How do you say people's commune in English?

I'd like to ask how to say people's commune in English

people's mune

Work points system in people's commune

Division system of the people's mune period

Family commune

Family commune. mju:n? Ti]

beauty [k? mjun? Ti]

n. community; * * * Homomorph; Social groups; [ecological] community;

[example] He's well like by people in the community

People all like him very much.

[other] plural: munities

I want to know the origin of cross talk?

The so-called cross talk is to imitate various sounds at first, such as human voice, bird sound, animal sound, wind, underwater sound and other sounds in the universe. I think that in the Warring States period, Meng Changjun's disciples learned to crow like chickens to relieve their danger, which was the forerunner of cross talk. Since then, it has been passed down from generation to generation, and the capable have come forth in large numbers, gradually forming an art. Compared with the performers written in the article "Kouji" in Mr. Pu Songling's Strange Tales from a Lonely Studio, they have the embryonic form of cross talk. After that, most performers imitated human voices and mixed stories into them, so the art of cross talk was successful. At present, the cross talk art on the stage can be divided into single-mouth and double-mouth; The latter is easier and the former is more difficult.

The art of cross talk was popular in Beijing earlier. At first, a tent was set up, and one person sat in the tent to learn the barking of animals, birds and various separate sounds, and the audience listened outside the tent. Later, it was synthesized and mixed into a story to become a more systematic voice. This is called "dark cross talk". At that time, the drunkards return home and Wuzi Noisy School, which were generally popular, were the most obvious examples. The performance of "The Drunken Comes Home" is as follows: I suddenly heard someone walking around in the account, followed by knocking at the door, opening the door, crying of children, quarreling between husband and wife, smashing bowls and snoring. The audience burst into laughter. Then, remove the curtains, worship a long table on the ground, and stand behind the table alone, learning the dialects of various provinces and the cries of peddlers from all walks of life. This is called "Ming crosstalk".

As far as I know, during the Xianfeng period, there was a Mr. Zhu Shaowen (nicknamed "Poor and Not Afraid") who was the first person to speak cross talk. When he was in his eighties, I was only a teenager, and I still saw him. He used to study Peking Opera and sing a little face. Later, according to the rules of the Qing dynasty, it was not possible to sing operas every day, such as the day of fasting (the day of offering sacrifices to heaven and land) and the day of birth (the anniversary of the death of the emperor, empress and empress dowager), and it was necessary to stop playing the organ, and of course it was impossible to sing. Finally, these days, as many as 5 or 6 days a year, all theaters have to stop performing. If we catch up with the so-called "national filial piety" (that is, the emperor, queen and queen mother died), we must stipulate that singing is not allowed for 27 months. I myself have caught up with the national filial piety of Guangxu and the Western Empress Dowager, although it has been reduced, but it still needs to be kept quiet for a hundred days. After a hundred days, you are not allowed to dress up and sing in operas. Only blue, blue and white are allowed for horse whips, and red is not allowed. In this way, the singer will lose his job. Mr. Zhu came up with a way to attract the audience by scattering white sand on the ground. When everyone gathered, he was next to Yong Road, holding two bamboo boards (not forbidden), singing a few short stories and asking for money. He also studied several small jokes, such as "Vigorous Name", "Hundred Birds Name", "Hundred Animals Name", "Hundred Insects Name", "Green Vegetable Name" and "Beijing Opera Name". In addition, I made up five complaints-"Hu Bu La v. Gong", "Duizibing v. Gong", "Cuckoo v. Gong", "Xia Bu Gua v. Gong" and "Cook v. Gong". Two small books-"Thousand-Character Works" and "Hundred Family Names". In this way, he spoke vividly and was very popular with the masses. Later, he adapted the contents of Peking Opera dramas such as "Carrying a Baby into the House", "A Piece of Cloth" and "Playing the Sand Pot" into short stories and sang them in the street, which made business even better. So every time he met Chen, Zhai and other days, he made up for it with cross talk, and when he was in Xianfeng's national filial piety, he officially made a living by speaking cross talk. After the national filial piety, the troupe invited him to sing opera again, but they all declined. Later, I took my apprentice, which created this line.