Did Li Bai offend Gao Lishi?

In the history of China, Li Bai seems to be the only one who is so poetic.

He can let the emperor personally step down from the dragon chair to meet him, and let Gao Lishi take off his boots and write hundreds of poems about fighting wine.

But from another point of view, Li Bai is a politically naive person, a person who doesn't talk about science, and a person who wants to learn from the immortal and seek the Tao. What is most outrageous is that as a legendary swordsman, he is besieged and bullied by a group of hooligans.

Even the immortal once wanted to be an official.

Li Bai does have the grace of a fairy.

At the age of 42, he drifted into Chang 'an. When he boarded the golden palace, even the emperor of the Tang Dynasty, who was highly respected during the Ninth Five-Year Plan period, could not help stepping down from the throne to meet him personally.

No one has ever walked so gloriously through the emperor's pavilion.

In the following thousands of years, countless people who read this anecdote are still admiring and thinking. How free and easy.

Although Li Bai was born with this style, it is not necessarily without a little "show" flavor.

One of the figures that Li Bai admired all his life was Xie An, a famous minister in the Eastern Jin Dynasty.

One of the virtues of people in the Wei and Jin Dynasties was that it was beautiful to let people live freely, which was roughly similar to the current performance art.

Many people, including Xie An, have deliberately influenced this point, but the so-called Wei and Jin demeanor is really a bluff.

The momentum of Li Bai's entry into Chang 'an is somewhat a projection of the shadow of Wei and Jin Dynasties.

In any case, it is common for Li Bai to get in and out of the harem with the grand courtesy of Emperor Tang Ming, let alone be a dignitary.

Tang even personally mixed soup for Li Bai to show his luck.

However, Li Bai didn't come to Chang 'an to put on airs. He wants to realize the political ambition of the country and the people, which is almost a common fault of scholars in past dynasties, and Li Bai is no exception. Moreover, Li Bai, who is conceited and full of ideals, is seriously ill than others.

Such a vigorous trip to Chang 'an seems to make Li Bai feel his dream.

However, a small oversight ruined everything-he let Gao Lishi take off his boots.

Let Gao Lishi take off his boots, and the political future will be bleak.

In the legend of Li Bai, people are most relished that Gao Lishi took off his boots and Yang Guifei held the inkstone.

In fact, it's certainly not so romantic and glamorous, but it's true that Goliath took off his boots.

Li Bai was drunk while accompanying Tang. Tang Huangming asked Gao Lishi to take off his boots for Li Bai, but Li Bai didn't honestly refuse.

What's the role of Gao Lishi? Even Prince Hengli, who later ascended the throne, called Gao Lishi "the second brother". Even Yang Guifei accidentally offended Tang and asked Gao Lishi to intercede for him.

Gao Lishi, so trusted by Tang, is a powerful man.

Such a role, Li Bai actually let him accidentally take off his boots.

As soon as his boots were taken off, Li Bai's political fantasy was doomed to be shattered.

In a word from Gao Lishi, Li Bai ended his career as a royal poet for more than a year, which disappointed Chang 'an.

Li Bai's great ambition for a swan is completely rooted in such a trivial matter; It is an irony of fate that such a talented immortal falls into the hands of a eunuch.

Gao Lishi is hateful, but Li Bai's sensitivity to complicated political situation is really lacking. Without a clear political consciousness, no matter how grand the plan is, it is just empty and absurd.

The poet's political ideal is probably floating freely, which is an unrealistic fantasy.

Drinking in the dark is good for writing poetry.

If Li Bai were alive today, he would probably become the image spokesman of countless wineries. He drank in complete darkness.

The frequency of wine appearing in Li Bai's poems may also be a world record.

Wine seems to flow in Li Bai's veins. In Chang 'an, the image of Li Bai is tied to wine. He and several other celebrities at that time were called "Eight Immortals of Wine".

Even before the emperor, Li Bai often appeared in a drunken state.

When Emperor Ming of the Tang Dynasty was playing, he suddenly thought of something new and ordered Li Bai to entertain him with poems.

Li Bai was drunk in Ning at this time, but ten five-character poems didn't add any words.

This kind of talent is of course bowing, but this kind of unruly is also staggering.

The most famous drunkenness is three Qing Ping Tunes written by Li Bai.

It was Tang who asked Li Bai to write new words. Li Bai got very drunk this time.

However, after spraying water to wake Li Bai up, the first thing Li Bai did was to ask for wine.

Don asked him if he was drunk, why did he still drink? Li Bai answered: I am a hundred poems about fighting wine.

If modern doctors see such cases, they will probably give Li Bai a diagnosis of severe alcohol dependence.

Li Bai, who can be drunk, wrote the famous articles in these three Tang poems.

Li Bai's unruly has given future generations endless reverie, as if he really has a floating fairy spirit.

But besides that, Don often sees an alcoholic.

Even without Gao Lishi, a minister who was drunk all day, I'm afraid any emperor would hesitate to appoint him.

Li Bai's free and easy temperament may itself contradict his political ideal. His personality determines that he is a "poetic immortal" rather than an important official.

The relationship between wine and Li Bai is so inseparable that later generations will attach Li Bai's drunken swimming in the river to catch the moon and fall into the water when telling the legend of his death.

Compared with the death of poverty and illness, this ending is more in line with people's expectations and imagination.

However, after Li Baikong left Chang 'an with ambition, he became more and more addicted to drinking. At this time, drinking is not only a need, but also a sustenance and escape.

It is said that he killed several people but was besieged and bullied by hooligans.

Romanticism runs through Li Bai's blood. In the atmosphere of his times, ranger, immortal and seeking Tao became his romantic carriers.

Li Bai praised the ancient chivalrous spirit many times in his poems, and his bold and heroic momentum made people excited.

Among them, the famous "chivalry" is not only used by Jin Yong as the name of martial arts novels, but also the secret of high martial arts is hidden in the book.

Li Bai not only admired the spirit of ranger, but also practiced it.

He learned fencing at the age of 15, and it is said that he once "held several people"; When he left his hometown to travel to the southeast, he boasted that he had scattered 302 thousand gold, which was quite a ranger spirit.

However, in the downtown area of Chang 'an, the ranger was bullied by a group of hooligans.

In his later years, the hedonistic Tang had a group of eunuchs and servants who trained all kinds of animals. Relying on the emperor's favor, this group of people were overbearing, and Chang 'an called them "children of five parties".

Li Baichu entered Chang 'an and clashed with these thugs.

It seems that Li Bai's martial arts didn't reach home, and he was besieged and bullied by "five children". At the critical moment, a friend of Li Bai rushed into the fray and rescued him.

Romantic chivalrous feelings can't stop a few punks.

Li Bai's poems have praised the image of "sword" for nearly a hundred times, but his sword can't protect himself at the critical moment, not to mention the ranger helping the poor.

What do you think? Li Baixue's chivalry is a bit of an armchair strategist in Zhao Kuo.

It is also serious to pursue learning from immortals and seeking Tao, which has been tempered by Dan.

The more ethereal pursuit is to learn from the gods and seek the Tao.

In Li Bai's ideal, after his political success, he retired to learn Taoism.

Like his dream of being a ranger, learning from immortals and seeking Tao has been rooted in Li Bai's heart since he was a teenager.

When Li Bai was less than 20 years old, he once visited a Taoist priest in his hometown.

Shortly after Li Bai wandered away from home, he met Sima Cheng Town, a famous Taoist at that time. Sima Chengzhen praised Li Bai for his "sage demeanor", and Li Bai was very proud of it.

In his later years, Li Bai often mingled with Taoist priests, and his participation in politics and becoming a monk became the melody of Li Bai's alternation.

Until he was completely frustrated politically and left Chang 'an, besides drinking, monasticism became his important pillar.

It was at this time that Li Bai officially obtained the qualification of a real Taoist.

Li Bai also made an alchemy seriously, and like other things he was proud of, he described his good self-feeling when he made an alchemy in his poems.

If you can't learn chivalry, you don't have to ask the result of monasticism.

But no one will be hard on Li Bai. At that time and under such an opportunity, this recorded Li Bai's pursuit and hesitation for the vitality of romanticism.

No matter how great romanticism is, it often looks pale and powerless in front of reality.

Free and easy as Li Bai, he repeatedly defeated Maicheng in his life.

His loss and pain left a legacy to zhanghua Le Cai.