There is a female singer in China who sings lyrics that no one can understand, but she is known as the music of nature by the world. What's her name? Urgent need!

Sa Dingding (formerly known as Zhou Peng) graduated from the first undergraduate course of popular singing in PLA Art College, and has a solid academic foundation. Sa Dingding's 2009 Australian Concert Tour (7 photos) As a singer, she has a unique voice that everyone admires. Strong recognition, expressive force of filar silk fusion, unique deductive way, unique style, electronic dance music, China classical national culture, China national unique musical instruments, unique oriental mysterious dance and simple national original ecology are interpreted as a speech.

As a musician, she abandoned the worldly fame and prosperity, taught herself Sanskrit, wandered around the cultural holy land of China and experienced it quietly. Music inspiration comes from her own research and experience of China ancient culture, and extracts the essence that truly belongs to the nation from the 5,000-year-old brilliance. Sa Dingding believes that singing is the first language before writing, that is, people have created music before they can speak. Therefore, she created a unique "soliloquy" singing method, expressing her emotions with meaningless random humming, expecting pure communication and heartfelt touching. This way of singing is called "the language of communication with God" by Max Hole, president of Universal Records Asia Pacific.

As a producer, her bold and open consciousness of "world music" makes her not stick to the existing music mode, but use the rhythm of western electronic music to set off the ancient and mysterious oriental original ecological national music more colorful and modern. It is also the most cutting-edge and fashionable music form in the world to combine elegant oriental national musical instruments with modern electronic synthesizers in a cross way. This fusion has formed a powerful auditory shock and a unique "Sa Dingding Music". Sa Dingding's music has been recognized by Eric T.Johnson, a senior judge of the Grammy Music Award, the world's highest music award, and many senior judges. Grammy even sent a letter inviting Sa Dingding to exchange with the United States. This is the first time that Grammy has invited China singers since it established a permanent organization in Asia for several years.

As a dancer, she didn't receive professional training, but she danced with her, relying on her mastery of music and oriental temperament, and combining oriental martial arts in a unique way to construct a beautiful, gorgeous and unique oriental mysterious dance. As a cultural symbol, the word "Sa Dingding" is far from being limited to music. But from the origin of music, with the thousand-year-old culture of the Chinese nation as the broad background, it skillfully combines the innovative meaning of the West. At the same time, with the avant-garde fashion temperament of high-quality music blending culture, it is profound but not persistent, innovative and challenging but not divorced from reality.

With almost paranoid passion for music, she devoted herself to creating music with local characteristics and vitality. Adhering to the noble and mysterious spirit of Sa Dingding, he practiced devoutly in the field of music.

Dormant for four years, she traveled around the world to collect folk songs and traveled all over Eurasia, drawing sufficient nutrients for her music creation. Among them, the trip to Tibet and India made her have an indissoluble bond with Tibetan Buddhism.

The singer's body and mind are one, and things are wrong; The listener's brain suddenly opened wide and his mind was in a trance.

Sa Dingding's initial "soliloquy" came from the emotion released by her inner understanding of music. She expresses her emotions with meaningless random humming, expecting pure communication and heart-to-heart touching. This way of singing is called "the language of communication with God" by Max Hole, president of Universal Records Asia Pacific. This makes Sa Dingding's music transcend cultural and linguistic barriers. In Sa Dingding's The Old Man by the Xilin River, he sang all this by himself. Sa Dingding himself said that when this work was originally named "Grandma", there was no distance between them in an instant, although the language was unreasonable. Sa Dingding said that at the beginning, she thought of singing by herself, mainly because she often saw the communication between the baby and the mother, which was a kind of communication and understanding beyond language. Sa Dingding believes that people must have the ability to express their feelings before learning a language, so this rhyming poem by Yi Yi is probably the most unconstrained emotional expression. The expression "talking to yourself" has been used before.

Enya, a famous independent musician in the Republic of Ireland, once tried. Enya is still trying to create his own language according to certain linguistic rules, but Sa Dingding thinks that if the meaning of language itself needs to be emphasized, it would be better to use the existing language of human beings. Talking to oneself means having a complete freedom, in which everyone can integrate his own imagination and emotional understanding.