Why didn't SM Company come to China for development?

My analysis is basically as follows: My views are for reference only.

1. Korean national heart. (I'm not saying that we don't have national consciousness, but the national heart of South Korea lacks some broad acceptability. Therefore, many company executives don't want too many overseas artists.

Performing arts companies are different from ordinary companies. They are a collective that spreads culture. General companies open to China in order to reduce the cost of raw materials and cheap labor and seize the sales market; No matter how the performing arts companies make money, they all make money through cultural communication. It is really not easy for them to establish their own image in the eyes of their own people and pay attention to respecting the culture of other countries. Because overseas artists also want to develop in Korea, the company can't completely ignore their wishes, but in this way, the market in their own country will be gradually seized. Take Han Geng as an example. He is the first child to debut in Korea through formal training in a formal economic company. At the beginning, he can also appear in various media, and once he appears, he is the focus of attention and the object of key training. But personally, I feel that the top management has not made much effort on Geng's visa issue. The reason for this is that after the ban on foreigners performing arts was introduced, Geng's photogenic rate dropped rapidly.

Needless to say, prohibiting foreigners from performing arts is a manifestation of their national heart, and no one can blame them. Many children who want to join the job are trying to develop in South Korea, and SM will no longer be willing to "trouble" themselves without absolute certainty (children with real strength will also take care of themselves, such as Zhang Debut).

2.SM has its own subsidiary in China. When company artists come to China to perform, they will be approached by Chinese personnel; There are also talent scouts who specialize in finding children in China, and there is a draft in China every year. However, the scale is not very large, and people who don't pay attention to these aspects may not know much about it. It is not that they are not interested in the China market, but they are still exploring. After all, they should be careful to sail for thousands of years.

3. Some children in China are a little eager for quick success. Many people don't want to practice as hard as those trainees, waiting for the opportunity to debut, but through some abnormal or improper ways, in order to achieve popularity as soon as possible. These children didn't think that if a person can't practice both inside and outside, how can he have long-term charm? Adult J, Zheng Mo and Princess Min Yu of Trax, Zaizhong of TVXQ!, Hao Yun and Jun Xiu! Te Li, Xi and SJ all have a long practice period, so they can have their own gorgeous stage today. Even the origins of Wen Zhenghe (Captain Eric) in the family and SJ of the super-rich myth are honestly and painstakingly cultivated. Although SM values income, they also care about the spiritual strength and character of artists. The mentality of some children in China has led to some strange circles in the whole performing arts market in China. Foreign performing arts companies will give more consideration when they enter the China market. In fact, a better attitude and more practical accumulation can bring a longer artistic life. This is the truth of doing anything and wanting to succeed.

4. Questions about risks.

China's market is saturated to some extent. Sometimes cooperation with China companies can also make money, and the risk will be less. The cost of the imported version is also much less (there is no investment in the original posters, albums, DVDs and other surrounding small gifts), and the price is low, which is more easily accepted by the students. After all, most of the hottest artists now are 10 generation groups or solo artists, and most of their fans are students, so their financial ability is limited. Really capable fans will use various channels to buy genuine copies (for example, since I went to college to earn money, more than 20% people have invested in buying genuine copies. Sigh, SM Zun will make money, an "O"-positive. Anti. Combination ",South Korea has actually produced four versions, which is killing me! ! ), bring them more income. (However, it turned out to be really beautiful ☆ _ ☆)

The fans in China are irrational and a little crazy. But this can't blame us children. Who told us that there are so few core memorials of life? I finally seized the opportunity, who doesn't want to touch it = = |||||||||||| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | This also discourages the baby stars, and we have less chance to see them. Some fans of organized groups have realized this. When picking up the plane at the airport and performing activities, they will take the initiative to pull up the human wall to maintain order, which is touching the children. However, without real official support, it is still a drop in the bucket. Therefore, both fans and SM should take responsibility.

I hope China can have a regular official support group as soon as possible. I was the first to sign up! ! )

6. Some entertainment media and companies in China are learning the Korean entertainment model. Although authentic Korean food can be seen at a glance, it is still fresh, attractive and marketable for most people who are still at the level of watching Korean dramas. Slowly, China may find its own mature entertainment operation mechanism, so sm is also watching, and when it is profitable, they will definitely make some moves. Li Laotou will come to China from time to time in the past two years, which is proof.

When it comes to policies and regulations, China people are very tolerant. As long as it is not illegal, it will generally not interfere. As long as foreign performing arts companies can abide by industry regulations and do not intentionally infringe on the interests of their peers, there will not be much resistance. There's no reason for that.

The above is my analysis.

SM in South Korea and the Star-making Mechanism of J Family in Japan

I don't know much, but after so many years, I have the following feelings:

1. Similar

First of all, they all find future stars from very young children. They started training in their teens and debuted at a very young age. I once read in a Japanese magazine that a child actually started training and exercising at the age of 9. I admire it! ! ! !

Secondly, I want to make a debut and speak with strength. Trainees or trainees who have the opportunity to debut are all hard-trained, and you can't have any other way. Even if you have a good relationship with the top, as long as you are not strong enough, you can't make a debut. Of course, those with strength and high-level attention will certainly go smoothly.

Third, everyone likes to engage in CP pairing, especially men and women. I am a person who enjoys it. Through ambiguity, the scandal of the opposite sex was shielded, and some fans' hobbies (same girl, growing group ...) were also forged.

2. About the combination:

Japanese people like groups with the same name, and members constantly change a lot of blood according to their age, but sometimes they will recall all members. There are countless examples of the J family. ...

South Korea likes to change individual members and engage in solo, mixing or grouping of individual members:

Changing members: for example, the joining of Kui Xian Jr. 13 of SJ, the recent joining of Henry of SJ-China, and the early substitution of Shenzhou VII;

Member SOLO: beautiful solo attempt, Trax's rose solo flight (although people are in Japan ...)

Mixed members form a new group: the latest AnyBand, a member of Grace in Grace band, worked with Iska before going to the United States (now hosting POPS beautiful mixed-race sister in Seoul) is a group. ...

Divide into groups: Super Junior is divided into several groups, such as SJ-K.R.Y, SJ-T and SJ-China. ...

The Japanese have the desire to conquer the Korean market, but they haven't tried much. Korean stars must achieve something in Japan if they want to be recognized by the domestic market.

PS: Have a good talk with you and say that SM is a perfect name!

English needs no explanation.

(A man's "Candles in China are too expensive" upstairs can make you know that lovers will laugh ... classic laughter. It's still popular. 5 HIA HIA HIA HIA……...)

Beijing dialect is-"idiot". . . . .

Cold ~ ~ ~ ~ ~ ~ ~ ~ ~

It's too serious. It was fun. I like dolphin jokes. I want one, too. . . . . .