Joke Collection Website - Cold jokes - An article about peace and Mr. Lu Xun! !

An article about peace and Mr. Lu Xun! !

Lu Xun (1881-1936) is a great writer, thinker and revolutionary in modern China. Yucai was originally named Zhou Shuren and was born in Shaoxing, Zhejiang. Born in a dilapidated feudal family. Young people are influenced by evolution. 1902 went to Japan to study medicine and then engaged in literary and artistic work in an attempt to change the national spirit. 1905 to 1907, when the revolutionaries headed by Sun Yat-sen launched a large-scale debate with the reformists headed by Kang Youwei and Liang Qichao, Lu Xun stood on the side of the revolutionaries and published important papers such as Moro Poetry and Cultural Deviation. 1909 returned to China and taught in Hangzhou and Shaoxing successively. After the Revolution of 1911, he served as a member of the Nanjing Provisional Government and the Ministry of Education of Beijing Government, and taught in Peking University and Women's Normal University. 19 18 In May, Diary of a Madman, the first vernacular novel in the history of modern literature in China, violently exposed and attacked the feudal cannibalism system and laid the cornerstone of the new literature movement. Before and after the May 4th Movement, he participated in the work of New Youth magazine, stood at the forefront of the anti-imperialist and anti-feudal new culture movement, kept pace with the early capitalist Li Dazhao, and resolutely opposed the tendency of bourgeois intellectuals to compromise and surrender. During the period from 19 18 to 1926, he successively created and published albums such as Scream, Grave, Hot Wind, Wandering, Weeds, Morning Flowers, Gai Hua Ji and Gai Hua Ji Xu, which showed that. Among them, the novella The True Story of Ah Q, published in19212, is one of the most outstanding works in the history of modern literature in China. During this period, Lu Xun began to contact Marxism-Leninism and read the Producers' Party, State and Revolutionary Manifesto and other works. 1In August, 926, he was wanted by the reactionary authorities for supporting the patriotic movement of Beijing students and went to teach at Xiamen University in the south. 1927 1 came to Guangzhou, the revolutionary center at that time, and taught at Sun Yat-sen University. After the "April 12th" counter-revolutionary coup, Chiang Kai-shek angrily resigned from all his posts in Sun Yat-sen University. In the meantime, I witnessed that there are also non-revolutionaries and counter-revolutionaries among young people. They have received a deep education and completely abandoned the idea of evolution. 1927 10 arrived in Shanghai to study Marxism-Leninism seriously. 1930, the left-wing writers' union was established and became the leader of the left-wing literary movement under the leadership of China's * * * production party. During this period, he successively participated in progressive organizations such as China Freedom Movement League and China Civil Rights Protection League, actively participated in the revolutionary literary movement, introduced Marxist literary theory, and made unremitting struggles with Kuomintang reactionaries, other reactionary literati and reactionary literature, gradually becoming the standard-bearer of the cultural revolution in China and a great fighter of the proletariat. 1936 After the dissolution of the "Left League" at the beginning of the year, he responded to the call of the party and actively participated in the anti-Japanese national United front in the literary and art circles. From 1927 to 1935, he created most of the works and a large number of essays of New Stories. Under the guidance of Marxism-Leninism, the essays in the latter ten years comprehensively and profoundly analyzed various social problems, showing far-sighted political vision and tenacious fighting spirit. These works are collected in some special collections, such as Jia Xu Ji, Three Ji Xian, Two Hearts Ji, South Opera North Ji, Pseudo-Free Book, Quasi-romance, Lace Literature, Essays on Street Pavilion, etc. Lu Xun made great contributions to China's cultural undertakings: he led and supported the progressive literary groups such as the "Unnamed Society" and the "Chaohua Society"; Editor-in-chief of literary periodicals such as National New Newspaper Supplement (B), Mangyuan, Running, Germination and Translation; Enthusiastic care and active cultivation of young authors; Vigorously translate and introduce foreign progressive literary works, paintings and woodcuts; He collected, studied and sorted out a large number of China classical literature, critically inherited the ancient literary heritage of the motherland, compiled a brief history of Chinese novels, an outline of China's literary history, sorted out Ji, and compiled Miscellaneous Books in Huiji County, Ancient Novels, Legends of Tang and Song Dynasties, Notes on Old Novels and so on. 193610 June19 died in Shanghai. Complete Works of Lu Xun (20 volumes) 1938 published. After the founding of New China, Lu Xun's translated works have been compiled into Complete Works of Lu Xun (10), Translated Works of Lu Xun (10), Diary of Lu Xun (2 volumes) and Letters of Lu Xun, and various ancient books edited by Lu Xun have also been reprinted. 1956, the party and people's government relocated Lu Xun's tomb. Mao Zedong personally wrote an inscription for Lu Xun's tomb, and repeatedly called on the whole party and people all over the country to learn from Lu Xun. Luxun Museum and Memorial Hall have been established in Beijing, Shanghai and Shaoxing.

Interviewee: Gedo 10 18- magician level 4 1- 18 20:56.

24 Recalling Mr. Lu Xun (Excerpt)

Little Red

Selected from Memories of Lu Xun (Life Bookstore 1946 Edition). Has changed. (excerpt)

Mr. Lu Xun's rest, not listening to the phonograph, not going out for a walk, not falling asleep in bed, Mr. Lu Xun himself said:

"Sitting in a chair and turning over a book is a rest."

Mr. Lu Xun accompanied the guests from two or three o'clock in the afternoon until five or six o'clock. If guests eat at home and have tea together after dinner, or leave just after drinking tea, or come again before leaving, they will stay with them until eight o'clock, ten o'clock, and often twelve o'clock. From two or three o'clock in the afternoon to twelve o'clock at night, for such a long time, Mr. Lu Xun sat in a cane chair and kept smoking.

As soon as the guests left, it was already midnight. It's time for bed, but Mr. Lu Xun is about to start work. Before going to work, he closed his eyes a little, lit a cigarette and lay in bed. Before the cigarette was finished, Mr. Xu almost fell asleep in bed (why did Mr. Xu sleep so fast? Because I have to get up at six or seven the next morning to manage the housework. Yinghai also fell asleep on the third floor with the nanny.

The whole building was silent, and there was no sound outside the window. Mr. Lu Xun stood up, sat down at his desk and began to write articles under the green desk lamp.

When Mr. Xu said that the cock crowed, Mr. Lu Xun was still sitting, the cars in the street were beeping, and Mr. Lu Xun was still sitting.

Sometimes, Mr Xu wakes up and looks at the white Welissa Gonzaga window. The light doesn't look bright. Mr. Lu Xun's back is not as dark as at night.

Mr. Lu Xun's back is gray and black, and he is still sitting there.

Everyone is up, and Mr. Lu Xun goes to bed.

Yinghai came down from the third floor with his schoolbag, and the nanny took him to school. After Mr. Lu Xun takes the door, the nanny always tells him:

"Walk gently, walk gently."

No sooner had Mr. Lu Xun fallen asleep than the sun rose. The sun shines brightly on the people across the yard; According to the oleander in Mr. Lu Xun's garden, it is bright and bright.

Mr. Lu Xun's desk is neat, the written articles are under the books, and the writing brush stands on the back of the porcelain turtle.

A pair of slippers stopped under the bed and Mr. Lu Xun fell asleep on the pillow.

Mr. Lu Xun must rest, as Dr. Sudo said. However, since then, Mr. Lu Xun has not only had no rest, but also had more ideas in his mind. What he wants to do seems to have been finished at once, and the works of Qu Qiubai, the early leader of China's * * * production party, have also been sorted out. Proofreading, printed by German progressive female printmaker Mrs. kollwitz (Mrs. kollwitz (1867- 1945)). Painting, translation of "dead souls" [dead souls] [Russian novelist Nikolai Gogol (1809- 1852) novel. Lower part; When I got sick, it all started together, and I counted the episode for 30 years.

Mr. Lu Xun felt that he was in poor health and had no time to pay attention to his health, so he had to do more and do it quickly. At that time, everyone didn't understand the meaning, not because Mr. Lu Xun didn't have a rest. Later, I read Lu Xun's Death (1) [Death] and saw "At the end of the text? Attached set (Complete Works of Lu Xun, Volume 6). This article is a will. That article makes it very clear.

Mr. Lu Xun knew that his health would be destroyed and his working hours would be only a few years. It doesn't matter if he dies, as long as he leaves more for mankind. Mr. Lu Xun is like this.

Soon German dictionary and Japanese dictionary were put on the desk again, and Nikolai Gogol's dead soul began to be translated again.

Mr. Lu Xun is in poor health and easily catches a cold. After catching a cold, he will accompany the guests, answer letters and proofread manuscripts as usual. So after catching a cold, it will always drag on for a month or half a month.

1winter of 935 and1spring of 936, Mr. Lu Xun kept proofreading, and he had to read the proofs of hundreds of thousands of words three times, but the proofs sent by the printing house were always ten pages and eight pages, not all of them were sent together, so Mr. Lu Xun was constantly urged by this proof. Mr. Lu Xun actually said:

"Look, while talking to you, look at the proof, eyes can see, ears can hear ..."

Sometimes Mr. Lu Xun puts down his pen and the guests tell jokes. Sometimes they say, "There are only a few words left ... Please sit down ..."

1936 10/7, Mr. Lu Xun was ill again, panting.

17, I stayed up all night.

18, I caught a breath all day.

19 midnight, people are extremely weak. When the sky turned white, Mr. Lu Xun finished his work and had a rest as usual.

1939 10 month

Responder: The Last Love of the Sword-Director Level 8 1- 18 20:59

Prose poems and essays

Weeds bloom early and harvest late.

Essays

Just set two hearts set tomb lace literature Gai Hua set Gai Hua set sequel Gai Hua set sequel supplement.

Collection: Collection: Collection: Collection: Collection: Collection: Collection: Collection: Collection: Collection: Collection: Collection: Collection:

On the Pseudo-Free Book "Quasi-windy Moon"

Other works

A new collection of prefaces and postscripts of ancient books, an outline of China's literary history, a brief history of China's novels, and poems of A Jin and Lu Xun.

Respondent: Jueyan-doorman II 1- 18 2 1:02.

Tang Tao's, little red's.

Written from memory, incomplete. sorry

Interviewee: Gardenia Scarlet-Scholar Grade II 1- 18 2 1:04.

There are many Chinese books in primary schools.

Respondent: xyq1411-janitor II 1- 18 2 1:08.

Lu Xun's Two or Three Events

Trivial memories

Recall Mr. Lu Xun

Respondent: 9406 144- assistant level 3 1- 18 2 1:08.

There are (weeds), (flowers bloom in the morning), (the true story of Ah Q) ...

Respondents: Maple Leaf and Blue Sky-Rank111821:13.

When I was very young, I didn't know Zhou Shuren, but I had heard of Lu Xun, just as Chairman Mao was the red sun. In order to accept the influence of the revolution and pay tribute to this great man, I was taken to Lu Xun Memorial Hall more than once. The first time I saw this serious face of Chinese characters, a portrait of a great man composed of a thick black beard and a short and hard "eraser", I had an inexplicable dislike when I was young: he was very fierce!

Gradually, with the increase of times, I no longer hate him, and instinctively feel that there is a kindness and gentleness under his serious expression. I just still don't like Lu Xun.

Slowly, I began to grow up and dabble in Lu Xun's literary world. There are more and more social dramas and blessings, and the image of Lu Xun, a revolutionary thinker and writer, also appears in front of me. I admire his talent and his fearlessness, but I still don't know him very well. I looked up from a distance and felt his mystery. Why is he always so sharp-edged and indomitable? Why does he have a strong will and great energy that never retreats? For a long time, I always felt that he had something extraordinary, which supported him to hold that sharp pen high and fight alone.

Lu Xun is of course an ordinary person. He has secular desires, temperament and hobbies, including melancholy and extreme temperament. However, he walked in the forefront of the times with the thoughts and incisive opinions of sages. His life has experienced ups and downs, but his extraordinary and profound, because of his sinking. From the failure of the Revolution of 1911 to the May 4th Movement, politicians of various factions appeared in China, and the society in China was changing. Cultural circles are also noisy and turbulent, while Lu Xun stands on the edge of the times and looks on coldly. He chose to live in seclusion and study history. His silence is not really indifference, but brewing and waiting, waiting for the opportunity to break out, and making a cry forced by his own realistic needs and the strongest voice of the times. He is willing to be lonely, although loneliness is like the same poisonous snake, growing up day by day and haunting his soul; He can only be lonely, because loneliness is "waking up alone" in the background at that time. Lu Xun has always had a deep distrust of the "ant colony" crowd. In his articles, people who are ignorant and numb are often depicted. He once said, "China is too difficult to change. Even if you move a table and refit a stove, you almost bleed, and even if there is blood, you may not be able to move it and refit it. " Lu Xun's mediocrity was deeply suppressed, which made him sigh "the sorrow of fighting alone" until his later years. But it is precisely because he has transcended all sentient beings and surpassed himself and history that his struggle and resistance have become more thorough and his position has become more rock-solid. With amazing calmness and deep sorrow, Lu Xun examined and analyzed the bad habits of China people and pointedly refuted the rebellion against traditional culture. Although he was so firm and rational, he never got rid of the influence of traditional culture. From obeying his mother's arranged marriage when he was young, sacrificing his nominal wife's happiness for the word "filial piety", to cutting off his braid and adding fake braid for his struggle after returning home, he inevitably compromised with reality. The more fierce Lu Xun criticized, the more ruthlessly he dissected himself, the more thoroughly he denied himself, and the deeper his sense of inferiority. He once claimed to be "an awakened person who admonished others with opium" and "a broken family with new ideas". His introspection gave him great mental pain, and the consciousness of repentance troubled him all his life. His deep self-hostility also made him more and more brave to fight against earning, cross the rubicon and leave no way out.

Whether wandering, shouting or the grave, Lu Xun, as a prophet in the 20th century, is constantly wandering, hesitating and exploring. It is also constantly fighting, awakening and moving forward. As he wrote in "Passers-by" in "Weeds", an inexperienced little girl naively indicated to passers-by that there were wild lilies and wild roses ahead. The old man with white hair and beard told him that there were barren graves and dead bones in front. As for what is behind, I don't know. An old proverb came to his mind: I have to go, I'd better go. ...

Lu Xun, a great man worthy of eternal appreciation and commemoration. Even though he is far away from us, I can't stop my respect for him, especially for his courage to fight alone. As a revolutionary pioneer, he shoulders the heavy responsibility of restoring China and rejuvenating the nation; As a thinker, he tried to change and eliminate the old cultural and ideological trends. As a scholar in China, he is more acutely aware than ordinary people that China is in a dark room and there is nothing he can do, which is too painful for him.

However, he stubbornly endured and still stubbornly crawled forward. Although I can't say I like him yet, Lu Xun's weight in my eyes and people's hearts; Its position in China and even the world will not change, nor can it be replaced.

Respondent: Tears of Magnolia Officinalis-probationary period level 1 1- 18 2 1:37.

God, so many people don't understand what the landlord means. . .

Responder: Destroy VS Mud Dream-gatekeeper II 1- 19 15:47

Lu Xun (1881-1936) is a great writer, thinker and revolutionary in modern China. Yucai was originally named Zhou Shuren and was born in Shaoxing, Zhejiang. Born in a dilapidated feudal family. Young people are influenced by evolution. 1902 went to Japan to study medicine and then engaged in literary and artistic work in an attempt to change the national spirit. 1905 to 1907, when the revolutionaries headed by Sun Yat-sen launched a large-scale debate with the reformists headed by Kang Youwei and Liang Qichao, Lu Xun stood on the side of the revolutionaries and published important papers such as Moro Poetry and Cultural Deviation. 1909 returned to China and taught in Hangzhou and Shaoxing successively. After the Revolution of 1911, he served as a member of the Nanjing Provisional Government and the Ministry of Education of Beijing Government, and taught in Peking University and Women's Normal University. 19 18 In May, Diary of a Madman, the first vernacular novel in the history of modern literature in China, violently exposed and attacked the feudal cannibalism system and laid the cornerstone of the new literature movement. Before and after the May 4th Movement, he participated in the work of New Youth magazine, stood at the forefront of the anti-imperialist and anti-feudal new culture movement, kept pace with the early capitalist Li Dazhao, and resolutely opposed the tendency of bourgeois intellectuals to compromise and surrender. During the period from 19 18 to 1926, he successively created and published albums such as Scream, Grave, Hot Wind, Wandering, Weeds, Morning Flowers, Gai Hua Ji and Gai Hua Ji Xu, which showed that. Among them, the novella The True Story of Ah Q, published in19212, is one of the most outstanding works in the history of modern literature in China. During this period, Lu Xun began to contact Marxism-Leninism and read the Producers' Party, State and Revolutionary Manifesto and other works. 1In August, 926, he was wanted by the reactionary authorities for supporting the patriotic movement of Beijing students and went to teach at Xiamen University in the south. 1927 1 came to Guangzhou, the revolutionary center at that time, and taught at Sun Yat-sen University. After the "April 12th" counter-revolutionary coup, Chiang Kai-shek angrily resigned from all his posts in Sun Yat-sen University. In the meantime, I witnessed that there are also non-revolutionaries and counter-revolutionaries among young people. They have received a deep education and completely abandoned the idea of evolution. 1927 10 arrived in Shanghai to study Marxism-Leninism seriously. 1930, the left-wing writers' union was established and became the leader of the left-wing literary movement under the leadership of China's * * * production party. During this period, he successively participated in progressive organizations such as China Freedom Movement League and China Civil Rights Protection League, actively participated in the revolutionary literary movement, introduced Marxist literary theory, and made unremitting struggles with Kuomintang reactionaries, other reactionary literati and reactionary literature, gradually becoming the standard-bearer of the cultural revolution in China and a great fighter of the proletariat. 1936 After the dissolution of the "Left League" at the beginning of the year, he responded to the call of the party and actively participated in the anti-Japanese national United front in the literary and art circles. From 1927 to 1935, he created most of the works and a large number of essays of New Stories. Under the guidance of Marxism-Leninism, the essays in the latter ten years comprehensively and profoundly analyzed various social problems, showing far-sighted political vision and tenacious fighting spirit. These works are collected in some special collections, such as Jia Xu Ji, Three Ji Xian, Two Hearts Ji, South Opera North Ji, Pseudo-Free Book, Quasi-romance, Lace Literature, Essays on Street Pavilion, etc. Lu Xun made great contributions to China's cultural undertakings: he led and supported the progressive literary groups such as the "Unnamed Society" and the "Chaohua Society"; Editor-in-chief of literary periodicals such as National New Newspaper Supplement (B), Mangyuan, Running, Germination and Translation; Enthusiastic care and active cultivation of young authors; Vigorously translate and introduce foreign progressive literary works, paintings and woodcuts; He collected, studied and sorted out a large number of China classical literature, critically inherited the ancient literary heritage of the motherland, compiled a brief history of Chinese novels, an outline of China's literary history, sorted out Ji, and compiled Miscellaneous Books in Huiji County, Ancient Novels, Legends of Tang and Song Dynasties, Notes on Old Novels and so on. 193610 June19 died in Shanghai. Complete Works of Lu Xun (20 volumes) 1938 published. After the founding of New China, Lu Xun's translated works have been compiled into Complete Works of Lu Xun (10), Translated Works of Lu Xun (10), Diary of Lu Xun (2 volumes) and Letters of Lu Xun, and various ancient books edited by Lu Xun have also been reprinted. 1956, the party and people's government relocated Lu Xun's tomb. Mao Zedong personally wrote an inscription for Lu Xun's tomb, and repeatedly called on the whole party and people all over the country to learn from Lu Xun. Luxun Museum and Memorial Hall have been established in Beijing, Shanghai and Shaoxing.

24 Recalling Mr. Lu Xun (Excerpt)

Little Red

Selected from Memories of Lu Xun (Life Bookstore 1946 Edition). Has changed. (excerpt)

Mr. Lu Xun's rest, not listening to the phonograph, not going out for a walk, not falling asleep in bed, Mr. Lu Xun himself said:

"Sitting in a chair and turning over a book is a rest."

Mr. Lu Xun accompanied the guests from two or three o'clock in the afternoon until five or six o'clock. If guests eat at home and have tea together after dinner, or leave just after drinking tea, or come again before leaving, stay with them until eight o'clock or ten o'clock, often until twelve o'clock. From two or three o'clock in the afternoon to twelve o'clock at night, for such a long time, Mr. Lu Xun sat in a cane chair and kept smoking.

As soon as the guests left, it was already midnight. It's time for bed, but Mr. Lu Xun is about to start work. Before going to work, he closed his eyes a little, lit a cigarette and lay in bed. Before the cigarette was finished, Mr. Xu almost fell asleep in bed (why did Mr. Xu sleep so fast? Because I have to get up at six or seven the next morning to manage the housework. Yinghai also fell asleep on the third floor with the nanny.

The whole building was silent, and there was no sound outside the window. Mr. Lu Xun stood up, sat down at his desk and began to write articles under the green desk lamp.

When Mr. Xu said that the cock crowed, Mr. Lu Xun was still sitting, the cars in the street were beeping, and Mr. Lu Xun was still sitting.

Sometimes, Mr Xu wakes up and looks at the white Welissa Gonzaga window. The light doesn't look bright. Mr. Lu Xun's back is not as dark as at night.

Mr. Lu Xun's back is gray and black, and he is still sitting there.

Everyone is up, and Mr. Lu Xun goes to bed.

Yinghai came down from the third floor with his schoolbag, and the nanny took him to school. After Mr. Lu Xun takes the door, the nanny always tells him:

"Walk gently, walk gently."

No sooner had Mr. Lu Xun fallen asleep than the sun rose. The sun shines brightly on the people across the yard; According to the oleander in Mr. Lu Xun's garden, it is bright and bright.

Mr. Lu Xun's desk is neat, the written articles are under the books, and the writing brush stands on the back of the porcelain turtle.

A pair of slippers stopped under the bed and Mr. Lu Xun fell asleep on the pillow.

Mr. Lu Xun must rest, as Dr. Sudo said. However, since then, Mr. Lu Xun has not only had no rest, but also had more ideas in his mind. What he wants to do seems to have been finished at once, and the works of Qu Qiubai, the early leader of China's * * * production party, have also been sorted out. Proofreading, printed by German progressive female printmaker Mrs. kollwitz (Mrs. kollwitz (1867- 1945)). Painting, translation of "dead souls" [dead souls] [Russian novelist Nikolai Gogol (1809- 1852) novel. Lower part; When I got sick, it all started together, and I counted the episode for 30 years.

Mr. Lu Xun felt that he was in poor health and had no time to pay attention to his health, so he had to do more and do it quickly. At that time, everyone didn't understand the meaning, not because Mr. Lu Xun didn't have a rest. Later, I read Lu Xun's Death (1) [Death] and saw "At the end of the text? Attached set (Complete Works of Lu Xun, Volume 6). This article is a will. That article makes it very clear.

Mr. Lu Xun knew that his health would be destroyed and his working hours would be only a few years. It doesn't matter if he dies, as long as he leaves more for mankind. Mr. Lu Xun is like this.

Soon German dictionary and Japanese dictionary were put on the desk again, and Nikolai Gogol's dead soul began to be translated again.

Mr. Lu Xun is in poor health and easily catches a cold. After catching a cold, he will accompany the guests, answer letters and proofread manuscripts as usual. So after catching a cold, it will always drag on for a month or half a month.

1winter of 935 and1spring of 936, Mr. Lu Xun kept proofreading, and he had to read the proofs of hundreds of thousands of words three times, but the proofs sent by the printing house were always ten pages and eight pages, not all of them were sent together, so Mr. Lu Xun was constantly urged by this proof. Mr. Lu Xun actually said:

"Look, while talking to you, look at the proof, eyes can see, ears can hear ..."

Sometimes Mr. Lu Xun puts down his pen and the guests tell jokes. Sometimes they say, "There are only a few words left ... Please sit down ..."

1936 10/7, Mr. Lu Xun was ill again, panting.

17, I stayed up all night.

18, I caught a breath all day.

19 midnight, people are extremely weak. When the sky turned white, Mr. Lu Xun finished his work and had a rest as usual.

1939 10 month

Prose poems and essays

Weeds bloom early and harvest late.

Essays

Just set two hearts set tomb lace literature Gai Hua set Gai Hua set sequel Gai Hua set sequel supplement.

This is an essay about prose, it is an essay about prose, it is an essay about prose.

On the Pseudo-Free Book "Quasi-windy Moon"