"Big Talk 3" was spit out: after Xingye, there was no westward journey; After Athena Chu, there was no Xia Zi.

"Big Talk 3" was spit out: after Xingye, there was no westward journey; After Athena Chu, there was no Xia Zi.

For the classic remake, the audience has long been accustomed to it, and many people are willing to do so. Feelings? Pay the bill, remake can't just consume feelings, you must add excellent content, otherwise it is inevitable? Destroy the classics? Drool. For the Westward Journey series, it can only be said that there is no Westward Journey after Xingye; After Athena Chu, there will be no Xia Zi!

As? A Chinese odyssey? The last film in the series, A Chinese Odyssey 3, has attracted much attention from the audience since its release. With the continuous fermentation of the topic, the popularity of the film has been rising all the way, which has attracted the attention of fans in this Mid-Autumn Festival.

However, corresponding to the high box office, word of mouth has been declining all the way. The score of the film on Douban is only 4.9 points, and the comments of netizens are mainly spit. Talk big? The complex of netizens crying? Disillusionment? A large number of netizens think that this work has destroyed the classics in their hearts.

? Master Xing cried in the toilet?

The story of "A Chinese Odyssey 3" is actually closely related to the first two films, and some places have even answered what the first two films did not explain clearly. For example, at the beginning of the story, Xia Zixian had a box of moonlight to cross, so she crossed into the future and saw her own ending.

But compared with the first two complete love stories, A Chinese Odyssey 3 seems to be deliberately dismembering the first two. Many classic scenes in the two classics were shown here, but behind every classic line and plot, there was a reinterpretation by Liu Zhenwei, which is why Liu Zhenwei was repeatedly vomited by netizens. Some netizens said that what they need is a review of the classics, not a deconstruction of the classics. Even though the first two films of A Chinese Odyssey were labeled as postmodernism? Deconstruction? Symbol, neither can it.

In this story, Liu Zhenwei explained the great changes of the Supreme Treasure's personality before and after it became the Monkey King. The Monkey King actually died, and it was Liu Er's macaque who went to learn the scriptures? . Xia Qing and Xia Zi * * * used flesh because she was in the place of the Jade Emperor and was pregnant with the child of Liu Er's macaque. The reason why Chunsanniang and Erdangjia suddenly gave birth to a child is because the Jade Emperor wrote a wrong gobbledygook, so he quickly sent the child of Liuermacaque to the mortal world with a moonlight treasure box, and that child was Tang Priest? Even The Love of My Life, which was deeply loved by netizens, was dissolved and became a meaningless duet of Niu Wangmo, Niu Xiangxiang, Supreme Bao and others in the cave.

This is for the original? Play? Let netizens can't stand it most. The plot changes too fast, like a tornado? . In addition, the performance style of the film itself is as grandiose as ever, which makes the audience want to cry for feelings. Some netizens directly said:? After watching this movie, it's really more sad than ugly. Even though he is the director and has the final interpretation right, a Chinese odyssey represents the mentality of our youth after all. Now, this mentality is disillusioned. ? The birth of "A Chinese Odyssey 3" is like slapping people who loved "A Chinese Odyssey 3" in those days, as if laughing at all their feelings as jokes. How cruel! ?

A large number of remakes of film and television dramas are under way. Although the movie "A Chinese Odyssey 3" has been getting lower and lower, Liu Zhenwei revealed that there will be TV series and online drama versions of "A Chinese Odyssey 3". After the news came out, many viewers said? Silent "How many times do you have to remake the classic to finish it?

Although classic remakes often encounter countless bricks, both film and television producers and actors are still keen on remakes. Huang Xiaoming, who once starred in "New Shanghai Beach" and is now an investor in the new version of "Total Feelings in Qian Shan", expressed the hope that this remake will win a new generation of "fresh meat" and help young people realize their dreams. But the problem is that most of the current remakes are as embarrassing as "A Chinese Odyssey 3": high attention, but generally low reputation, and even attracted countless bricks? After 30 years away from the screen, Huluwa became a "new Huluwa brother", and netizens shouted? The original appearance, full of Korean drama routines? Being ridiculed? Pleasant goat? And then what? Big head son? Joint production; Even China's IP "treading on thin ice: Beautiful" adapted by Korean producers is terrible in ratings.

The reason why remake is thankless.

First of all, for most viewers, prejudice? It's hard to change Some classic works, such as "A Chinese Odyssey" and "The Legend of the New White Snake", have been repeatedly played in various channels for countless times, and some favorite audiences have been able to memorize most of the lines. These film and television works not only annotate the works themselves, but also bear the feelings of many people and memories of youth. Today's remake is already a different scene for the audience, and the psychological gap makes them unable to accept the new version.

In addition, the difference of the background of the times is also an important reason why the remake is not popular. Now the times are different, not only the service mode of culture has changed greatly, but also the audience's acceptance of the plot is different. Perhaps the same stalk, the same person, can no longer arouse the audience's singing skills. Deliberately distinguish the previous works? The brain is wide open? The imagination of the audience may not buy it.

Besides, although the remake is on? Real? Banners, but actually there are many classics? Fake? , for example? Little swallow? The heroine of China is not only in the Pearl Princess series, but also her naivety, noisiness and luck are applied to countless female characters. The audience is quite familiar with similar plots and scenes, and it is difficult to feel fresh, and some even have immunity.

Where is the way out for remake?

For the classic remake, the audience has long been accustomed to it, and many people are willing to do so. Feelings? Pay the bill. But now it's a lot? Feelings? But not pure, some producers just know? Collective nostalgia? As a marketing gimmick and chip, it makes the audience feel disgusted. It can be seen that remake can not only consume feelings, but also add excellent content, otherwise it is inevitable. Destroy the classics? Drool.

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