Who are the actors who became famous by bad movies and then turned their backs on famous works?

Do you still remember the popular movie A Trip to Busan the year before last?

A very good movie in the doomsday zombie theme movie has touched countless audiences and has a good box office reputation.

Not long ago, the director of this film, Sang Haoyan, released his new work.

The same imaginative theme is the super-power story of South Korea, but the difference is that the word-of-mouth of this work is a bit out of shape-

Mental strength

In fact, I think the name of this movie can be called "The Life of a Disabled Dad" or "Somehow I became a Superman".

The brain hole of a real screenwriter is almost the level of a second-rate online writer, and all kinds of plot brain holes in the online text are fresher than this movie.

This film tells such a story:

A greasy middle-aged uncle woke up one day and found that he had super powers (yes, it was so sudden), thinking that others beat monsters to punish evil and promote good to save the world.

That uncle didn't, but went to help his daughter fight for demolition.

There are also demolitions in South Korea, because there are too many foreign tourists in South Korea, and duty-free shops have to be built.

Like most Korean movies, the film is wrapped in a sci-fi shell and takes a warm family route.

In the end, it created such a four-unlike work. To tell the truth, Korean movies are always too hard recently.

Things that can be explained simply must be deliberately sensational in circles.

The director didn't realize how abrupt it was to do so, just like the part where uncle found himself suddenly having super powers, ostentatiously and deliberately showing off.

The star of this film is Seung-yong Ryoo, a famous actor who plays the mentally retarded father in The Miracle of Cell Seven.

This film was a great success, and I think that's why the director chose Seung-yong Ryoo to play this play, but I always feel that The Miracle of Cell Seven is overrated.

Forced sensationalism is the most deadly. If the whole movie is like this, it will cause the audience's aesthetic fatigue.

Korean movies always feel lack of momentum, which is inseparable from the national conditions of small countries and few people.

Just like the movie Mindfulness, it is still based on the theme of family, and it has been bombed again and again.

Therefore, even if you put on the coat of science fiction, it is only the emperor's new clothes, with no substantive content, giving people a narrow feeling.

I have to say that Koreans are still very good at making realistic movies, such as The Defender two years ago.

Last year's Taxi Driver was really a rare masterpiece with realistic themes.

The title of the film "Power of Mind" is a very grand topic, even involving the philosophical part.

But the director's understanding of the soul is too simple, mainly because a father loves his daughter too little, which is a serious injury.

However, in the performance, the daughter played by Miss Shen Enjing is still very attractive, giving people a fresh and refined feeling, and the acting skills are hard to say.

There are so many young ladies with acting skills and values in Korea. I saw a movie called Earthworms some time ago.

I was particularly impressed by the hostess, and her acting skills were really good.

On the other hand, many idol dramas in China seem to have nothing but blinking. After all, the market is too impetuous.

Movies have become a shortcut to becoming rich and famous, and few people have settled down to pursue art.

During a trip to Busan, human nature was very prominent, but I didn't see it in the movie Mindfulness.

Generally speaking, this film is better than many domestic non-mainstream idol dramas, but it can only be said that it is unsatisfactory in Korea.

What's more, the starting point of the director's last film is too high, which leads to high expectations and will inevitably lead to disappointment, but I still believe that the director will make a better film.