The content of magical skills performed by knights

The miraculous thing about Xia Ke’s magical skills is that no two martial arts people who come to participate in the research have the same views and opinions, but everyone has enlightenment.

Every line of the poem "Xia Ke Xing" implies and implies different sword techniques and sword moves. But if someone wants to stick to the meaning of the words in the poem, it will be difficult to find a clear explanation.

The second sentence of "Xia Ke Xing" "Wu Gou Shuang Xue Ming" seems to be a sword move. Some people think that the general outline of this swordsmanship is the five characters "Wu Gou Shuang Xueming". Wu hook is also a scimitar. When drawing the sword, you must always remember the word "scimitar", otherwise the original intention will be lost. It is not difficult to use the sword technique to carry the sword, but when the sword is straight like a scimitar, there is a curve in the straight, and a straight in the curve. This is the purpose of the five words "Wu Gou Shuang Xue Ming".

The annotation on the wall of Xiake Island also said: Bao Zhao Yuefu: "The brocade belt wears Wu hook", and Li He's poem says: "Why don't men wear Wu hook". The word "pei" and the word "belt" are the most important key points in the poem. Although Wu Gou is a scimitar, it is worn on the body, not taken out for use. That means that the sword technique should contain the power of the Wu Hook, which is round and round, but not really curved. Some people think that "Wu Gou Shuang Xue Ming", shining brightly, is not a Wu Gou in a sheath. Isn't it unreasonable to wear a sharp weapon without sheathing it? Many extremely smart martial arts figures were led astray because of this.

Shi Potian is an ignorant man who is fearless and does not have many cultural preconceptions. Instead, he has a chance to decipher the secret of the swordsman's swordsmanship.

When Shi Potian saw this mural, he did not pay attention to the superficial meaning of the words. He only felt that among the thousands of words, some strokes were like a long sword. The shape of these swords may be horizontal or straight, tilted or bent. In the eyes of a literate person, they are just a stroke in a character. However, Shi Potian was illiterate, but what he saw were long and short swords. Some were long and short swords. The tip of the sword is pointing upward, some is pointing downward, some is rising diagonally and is about to fly, and some is sweeping sideways and is about to fall. Shi Potian looked down at the sword one by one. When he saw the twelfth sword, he suddenly felt a heat in the "Giant Bone Point" on his right shoulder, and there was a heat that was about to move. When he looked at the thirteenth sword again, the heat Following the meridians, he reached the "Wuli Point". When he looked at the fourteenth sword, the hot air followed him to the "Quchi Point". The heat is getting stronger and stronger, rising up from the dantian. When Shi Potian looked at the sword shape painted on the stone wall, his internal energy began to move according to his meridians, and the heat in his belly slowly spread to the acupuncture points all over his body. He started looking at the first sword from the beginning, followed the sword shape, and thought in his mind, The internal energy flows continuously, like the journey of a river. From the first sword to the twenty-fourth sword, the internal force also circulates from the "Yingxiang point" to the "Shangyang point" for a week.

Shi Potian looked at the shapes of twenty-four swords in the second room, and found that the direction of the sword coincided with Xiunei's meridians. When he returned to the first room, there was only a young scholar in the picture, and No other graphics. After looking at it for a while, I felt that the movement of the man's right sleeve in the picture was very elegant and beautiful. I couldn't help but look at it for a while, and suddenly I felt a movement on the "Yuanye point" under the right flank, and a hot line along the "Foot Shaoyang Gallbladder" "Jing", go towards the "Sun and Moon" and "Jingmen" points.

Shi Potian was overjoyed and had learned a lot.

He looked at the figure carefully and saw that the lines that made up the folds of the man's coat, face and fan in the picture had a through-line meaning. Information also runs according to lines. Now I found the source of the brushwork in the picture and started practicing accordingly. The brushwork of this figure is very different from that of calligraphy and painting in the world. The order and reverse of the strokes are quite unusual. Fortunately, he has never learned to write. He does not know that no matter when writing or drawing, every stroke should be from top to bottom and from left to right. Although the outline is The pick stroke is from bottom to top, while the curve stroke is from right to left. However, both strokes are made diagonally rather than straight. There are many straight strokes in this figure from bottom to top, from right to left, which are often completely opposite to the meaning of painting strokes, and are extremely clumsy. He didn't think it was strange at all and continued to practice. If it were a Mengtong who had learned to write Chinese characters for dozens of days, he would definitely not follow such a writing path. There are eighty-one strokes in the picture. I don’t know how much time has passed, but I have memorized the eighty-one strokes of internal energy in the first picture.

Shi Potian walked to the third stone chamber. As soon as I stepped into the stone room, I felt the wind blowing fiercely, but three old men in strong suits were running Qinggong at an unusually fast speed. These three people ran so fast that the whole room was filled with wind. The three of them were chasing and running, but they kept talking in their mouths, and their tone was very calm, which showed that their internal strength was very high, and they were not short of breath due to the speed.

The first old man believed that the poem "Xia Ke Xing" was written by the great poet Li Bai.

But Li Bai was a poet, but not a swordsman. How come a short poem of twenty-four lines contains the most profound principles of martial arts? The second person believed that the person who created this set of martial arts was an unattainable martial arts master who shocked the past and the present. He just borrowed Li Bai's poem to describe his magical martial arts. Don't get too carried away and stick to the poetic meaning of Li Bai's "Xia Ke Xing". The third person believes that although the second person's statement is very reasonable, the sentence "the silver saddle shines on the white horse" cannot be understood without Li Bai's poetic meaning. The first old man also believed that not only that, but also must be connected with the sentence "Sursing like shooting stars" in the fourth room to get the correct answer.

Shi Potian turned to look at the graphics carved on the wall. He saw a horse running with its head held high, with clouds filling the air under its feet, as if it was flying in the sky. He followed the previous method and thought about the horse's castration, but there was no movement in his inner breath. He thought to himself: "The kung fu in this picture is different from the ones in the first and second rooms." He looked at the horse carefully again. The clouds under his feet seemed to be pushing forward continuously, as if they were about to break through the wall and fly out. He watched for a moment, his breath surged, and he couldn't help but run forward. He made a circle, glanced at the clouds on the stone wall, pushed his inner breath, and made another circle. However, he had never learned Qing Gong, his steps were stumbling, his posture was crooked and clumsy, and his running was far inferior to that. The three old men moved quickly. I don’t know how many circles I ran around, but when I remembered the shapes of the clouds in my mind, I stopped and found that the three old men had disappeared.

Shi Potian walked to the fourth room. Painted on the wall was a diagram with the sentence "Sursing like shooting stars". He ignored others and went to study and practice on his own.

There are twenty-four lines in the poem "Xia Ke Xing", that is, there are diagrams of twenty-four stone chambers. He went around the rooms without knowing the words on the walls, and only practiced internal martial arts from the pictures. The fifth sentence, "Kill a man in ten steps," the tenth sentence, "Take off the sword and kneel forward," and the seventeenth sentence, "Save Zhao and wield the golden hammer," are each a set of sword techniques. The sixth sentence 'leave no trace in a thousand miles', the seventh sentence 'flick off the clothes and leave', the eighth sentence 'hide one's body and name deeply', each sentence is a set of self-lighting skills; the ninth sentence 'have a leisurely drink in Xinling' ', the fourteenth sentence 'the five mountains are insignificant', the sixteenth sentence 'the bones of a dead man are fragrant', each is a set of fists and palms. The 13th sentence, "Three cups spit out the promise", the 18th sentence, "The spirit and energy are naturally born", and the 20th sentence, "Xuanhe Daliang City", are the internal skills of breathing.

In this way, Shi Potian slowly learned the swordsmanship, Qinggong, fists and internal strength one by one.

Shi Potian sometimes learned very quickly, learning two or three sets in one day, but sometimes he did not learn a complete set for seventeen or eight days in a row. Once I devoted myself to martial arts, I forgot about the passage of time. I don’t know how many days passed, but I finally completed the diagrams on the walls of the twenty-three stone chambers.

When Shi Potian arrived at the twenty-fourth room, he raised his eyes and looked at the stone wall. At first glance, he felt slightly disappointed. It turned out that the walls of the twenty-three stone rooms all had graphics, but this last room only had graphics. Words, no pictures. He glanced at the stone wall again. Suddenly, he felt that the words on the wall seemed to be circling and dancing, and he couldn't help but feel dizzy. He calmed down, and when he read the handwriting again, he felt dizzy again. Curiosity aroused, I looked around and saw that each stroke of the handwriting seemed to have turned into tadpoles, squirming on the wall, but if I stared at just one stroke, the tadpoles stopped moving.

When Shi Potian was young, he lived alone in a barren mountain. Every spring, he often caught many tadpoles in mountain streams and raised them in small ponds formed by accumulated water on the peaks, watching them take off their tails and turn into frogs. , jumped out of the pond, and the sound of the pavilions was heard all over the mountain, which relieved a lot of loneliness. At this moment, it was like meeting a childhood playmate again. Overjoyed, I carefully looked at the tadpoles one by one. I saw countless tadpoles running up or jumping down, with different postures, which was very interesting. After looking at it for a long time, he suddenly felt the inner breath jump at the "Zhiyang Point" on his vest, and realized that these tadpoles seemed to be swimming around randomly, but they were actually related to the inner breath. When looking at another tadpole, the "Xuanshu point" on the vest jumped again, but the inner breath from "Zhiyang point" to "Xuanshu point" could not be connected; turning to look at the third tadpole, There is no movement in the inner breath.

When I turned to look at the tadpoles on the wall, the "Zhongzhu point" on my lower abdomen suddenly jumped violently, and my whole body was shaken by it. I thought: "These little tadpoles are really strange. They haven't turned into frogs yet." , can jump so big and special." I couldn't help but feel childlike. I looked at the tadpoles one by one and saw the acupuncture points on the body jumping violently, which was very interesting. There are thousands of tadpoles painted on the wall. Sometimes by chance, the inner breath of two acupoints are connected together, and the whole body feels relaxed.

He was so excited that he looked for suitable tadpoles on his own and connected the inner energy in various acupoints. But there are countless tadpoles on the wall. How easy is it to connect hundreds of acupuncture points all over the body to form an inner breath? There was no daylight in the stone room, only lights, so I didn't know day or night. I just felt hungry and went to eat noodles. After eight or nine meals, more and more acupuncture points were connected. But these little tadpoles seemed to have moved into the meridians and acupuncture points in his body one by one, and they seemed to have turned into little frogs, jumping everywhere among his limbs and bones. He felt interesting and scared at the same time. Only by connecting several acupuncture points, the turbulent jumping of the breath within them calmed down slightly. However, one acupoint was flat and the other acupoint moved again. He seemed to be fascinated by a demon, just staring at the stone wall. It was not until I was exhausted that I leaned against the wall and fell asleep. When I woke up, my eyes were attracted by the thousands of tadpoles on the wall.

Shi Potian was so obsessed with eating when he was hungry and sleeping when he was tired. He spent the rest of his time just looking at those tadpoles. He didn’t know what day it was, but suddenly he felt a surge of breath inside. Surging, it broke through seven or eight stagnation places in an instant, and started flowing rapidly like a big river, from the dantian to the top of the head, and from the top of the head to the dantian, flowing faster and faster. He was panic-stricken and had no idea for a moment. He didn't know what to do. He felt that his limbs and bones were filled with unexhausted strength, and he used the "Five Mountains Turned into Light" palm technique. After finishing the palm technique, his energy became stronger. He held the empty sword in his right hand and used the sword technique of "killing one person in ten steps". Although there was no sword in his hand, sword moves came out one after another.

The sword technique of "Killing a Person in Ten Steps" has not yet been completed, and the skin all over his body is about to burst. His inner breath can't help but rotate according to the meridians map of "Zhao Ke Man Hu Ying", and he dances at the same time. It seems like great joy, but also like great distress. After "Zhao Keman and Hu Ying" were finished, the next one was "Wu Gou Shuang Xue Ming". He didn't even think about it. The pictures on the stone wall naturally poured out in his mind one after another, from "Silver Saddle Shines on White Horse" to the third chapter. The twenty-three sentences "Who can write to your Excellency" were executed in one go. At that time, sword skills, palm skills, internal skills, and light skills were all integrated into one, and it was no longer possible to distinguish the palm from the sword. When the kung fu of "Who can write to your Excellency" was completed, I felt my breath reverse, and I started from the 22nd line "I am not ashamed to be the best in the world" and continued to the first line "Zhao Keman Huying".

Shi Potian couldn't help but roared loudly. In an instant, the Yanyan Kung Fu taught by Xie Yanke, the internal kung fu he learned from the puppet body, and what he saw when the disciples of the Snow Mountain Sect were practicing swordsmanship. The Snow Mountain Sword Technique, the Capture Technique taught by Ding Dang, the Shangqing Guan Sword Technique taught by Shi Qing and his wife, the various boxing and palm techniques taught by Ding Busi, and the Golden Crow Sword Technique taught by Granny Shi all came to my mind one after another. . He waved it casually, no longer following the order, but he felt that whether it was "eating Zhu Hai" or "taking off the sword and kneeling forward", he could do whatever he wanted. There was no need to think about it or remember it. The moves, the thousands of moves on the stone wall, naturally spread from the heart to the limbs.