What does luggage mean?

Question 1: What does the burden in cross talk mean? The artistic language that makes people laugh in cross talk is called baggage. This is a term used by crosstalk performers. In fact, it means exactly the same as jokes and gimmicks. In the application, there is a process of binding and shaking the baggage.

Generally speaking, it is enough to tell a joke and bring one or two bags. There must be at least four or five burdens in a cross talk, otherwise it will easily warm up to the end and affect the performance effect. The process from jokes to crosstalk is a process of constantly enriching the content and increasing the burden. For example, Hou's Guan Gong vs is nearly 3,000 words, while the original paragraph is only over 300 words. Many tracks in traditional crosstalk are derived from the spread of small cushion words.

The main artistic means of cross talk is laughter. So it's not a cross talk without baggage. Laughter, it should be a smile with praise and blame, a smile with love and hate. To inspire, to enlighten, to awaken, to be alert to laughter. You can't just laugh and play. Telling jokes is expensive in nature. It should be like this. I didn't mean to tell a joke. It forced me to come. The same is true for writing cross talk and speaking cross talk. In addition to the correct creative attitude, we need to master some basic knowledge, constantly explore the law of burden generation, and enrich the spiritual life of the people with natural and healthy laughter. The burden should come from some comic factors that make people laugh in cross talk. It must truly reflect life, and use concise and general language, cleverly arranged structure and coherent plot to produce artistic effects. Baggage must be humorous but not vulgar, humorous but not oily, unexpected and reasonable, stand out from the crowd and give people beautiful enjoyment. At the same time, actors should also be good at being unconventional and not stick to the rules.

Ten ways to form a burden

To arrange the burden in cross talk, we should be good at learning from traditional skills and constantly bring forth the new to meet the needs of the times. There are many ways to form a burden, the most important of which are repetition, negation, abnormality, illusion, pun, exaggeration, interruption, misinterpretation, homophonic, argument and so on.

(1) repeat method

Repeat the contradictory illusion three times, and the fourth time subtly mutate to reveal the truth. For example, Ode to Friendship: A: Can foreign countries understand cross talk? B: it doesn't matter if you don't understand, there is an interpreter! (paving the way for creating illusion) A: Oh! A translator is standing next to an actor, talking and translating? Well done! (Continue to pave the way) A: Now cross talk begins. B: Vinobigan, Krostok. A: Crosstalk is a folk art in China. B: Krostok, Eugene Achchana. A: Crosstalk is a lively and combative form. B: Izraf, liam miller tent. (Third time) A: This form is that shoes don't do AWLS-really (needles) are good! Dogs drive ducks away. B: Well ... A: Where! B: I can't turn it over. How do I translate it? ! (The fourth shake of the bag) This technique is called three transgressions and four shakes by the actors.

(2) Negative method

People who say one thing and do another often deny themselves and cannot justify themselves. For example, buying a Buddhist shrine: B: What do young people say? A: Auntie, I went shopping and bought a Buddhist shrine! Isn't that a good word? B: Ah! A: The old lady won't listen! Young people are impolite in speaking. This is a Buddhist shrine. Can you say buy? I have to say, please B: Please. I don't understand, auntie. How much did you pay for it? "Such a broken thing, a fucking eighty cents!" B: What ... I'm too worried about money!

(3) Abnormal method

Treat things that violate the rules as conforming to the rules. For example, the advantages of love: a: two people falling in love is the advantage of love. B: That's right! A: When men ask the woman for advice, they all say, Xiao Zhang, we have been dating for so long. Do you have any opinions? B: ask for advice What did the woman say? > & gt

Question 2: What do you mean by network language burden? It means smile. This is actually not a network language, but a term in cross talk.

Question 3: What do you mean by luggage? luggage

Basic explanation

1. Cloth for wrapping articles

2. A parcel wrapped in cloth

3. Metaphor mental burden

4. Metaphor is a burden, even something that makes people depressed, depressed or worried.

5. Jokes in Quyi programs

Question 4: What do you mean by psychological burden? In the face of this feeling, there are generally three ways:

1: If you are in a bad mood, you can change the topic or do other things, such as listening to music, watching TV, going out for activities (running, walking, playing ball) and so on. , can distract attention, ease the bad mood.

2. Tell your unhappy things to friends and relatives, and you can cry (but you shouldn't). At the same time, you can also throw pillows and hit sandbags, but pay attention to the object of venting! There are also places and occasions, which should be appropriate to avoid hurting others.

3. And comfort yourself. You can find some appropriate reasons to tell yourself, which can help you accept the reality in the face of setbacks and keep an optimistic attitude.

The above can keep an optimistic attitude and be a healthy person! I hope I can help you!

Question 5: What does it mean to have a burden in your heart? Is that there are people or things in my heart that I can't let go.

Question 6: What does the burden in cross talk mean? The artistic language that makes people laugh in cross talk is called baggage. This is a term used by crosstalk performers. In fact, it means exactly the same as jokes and gimmicks. In the application, there is a process of binding and shaking the baggage.

Generally speaking, it is enough to tell a joke and bring one or two bags. There must be at least four or five burdens in a cross talk, otherwise it will easily warm up to the end and affect the performance effect. The process from jokes to crosstalk is a process of constantly enriching the content and increasing the burden. For example, Hou's Guan Gong vs is nearly 3,000 words, while the original paragraph is only over 300 words. Many tracks in traditional crosstalk are derived from the spread of small cushion words.

The main artistic means of cross talk is laughter. So it's not a cross talk without baggage. Laughter, it should be a smile with praise and blame, a smile with love and hate. To inspire, to enlighten, to awaken, to be alert to laughter. You can't just laugh and play. Telling jokes is expensive in nature. It should be like this. I didn't mean to tell a joke. It forced me to come. The same is true for writing cross talk and speaking cross talk. In addition to the correct creative attitude, we need to master some basic knowledge, constantly explore the law of burden generation, and enrich the spiritual life of the people with natural and healthy laughter. The burden should come from some comic factors that make people laugh in cross talk. It must truly reflect life, and use concise and general language, cleverly arranged structure and coherent plot to produce artistic effects. Baggage must be humorous but not vulgar, humorous but not oily, unexpected and reasonable, stand out from the crowd and give people beautiful enjoyment. At the same time, actors should also be good at being unconventional and not stick to the rules.

Ten ways to form a burden

To arrange the burden in cross talk, we should be good at learning from traditional skills and constantly bring forth the new to meet the needs of the times. There are many ways to form a burden, the most important of which are repetition, negation, abnormality, illusion, pun, exaggeration, interruption, misinterpretation, homophonic, argument and so on.

(1) repeat method

Repeat the contradictory illusion three times, and the fourth time subtly mutate to reveal the truth. For example, Ode to Friendship: A: Can foreign countries understand cross talk? B: it doesn't matter if you don't understand, there is an interpreter! (paving the way for creating illusion) A: Oh! A translator is standing next to an actor, talking and translating? Well done! (Continue to pave the way) A: Now cross talk begins. B: Vinobigan, Krostok. A: Crosstalk is a folk art in China. B: Krostok, Eugene Achchana. A: Crosstalk is a lively and combative form. B: Izraf, liam miller tent. (Third time) A: This form is that shoes don't do AWLS-really (needles) are good! Dogs drive ducks away. B: Well ... A: Where! B: I can't turn it over. How do I translate it? ! (The fourth shake of the bag) This technique is called three transgressions and four shakes by the actors.

(2) Negative method

People who say one thing and do another often deny themselves and cannot justify themselves. For example, buying a Buddhist shrine: B: What do young people say? A: Auntie, I went shopping and bought a Buddhist shrine! Isn't that a good word? B: Ah! A: The old lady won't listen! Young people are impolite in speaking. This is a Buddhist shrine. Can you say buy? I have to say, please B: Please. I don't understand, auntie. How much did you pay for it? "Such a broken thing, a fucking eighty cents!" B: What ... I'm too worried about money!

(3) Abnormal method

Treat things that violate the rules as conforming to the rules. For example, the advantages of love: a: two people falling in love is the advantage of love. B: That's right! A: When men ask the woman for advice, they all say, Xiao Zhang, we have been dating for so long. Do you have any opinions? B: > >

Question 7: What do you mean by burying baggage? Is to lay the groundwork before telling jokes.

Question 8: Please take care of your luggage. What do you mean by luggage? essay

Question 9: In fact, I have always been a person with a burden. What do you mean? For example, A and B are in love, and C tells A that we should get married together. A can be said that I am a person with baggage, and the baggage here refers to B or feelings.