The conception of whimsical sketches for performance majors

This idea is good, but it is a little difficult to rehearse.

Let's start with the most basic contradictions and conflicts in comedy. First of all, the simplest conflict in chess is the conflict between a handsome hand and a general. Two men fought each other with the Chu River as the boundary. Chess is a game and a war. Then, if you look at all the film and television works, the drama works with the theme of war will always be launched from the perspective of one side, and the buzzwords of the other side are live props (that is, simply used to hinder the main force and pave the way for the plot). In this respect, the first is the personnel setting. If the chess pieces of both Chu and Han are set, too many people will have trouble in stage scheduling and too many props on the scene. If only one side's strong role is set, then China chess in the specified situation will lose its meaning. It is suggested to work hard under specified circumstances, for example, there are about 5 people left in the disability/death game, red: handsome, horse, elephant, white: general, gun. This is that war is no longer a contest of strength, but a confrontation at the spiritual level, which can enrich the distinctive personality characteristics of the five people and set up rich multi-level contradictions and conflicts.

Simply put, that's it. There are ideas to continue to communicate, and this is my own opinion. Don't spray unless you like it.