to make the exhaled air slow and smooth, we should try to keep the balloon as big as possible when inhaling air. As we all know, squeezing the balloon will make the breath run faster, and keeping the original shape and size of the balloon can effectively control the outflow of breath. This is what we usually call "stomach exertion". To sum up, the support of breath means that when exhaling, the stomach should exert its strength, and when inhaling, it should support itself into a state of size. You can try the feeling of waist force when lifting heavy objects. The songs sung in "Hold Your Breath" are deeply rooted, full and solid. (2) Singers who feel * * * bel canto can spread songs to every corner of the theater without a microphone, and they use almost all the singing positions of their bodies. On the other hand, pop singers use some * * * songs through modern public broadcasting equipment to achieve similar effects. So one of the differences between singers and untrained people is "the use of * * * songs". * * The effect of singing varies from position to position. The use of nasal cavity, oral cavity, head cavity, pharynx cavity and other cavities is equivalent to adding "metallic feeling, brightness, magnetism and richness" to your song, and so on. But for beginners, it is elusive that various postures do not have a lot of practice and feelings. There is a general suggestion to add a "Buff" to your voice. * Halfway through yawning, the inner mouth is completely open, the posterior pharyngeal wall is solid, and the soft palate is raised. * When making a sound, imagine the sound reaching the eyebrows and find the feeling of "crying", that is, the feeling of purring ... to sing. * Don't forget that the sound is wrapped in breath (the wind blows in the hole), and the lower abdomen must be supported. Pay attention to the control of breath+throttle. 5. "Practice" If the methods mentioned above are not felt and practiced, then everything is in vain. Singing can't be eager to achieve success, but must grow and improve through daily exploration and understanding. I am often glad that one day I can "feel the feeling of singing"; I will be depressed for a long time because I can't find my feelings. There are also many people who have developed a lot of bad habits before they begin to formally learn vocal music (the importance of teachers has to be emphasized here), which need to be corrected by repeated practice in the right way. Here are some exercise methods for your reference: (1) Dog panting: training diaphragm strength. (2) Humming: expanding the range and stabilizing the breath. (3)lip quiver: DuDu, relax chin and control breath. (4) Singing: Sing your favorite songs, believe me, or you will lose interest in singing.

I hope my answer is helpful to you.