How much of Degang Guo's crosstalk strength comes from Yang Zhigang?

Now you can find the earliest Degang Guo audio on the Internet, which is 1989 "Dream of Going Abroad" co-produced by Degang Guo and Tao Dawei at the 6th Golden Gate Qu Hui Crosstalk New Works Conference.

At that time, Degang Guo was completely different from now, with a formal attitude and no robbery, which was completely different from the typhoon that now rules the world. In other words, Degang Guo taught the basics of crosstalk seriously and solidly.

And 1989 happened to be the first time that Degang Guo failed to mix in the north. Back in Tianjin, it was also this year that Degang Guo took Yang Zhigang as his teacher and went to work in Hongqiao Cultural Center.

But before that, there were different opinions about whether Degang Guo had studied under Yang Zhigang. In Dongdong Gun's Degang Guo in the Library, Degang Guo knew Yang Zhigang very early, but he didn't learn from his teacher. Yang Zhigang also likes Degang Guo's talents very much, so he has always wanted him to work in the cultural center. It was only because Degang Guo thought Yang Zhigang was "ultra-leftist" that he was afraid of him, so he failed to go north on 1989 and officially mixed with Yang Zhigang.

According to this statement, Yang Zhigang and Degang Guo have known each other for a long time and appreciated Degang Guo's talent, so they must have had business exchanges with him and even instructed Degang Guo, otherwise they would not like him and hope to accept him to work in the cultural center. Even the most ardent fans can't say that Yang Zhigang is fascinated by the beauty of Degang Guo's flourishing age, so please admire his figure.

And Degang Guo himself in "My name is Degang Guo", almost denied all of Yang Zhigang, Yang Zhigang was just his teacher and gave him a guidance, which didn't help him.

But "My name is Degang Guo" is basically a collection of private goods in Degang Guo, and it also says that 1998 only has Tianjin's theatrical crosstalk, while Beijing's theatrical crosstalk was opened by Deyun Society. This is not only whether Yang Zhigang was appointed alone, but also whether all his colleagues were appointed and whether he was regarded as the originator of drama cross talk. This is not only incredible, but also a little hateful.

In addition, he also said that Yang Zhigang's corruption and illegal cohabitation with his female colleagues were also identified as rumors by the court, so Degang Guo's own statement can basically be denied.

Similarly, Yang Zhigang's unilateral statements about Degang Guo cannot be taken seriously, such as teaching Degang Guo to tell dozens of stories and Degang Guo stealing costumes.

Combine several aspects and knead the overlapping parts together. It can be inferred that before 1989, there were only a few contacts between Degang Guo and Yang Zhigang, including business contacts. From 1989 to 1994, corruption in Degang Guo was exposed. After losing his iron rice bowl in the cultural center, Yang Zhigang certainly taught Degang Guo a lot during this period, and the most important thing was not jokes. As we all know, Degang Guo doesn't need to teach jokes seriously. He made a second pseudo original by copying it through private recordings and search engines. So even if Yang Zhigang really taught Degang Guo dozens of jokes, it's still nine Niu Yi hairs for Degang Guo's so-called 600-paragraph+inventory.

Yang Zhigang's greatest influence on Degang Guo should be high-pressure management and Degang Guo's temperament. Degang Guo retaliated and felt that the whole world owed him 4.68 million yuan. The hostility shown on the stage was all ground out by Yang Zhigang during this period.

Go to the cultural center at 7: 00 every morning and start cleaning the front and rear buildings and four toilets; At eight o'clock, get the manuscript paper from curator Yang on time; From 8: 00 to 12: 00, it must take four hours to finish writing this manuscript paper, write your own thoughts and understanding, and "dig out the mistakes in the depths of your thoughts"; At twelve noon, go home for lunch; At one o'clock in the afternoon, go back to the cultural center, take another piece of manuscript paper and continue to write. Moreover, in the ideological understanding of writing two papers every day, if a sentence written in one day is repeated with the content of the previous day, Director Yang will tear up the paper and let it be rewritten.

It's like Degang Guo teaches disciples not to teach jokes, but to suppress your self-esteem, so that you don't treat yourself as a person, and then slowly rebuild your personality on the stage. The more children need high-pressure management, otherwise they will have no fear of the stage. For example, Pan and Pan are all cultivated by Degang Guo. On the other hand, Degang Guo has always been arrogant, and his spirit is higher than the sky. Besides, because of his mistake, he was punished by Yang Zhigang, and he felt persecuted by Yang Zhigang. Therefore, in the polishing day after day, he has developed the self-control that he will not suffer no matter where he is. No matter what happens, he will always be right. What is wrong is peer media, sunshine, air and earth. The formation of this character also made Degang Guo what he is today.