Knowledge of ancient poetry! ! Go, go, go.

The original meaning of "ancient poetry" refers to the poems written by ancient literati. Before and after Wei, Jin, Southern and Northern Dynasties, there appeared a number of five-character poems written by scholars before Wei and Jin, which had no title and no author. Most of them are lyric poems with unique expressive techniques and artistic styles, which are collectively called "ancient poems".

Shen Deqian in Qing Dynasty said, "Nineteen ancient poems are not the words of one person. I abandoned my wife at a high rate, my friends were rich, I wandered abroad, and I felt a sense of death and new things. Or fable, or express, or repeat. There is no whimsy at the beginning, and every sentence is thrilling. The ancient poems of Xijing are all under it. " During the Jin and Song Dynasties, these "archaic poems" were regarded as models of five-character poems. Lu Ji once imitated 12 sentence by sentence. Tao Yuanming in the Eastern Jin Dynasty and Bao Zhao in the Song Dynasty. There are "quasi-classical poems" that study the skills and styles of "classical poems". In the Liang Dynasty, Liu Xie's Wen Xin Diao Long and Zhong Rong's Shi Pin theoretically summarized and evaluated the artistic characteristics and value of "ancient poetry", and discussed its author, era and origin, which were generally recognized as works of the Han Dynasty. At the same time, Xiao Tong's Selected Works and Chen's Xu Ling Yutai's New Poetry define the scope of "ancient poetry" from the classification of poetry: all works without clear titles are called "miscellaneous poetry" by the author and "ancient poetry" by anonymous people. Ancient poetry source

Therefore, after Liang and Chen, "ancient poetry" has formed a special name with a specific meaning. It is the same as the two Han Yuefu songs, referring to the five-character poem written by Wu Ming in the Han Dynasty, which has developed into a poetic style with the artistic characteristics of "ancient poetry". Nineteen Ancient Poems occupies a representative position in the history of literature, and this title has also become a topic name.

Ancient poetry, also known as ancient style. The ancient poetic style before the Tang Dynasty is a poetic style that does not pay attention to meter and has no limitation on the number of words and sentences. After the Tang Dynasty, due to the appearance of modern poetry, poets deliberately imitated the writing style of ancient poetry in the Han, Wei and Six Dynasties in order to distinguish ancient poetry from new metrical poetry, and restricted it in some aspects, thus forming a fixed pattern of ancient poetry in the Tang Dynasty. As a result, the completely free poetic style before the Tang Dynasty was changed into a semi-free poem between metrical poetry and free poetry. The number of words and lines in classical poetry: Classical poetry has no fixed verse and no fixed style. All ancient poems are classified according to the number of words in the poem. Four-character ancient poems are referred to as four-character ancient poems for short; Five-character ancient poems are referred to as five-character ancient poems for short; Seven-character ancient poems are referred to as seven-character ancient poems for short. Four-character poems were adopted by people as early as the Book of Songs. But it gradually declined in the Tang Dynasty, and few people wrote it. Therefore, ancient poetry is still expressed in five words and seven words. Five-character ancient poetry is the orthodoxy of ancient poetry, and many people write it. Seven-character ancient poetry is not the mainstream of classical poetry, because it originated late. Therefore, the seven-character style is greatly influenced by the seven-character modern poetry. Zheng Banqiao's Poems

Five-character ancient poems and seven-character ancient poems are both ancient poems with neat words. There is also a kind of ancient poetry with mixed words, and the length between the lines is different and uneven.

On the Style of Ancient Poetry —— Also on two styles of poetry in middle school textbooks: There are many styles of ancient poetry in China, and there are different views on the classification and appellation of ancient poetry. Especially for Yuefu, ancient style and ballad poetry, it is even more confusing. Because, from the formal point of view, Yuefu style and ancient style are both five-character styles, and seven-character ancient poems and ancient songs are all seven-character styles, so it is difficult to distinguish them. But since ancient times, people have unanimously recognized their differences in content, technique and style, and established their names. In the second topic "Discussion and Practice" of Five Poems of Grade Eight (Volume II) published by People's Education Press, it is said that "The hut was blown down by autumn wind" and "A song to bid farewell to the field in the snow-Secretary Wu went home" are both poems with free form, fluent language and unrestrained style. Please talk about the similarities and differences between these two poems from the aspects of sentence pattern, narration and lyricism. "chanting willow

The ninth grade (1) knowledge essay "How to read" said: "Du Fu's" Shi Qu Guan "has a broad meter and a high style, which is called ancient style ..." The name here does not conform to the habit. People used to call Du Fu's Caotang "a seven-character ancient poem", while Cen Can's Bai Xuege was called "a seven-character song style". The editor also clearly saw the difference between the two poems, so this problem arose. Although Du Fu's "Three Officials and Three Farewells" are all five-character poems, people are used to calling Shi Hao officials "new Yuefu" instead of "ancient style". In order to understand this problem, it is necessary to make a brief review of the style of China's ancient poems. China's earliest poetic style was The Book of Songs with four characters, and then the Chu Ci style represented by Qu Yuan's Li Sao (also known as Sao Style Poetry) appeared, which lengthened sentence patterns with the conjunction "zhi" and the modal particle "xi", such as "Xi, the descendant of Emperor Levin" (Li Sao) and "Wu Gexi is wearing a rhinoceros armour". Therefore, The Book of Songs and Songs of the South became the source of China's poems. In the Han Dynasty, Yuefu, an organization specialized in collecting all kinds of poems and songs, appeared, and the most influential one it collected was folk poems, which we can still see today. Its biggest feature is strong reality, popular and lively, and its form is mainly five words. For example, the long songs in the eighth grade (1) textbook and "Drinking Horses in the Cave of the Great Wall" and "Joining the Army in the Tenth Five-Year Plan" in the high school textbook are authentic Han Yuefu. The content and style of Yuefu folk songs in Han dynasty influenced the poetry creation of literati at that time and later generations. By the end of the Eastern Han Dynasty, there were 19 ancient poems representing the maturity of literati's five-character poems, which absorbed many characteristics of Yuefu folk songs and promoted the development of ancient poetry. Especially in Wei, Jin, Southern and Northern Dynasties and Tang Dynasty, the development and evolution of Han Yuefu formed two main forms. A few poems

One is "Ancient Yuefu" (also called "Old Yuefu"), which was created by literati with simulation. It borrows the title of Han Yuefu and writes new contents, just like old bottles and new wine, such as Cao Cao's Out of Xiamen (Part VII), Yang Jiong's Joining the Army and Li He's Wild Goose Gate. The characteristics of these poems are that although they follow the theme of Han Yuefu, the content is new and related to the original theme, such as "joining the army" related to military affairs, and "wild goose gate satrap" related to frontier fortress. The content of literati's quasi-Yuefu changed from narrative to lyrical in Han Dynasty. In terms of form and technique, it draws lessons from its vulgarity and elegance, adds literati color and improves artistic taste. Ancient Yuefu has two forms: five words and seven words. The ancient poem "Seven Words of Yuefu" was first seen in Cao Pi's "Ge Yan Xing" in the Three Kingdoms Period, and it was not until Bao Zhao in the Qi and Liang Dynasties in the Southern Dynasties that he wrote "Quasi Difficult Travel" (18) and so on. Yuefu poems can be sung, and the seven-character Yuefu style is mainly chanting. In terms of content and length, it is generally long, and it is like flowing water when chanting. It can freely change the rhythm, making its content changeable, its structure turning, its momentum magnificent and its feelings colorful. This kind of poetic style is suitable for carrying large ideological content and expressing warm feelings. It not only has the characteristics of the popularity and liveliness of ancient Yuefu, but also focuses on expressing the voices of literati. Its form is mainly seven-character sentence pattern, and the miscellaneous words are colorful and cadenced, so people also call it "Gexing Style". The other is mainly to learn from the narrative-oriented, realistic content characteristics and simple and popular expression characteristics of Han Yuefu to reflect the social reality at that time and attract people's attention to society. It no longer borrows the original name of Han Yuefu, but is named according to the different contents of the event. The so-called "life-threatening, hard to see." In the Tang Dynasty, Du Fu was concerned about state affairs and reflected the social reality before and after the Anshi Rebellion with his pen. He wrote many such poems, such as Chedian (high school), Sanguan (Tongguan official, Xin 'an official and Shihao official) and Sanbie, which mainly inherited the tradition of Han Yuefu in essence. Later, Yuan Jie, Gu Kuang and other poets also wrote such poems. In the middle Tang Dynasty, realistic poets such as Bai Juyi and Yuan Zhen, in order to save the decline of the country at that time, used their own poems to reflect the shortcomings of social reality, so as to attract the attention of the rulers, vigorously advocated these poetic forms of Du Fu and Yuan Jie, and launched the "New Yuefu Movement" with the title of "New Yuefu". They themselves have written many "new Yuefu", with five or seven sentences in form. For example, Bai Juyi's "Looking at Wheat Cutting" (Part 9), selling charcoal Weng, Xinfeng folding arm Weng and Du Lingcuo are all narrative and popular "new Yuefu style". Answer in the Bamboo Grove said: "Ancient poetry and Yuefu have been divided since the Han and Wei Dynasties. Yuefu syllables don't pass on, and the Tang people borrow old topics and new meanings every time. At least Ling doesn't attack old topics, such as "Three Officials" and "Three Farewells", which are really Yuefu. " (Continuation of Poems in Qing Dynasty, 2225 pages, Shanghai Ancient Books Publishing House, 1983) Briefly points out the characteristics of new Yuefu poems. There is another situation in literati's study of Han Yuefu, which mainly introduces the characteristics of Yuefu poetry into lyric ancient poems, reflecting the characteristics different from the previous five-character ancient poems. The representative work is Li Bai's "Ancient Style" (58 poems). From the formal point of view, "ancient style" is no different from five-character ancient poetry, but the lyrical content and way are different. When answering the difference between Yuefu and classical poetry in Zhao Zhixin's Yinpu in Qing Dynasty, he said: "There is a great difference between sound and emotion, and it takes more than half a minute to understand it here." (Qing Shihua 132, Shanghai Ancient Books Publishing House 1963) "Sound and emotion" refers to the difference in content, emotion and charm. "Ou Bei Shi Hua" further pointed out: "Beggars' Yuefu is more committed to women's thoughts, and violets are deeper than Yuefu, so they can also inspire couples to bid farewell to the injured. However, they are all subtle and ancient ... they are short and meaningful, leaving a legacy of national style directly. Shaoling has no such taste. " It can be seen that Du Fu's "new Yuefu" is different from Li Bai's "ancient style", although both are influenced by "Han Yuefu". In the collection of Tang poems, there are very few directly labeled "ancient style". "Ancient Style", "Five Words Ancient Style" and "New Yuefu" are free in form and don't talk about meter, so there is no problem of "wide meter". Ask any girl

There are also two situations when the seven-character song style developed to the Tang Dynasty. Because "metrical poetry" appeared in the Tang Dynasty (also called "modern poetry" to distinguish it from "ancient poetry" that didn't talk about metrical poetry before), one kind deliberately introduced some syntax and techniques of metrical poetry into ancient poetry, and the other kind deliberately avoided it. Traditionally, people refer to the former as "Seven-character Song Style" and the latter as "Seven-character Ancient Poems". On the basis of inheriting the magnificent poetic style of Qi and Liang Dynasties in the Southern Dynasties, some poets in the early Tang Dynasty tried to introduce the sentence patterns and antithesis of seven-character rhythmic poems into their singing style, resulting in such famous works as Lu's Ancient Meaning Chang 'an, Luo's Poems on the Palace and Zhang's Moonlit Night on the Spring River, which are magnificent in length and momentum, and their scattered sentences are mixed with metrical and antithesis, reflecting the vast society. In the prosperous Tang Dynasty, Gao Shi and others wrote a large number of frontier poems on this theme, such as Gao Shi's Travel, Cen's Bai Xuege Farewell to Taiwei Wu's Hometown (eight times) and Ben Ma He Song Farewell to Feng, the general of the Western Expedition (nine times). These poems give full play to the characteristics of "early Tang style", with rich and magnificent content, unrestrained feelings, magnificent images, diverse techniques and unique language. In the middle Tang Dynasty, Bai Juyi and others incorporated narrative elements into this style and wrote such famous works as Song of Eternal Sorrow and Pipa Story. Seven-character quatrains have made new progress. Until the early Qing Dynasty, Wu (No.Meicun) wrote Yuan Yuan Qu, He Yong Palace Ci, Xiao Shi Qing Men Qu, and Listening to the Female Taoist Bian Yujing Playing the Piano in this poetic style. He praised history with poems, paid more attention to skills in form, used colorful words, and formed a colorful and changeable artistic style, which was beautiful and touching, and even sung in seven words. By the end of the Qing Dynasty and the beginning of the Republic of China, Wang Guowei and others had written poems such as The Summer Palace Ci in this style. Du Fu's Ceramic Statue

On the other hand, poets such as Du Fu and Han Yu consciously avoid the syntax and sentence patterns of metrical poems in the seven-character Yuefu style, so as to reflect the quaint and simple style, and use more loose sentences and three-level endings (such as "San Mao", "Changlinding", "Shen Chi" and "sigh"). In terms of content and style, this kind of poetry is often based on realistic themes and deep and depressed feelings, which is different from the rich romantic color of the previous kind of songs. However, it pays attention to the grandeur of content, the boldness and agitation of momentum and emotion, and the changeable structural transition, which conforms to the overall characteristics of the seven-character style. For example, Du Fu's Autumn Wind Breaking the Cottage (eight times), Li Yi's Going to the Temple of Heaven to See the Sea at Night, Han Yu's Mountain Rock, Lu Tong's Poem of Eclipse, Mid-Autumn Festival Giving Zhang and Hengshan Temple Stopping, I'm going to write this poem at the gatehouse, and I'm going to urge you to send new tea, etc., all have such characteristics, which are customarily called. There are many discussions about the difference between seven-character quatrains and seven-character ancient poems. In Liu Xizai's poems, the characteristics of these two types are divided into: "There are seven ancient poems, which can be said to be nearly two ancient poems. Close to the body, parallel, harmonious, beautiful and smooth; The ancient style is simple, awkward, thin and energetic. One is handsome and the other is muscular. This is the difference between Qi Liang and Han Wei, which is why the early Tang Dynasty and the prosperous Tang Dynasty are different. " (Continued on page 2436 of Qing Shi Hua) The "ancient" here refers to the seven-character ancient style similar to the "autumn wind breaking the thatched cottage song", which inherits the simple and substantial characteristics of ancient poems in Han and Wei Dynasties; "Jin" refers to the seven-character swan song style developed from the "early Tang style" and inherits the ingenious and beautiful characteristics of the Qi and Liang Dynasties. It can be said that this is the fruit of two different flavors on the big tree of seven-character Yuefu poems in the Han, Wei and Six Dynasties. Poet Li Bai

The above is probably the basic overview of China's ancient poetry, which, together with the modern poetry with strict meter in the Tang Dynasty, has become the basic form of China's ancient poetry. There are many classic poems in Runwu.

Edit the relevant common sense of this paragraph

1. Rhyming: rhyming words at the end of a verse sentence, such as Li Bai's Thoughts on a Quiet Night, are there already frosts at the foot of my bed? Looking up, I found that it was moonlight and sank again, and I suddenly remembered home. The land of light and frost is rhyme. Usually the third sentence doesn't rhyme, but there are also poems with irregular rhymes (such as looking at Tianmen Mountain). 2. Rhyme: Poetry rhymes to make the tone harmonious and beautiful. For example, Li Bai's "Silent Night Thinking" uses rhyme. 3. The structure of metrical poems: * * eight sentences, with one or two sentences as the head couplet, three or four sentences as the parallel couplet, five or six sentences as the neck couplet and seven or eight sentences as the tail couplet. 4. Rhythm and rhythm of ancient poetry: From the perspective of sentence patterns, ancient poetry generally has four words: two and two; Five words are two, two and one; These seven words are two, two, two and one. Sensually, there are sometimes special situations due to ideographic needs, such as: Shila | Wuyue | Gai | Chicheng, making it two, two, one and two. Because there are no punctuation marks in ancient poems (punctuation marks were added by later generations), one line is one sentence. First, restore the inverted sentence order and grasp the poet's true intention and emotional focus. The subject is postpositioned. Cui Hao's poem "Yellow Crane Tower": "Every tree in Hanyang is clear, and a nest of herbs in Nautilus Island." It means "Qingchuan (with clear leaves), Hanyang trees are vivid (countable), and Parrot Island is lush with grass". Du Fu's poem "Moonlight Night": "Clouds are fragrant and foggy, and jade shoulders are cold." In fact, it is "fragrant fog and wet clouds, cold and jade arms." C. transposition of subject and object. Ye Mengde's "He Xinlang" words: "Autumn is getting late, and the frost letter reports yellow flowers." Obviously, it also means "returning yellow flowers to frost". D, the location of the attribute. First, the attribute moves forward. Wang Changling's poem "Joining the Army" said: "There are dark snow mountains in Qinghai, and the lonely city looks at Yumenguan." The "lonely city" in the next sentence refers to Yumenguan, which is an appositive of Yumenguan, but now it is moved to the verb "overlooking", which is easily misunderstood as standing on another lonely city overlooking Yumen. Second, the attribute has been moved. Li Bai's poem "Tianmu Mountain dreams of climbing high": "My heart and dreams are in Wu and Yue, and I cross the mirror lake on a moonlit night." It means "flying over Mirror Lake on January night". E. adverbial in the form of object. "People don't know where to go, but peach blossoms are still smiling in the spring breeze." On the surface, "laughing at the spring breeze" is a verb-object phrase. In fact, "autumn wind" and "spring breeze" are not based on "moving" and "laughing", but mean "moving in the autumn wind" and "laughing in the spring breeze" respectively. Secondly, there are some words worthy of special attention in many poems, which usually add a lot of color to the whole poem and even become the eyes of the poem. The poet Miracle wrote a poem "Early Plum", and there is a saying: "In the former village of Zita Law, a few branches opened last night." Zheng Gu changed the word "number" to "one" because the title was "early plum blossom". If a few branches are opened, it means that the flowers have been blooming for a long time and cannot be regarded as "early plum". Miracle admired Zheng Gu very much and called him a "word teacher". The word "green" in Wang Anshi's Spring Breeze and Green Jiang Nanan, the word "see" in Tao Qian's "Seeing Nanshan leisurely", the word "de" in Zhang Xian's "Clouds breaking the moon to make a flower shadow" and the word "noisy" in Song Qi's "Red Apricot Branches Full of Spring" are all well known. Verbs: When appreciating poetry, we should pay attention to verbs, especially those with "multiple meanings". Example 1: You remember the Qingxi Banli Bridge, where there was no old red board and there were too few people in Qiushui. There is no one at sunset, leaving a weeping willow. The word "leftover" is prominent here, so the author doesn't have to "stay" or "see". Its beauty lies in that although the meaning of "leftover" is similar to that of "staying", the word "leftover" is generally passive and has the meaning of "residual" and "leftover"; In addition, the word "leftover" is time-sensitive and gives people a sense of helplessness. "Stay" is not that meaningful. "Seeing" is only temporary, and it can't give people a sense of change by comparing the past and the present. Modifiers: mostly adjectives, but also the focus of poetry appreciation. Example 1: Young boudoir women don't know how to worry, so they put on Cui Lou in spring. Suddenly I saw the green willows, and I felt uncomfortable; Oh, I regret that I shouldn't have asked my husband to find Hou Feng. ("in my heart forever" Wang Changling) The first two sentences are written by a young woman who has finished dressing and rushed to Cuilou to enjoy the spring scenery. At this time, the author used a word "suddenly", which means casual and just right. Encounter: The willow color that broke into her eyes reminded her of the scene of seeing her husband off, and she couldn't help but feel sad when she thought of him. This is a young woman with a childish face. A word "suddenly" vividly describes this emotional change, which is also the intriguing place of this poem. 3 Special words: In poetry and prose, some words are unique in themselves, and readers can quickly find them: a. Reduplication: Reduplication has only two functions: enhancing the sense of rhythm of language or playing an emphasis role. The willows in Jiang Shuiping are green, and I can hear the songs on the Langjiang River. (《lt； Zhuzhici > 1. Liu Yuxi was searched and searched, and it was cold and miserable. ("Slow Whispering" Li Qingzhao) B. Onomatopoeia words: Some onomatopoeia words belong to overlapping words, so they are listed separately because of their high frequency. It has a function: to make poetry more vivid and make people feel immersive. Outside the curtain, the rain is gurgling, spring is fading, and Luo Can can't stand the cold. Leaves fall like a waterfall, while I watch the long river roll forward. ("Climbing the Heights" Du Fu) C. Words expressing colors: These words are sometimes used as predicates, sometimes as attributes, and sometimes as subjects or objects. But there is only one function. Color generally expresses mood, enhances the color sense and picture sense of description, and renders the atmosphere. When you appreciate it, you can grasp the words that can express light colors, and realize the rich artistic meaning and distinctive rhythm of "two orioles singing green willows and a row of egrets rising to the sky" in the poem. The four colors of yellow, green, white and cyan are patchy, extending from points and lines to infinite space, and the picture is static and dynamic, with a distinct sense of three-dimensional rhythm. Or grasp the words in the poem that can show sharp contrast and appreciate the concentrated emotional color: "The fleeting people, cherry red, banana green." "Red" and "Greenway" show Jie Jiang's "colored thoughts" lamenting that time is in a hurry and spring is fleeting. Even if we grasp the words expressed by a single color, we can also appreciate the poet's deep affection: "Recalling the love in Tsing Yi, we pity the grass everywhere." "Whoever is drunk in the frost forest at dawn always makes people cry!" Pity and hurt feelings are both in "Young" and "Drunken Red".

Edit this famous saying

Lipper

(70 1 ~ 762) It's too white, and it's called Violet Lay Man. One day, I will ride the wind and waves, and set my cloudy sail straight and bridge the deep, deep sea. "it is hard to go", but since the water is still flowing, although we cut it with our swords, we raise our glasses to drown our sorrows. Shu Yun, Loushu, Xuanzhou Xie Tiao, since God has given talent, let it be hired! , spin one thousand silver, all back! . "Into the wine" does not see how the water of the Yellow River moves out of the sky and into the ocean, which is gone forever; Have you seen that in the bright mirror of the high hall, the lovely lock, though silky black in the morning, turned into snow "into wine" at night? Oh, let a spiritual man venture to his favorite place and never point his golden cup at the moon! . The green hills on both sides of the strait are opposite, and the sails come alone. "Looking at Tianmen Mountain" sails alone in the blue sky, and there is only the Yangtze River in the sky. "Yellow Crane Tower Farewell Meng Haoran to Yangzhou" flew down to thousands of feet, and it was suspected that the Milky Way had set for nine days. Looking at Lushan Waterfall, I will think of you in the clouds, so I will think of me in the sunset. Peach Blossom Pond is deeper in thousands of feet than in Wang Lun. "To Wang Lun" has three white hairs and three thousands of feet, a song of everlasting regret. Autumn song Pu, until, holding up my cup, I asked the bright moon to bring me my shadow and make the three of us. On both sides of "Drinking the Bright Moon Alone", apes crow, and canoes have passed Chung Shan Man. The foot of my bed is shining with such bright light. Is it frosty already? . Silent night, thinking that you might see bright tears on her cheeks, but not the man she loves deeply? complain

Bai Juyi

(772 ~ 846), Han nationality, the word Lotte,No. Xiangshan posthumous title "Wen" grassland is vast with grass and four seasons come and go. Wildfire can't burn it out, but the spring breeze can revive it. Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey. I once again sent my bosom friend, and the thick grass represented my deep affection. Bai Juyi's portrait "Farewell to Ancient Grass"

The scenery in Jiangnan is very beautiful, and the picturesque scenery has long been familiar. At sunrise, the river is redder than fire, and in spring, the river is as green as blue. Can you forget Jiangnan? Jiangnan memory

Yuan Zhen

(779 ~83 1 year), in a word, people in Luoyang, Henan, don't like chrysanthemums among flowers, and this flower has no flowers. Chrysanthemum, what hope do I have in the darkness of our grave? You and I have little confidence in meeting after death. Only the night will be very long, which is a lifelong worry in your brow. Three sad poems

Du Fu

(A.D. 7 12-770), a poet of the Tang Dynasty, Han nationality, read widely and wrote like a god. "Wei Zuocheng Zhang Twenty-two Rhymes" Zhumen stinks of wine and meat, and the road has frozen bones. "From Beijing to Fengxian, 500 words", the petals here have been like tears, and the lonely bird has sung grief. The Hope of Spring After three months of war, a letter from home is worth a ton of gold. "Spring Hope" is a good scenery in the south of the Yangtze River, and you will meet your husband when the flowers fall. "When you meet Li Guinian, you go down the river." Two orioles sing green willows, and a row of egrets go up to the sky. "Four quatrains (the third)" has beautiful mountains and rivers and fragrant flowers in the spring breeze. "Two quatrains (I)" Song Xin doesn't hate thousands of feet, and evil bamboo should be cut. "On the way to Chengdu Caotang, I will send you five poems (the fourth) by Gong Zheng first." I will dance with butterflies from time to time, and I will sing with charming Yinger. "Looking for Flowers by the River (6)" Fish come out in the drizzle, and Yan is slanting in the breeze. The threshold of two hearts (I) sneaked into the night with the wind, moistening things silently. "Delighting in Rain on a Spring Night" once climbed to the top of the mountain to peek, and at a glance, all the other mountains looked short under the sky ... "Look at Yue" tonight, watching it alone in her bedroom window. For our boys and girls, poor little baby, too young to know where the capital is. Her cloudy hair is sweet with mist, and her jade-white shoulders are cold in the moonlight. When can we lie on the screen again and look at the bright light and stop crying? ? moonlit night

Su Shi

(1037 ~11) Zizhan, also known as Zhong, is 66 years old. If there are more dead beauties in the West Lake, C+ is so appropriate. I can't recognize the true face of Lushan Mountain because I am there. Two or three peach blossoms outside the bamboo forest and ducks in the water first noticed the warm spring. The river of no return, a romantic figure with a long history. Su Dongpo statue

When did the moon begin to appear? I take my glass from a distance. I hope people will live for a long time and have a good scenery thousands of miles away.

Wang Zhihuan

(688-742), the word Ji Ling But you can broaden your horizons by 300 miles as long as you go up a flight of stairs. The Yellow River is getting farther and farther away, because it flows in the middle of the Yellow River, and Yumenguan is located on a lonely mountain. Why use the elegy of willow to complain about the delay of spring, old Yumenguan, a spring breeze is not blowing!

meng haoran

(689 ~ 740), Han nationality. Real name Hao, the word Haoran is how wide the sky is, how close the trees are, how clear the water is, and how close the moon is! . How many flowers fall after a stormy night.

Wang Changling

Shao Bo (690-756) was a bright moon in Qin Dynasty, a custom in Han Dynasty, and did not return to the Long March. If Wei Qing, who attacked Longcheng, and Li Guang, the flying general, were alive today, the Huns would not be allowed to go south to spend their horses in Yinshan. Yellow sand wears golden armor in hundreds of battles, but the loulan is not returned. Friends, if my friends in Luoyang invite me; Just say I'm still Bing Xin Okho, and stick to my faith! You and I went all the way to the green hills in the rain, at the top of the moon in both places?

Wang Wei

(70 1-76 1) The word "Mo Mo" advises you to drink more wine, and there is no reason to go to Yangguan in the west. No one can be seen in the silent valley, only the voice is heard. It's too light for anyone to hear, except my partner, Mingyue. People who want to miss them collect more, and Mix red beans have attracted people's attention. I am a lonely stranger in a strange land, and I miss my family more often during the holidays.

Cen Can

(cén cān) (about 7 15—770) The poet of the Tang Dynasty, the north wind rolled the white grass and the eight In the snow crossed the Tatar sky. Suddenly, like a night wind blowing, like a pear tree in bloom.

liu zongyuan

(773—8 19), prefixed with "No Birds in Hundred Mountains, No Footprints". A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice. Jiang Xue.

Liu Yuxi

The word (772-842) Mengshan is not high, and if there is a fairy, it is named. The water is not deep, and the dragon is the spirit. "Humble Room Inscription" has been sad and lonely since ancient times. I said that autumn wins spring. There is no one in the clear sky in Wan Li, and a crane, Ling Yunfei, has aroused my meditation on the blue sky. Looking at Dongting from a distance, there is a green snail in the silver plate. Looking at Dongting is sunny in the east and rainy in the west. "Zhuzhici" now goes straight to the Milky Way and goes to the home of Petunia and Weaver Girl. Langtaosha

Dao Jia

(779 ~ 843) The poets in the Tang Dynasty made great achievements. People with lofty ideals are always pregnant, and good horses are full of days. Everyone is not idle, who is a bosom friend? There are two lines of tears in my eyes, and I have already hanged three jade confessions. When I asked your students under a pine tree, "my teacher," he replied, "went to pick herbs." However, through these clouds, how can I know which corner of the mountain it is facing? . Living leisurely here, few neighbors come, and the overgrown path leads to the wilderness. Birds are freely perched in the trees by the pool, and monks are knocking at the door. Walking across this bridge, you can see the charming scenery of Ye Yuan, and the feet of clouds seem to be moving on the floating rocks. I will leave here for a while, but I will come back and retire with my friends on the appointed date. This heart has been with Mulan boat until the tide comes to the south. Come to China for an appointment every other chapter, and the letter will pass. The peak hangs on the postal road, the clouds break, and the roots of the city are immersed in the sea. The smoke and wind swept away overnight, and at the beginning of the next month, I went to langxi Building.

Du Mu

(AD 803-about 852), the Han nationality, named Mu Zhi, was from Fanchuan. The householder Dongfeng disagreed with Zhou Lang, and Tongque Chunshen applied to lock Er Qiao. "Red Cliff" is painted with a cold silver candle, and a small fan flies at fireflies. "Autumn Evening" is thousands of miles away, the flowers are green and red, and the water village is full of wine flags. More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain. "Jiangnan Spring" During the Qingming Festival, there were many rains, and pedestrians on the road wanted to break their souls. Excuse me, where is the restaurant? The shepherd boy pointed to Xinghua Village. "Qingming" stopped in the maple forest late, and the frost leaves were red in February. Mountain travel

Li shangyin

(about 8 12 or 8 13- about 858), Han nationality, Ziyishan, named Yuxi Sheng, Fan Nansheng, to see the sun, for all his glory, was buried in the night. Leyou tomb and spring silkworms will weave until they die, and candles will drain the wick every night. A flying wing without a name and a butterfly, but I feel the harmonious heartbeat of the sacred unicorn. One of the untitled books

Ouyang Xiu

(1007 ~ 1072), the word Yong Shu, a self-styled alcoholic, was a laity in his later years, No.61,posthumous title Wenzhong.

Yang Wanli

(A.D./KOLOC-0//KOLOC-0/27-/KOLOC-0/206) The word Ting Embroidery, from Ye He Zhiming, has shown its sharp corner, and dragonflies have long stood on it. Lotus leaves will not turn green the next day, and lotus flowers are particularly bright red in the sun.

Lu you

(1125165438+10/210 65438+126 October, word service concept, let Weng die, you! Therefore, when the great Song Jun team recaptures the Central Plains, you will hold a home banquet ceremony. Don't forget to tell me the good news! Show it to your son.

Tangwan

The word Huixian, the year of birth and death is unknown. The world is thin, human feelings are evil, and it is easy to fall when the rain is sent late. The breeze is dry, the tears are broken, I want to care, and I lean on the diagonal alone. Difficult! Difficult! Difficult! People become different, today is not yesterday, and sick souls are often thousands of miles away. The bugle sounded cold, the night was dim, people were afraid to ask questions, and tears pretended to be happy. Hide. Hide. Hide.

Xin Qiji

(1 140- 1207) Southern Song Dynasty poet, 67 years old. The original word Tanfu was changed to You 'an and Jia Xuan.

Li Qingzhao

No. (1084 ~ about 1 155) Yi, an outstanding poetess in the Southern Song Dynasty, is an ancient poem joke with great connotation. Please have a look. The English teacher wrote an ancient poem on the blackboard and asked the students to translate it into English. Ancient Poetry: But you can broaden your vision of 300 miles just by going up a flight of stairs. If you want to see more, please go upstairs. The teacher smiled: "If you translate it in your way, it should be' Please go upstairs if you want to see more'." "A burst of laughter in the classroom. Everyone changed a lot of translations, but none of them were in place. "Why is this? Because this is the cultural difference. These characters are the precipitation of thousands of years of culture in China, and nothing can replace them. You must remember: this is the root of China people! "