Basic training of piano fingers

Piano finger basic training, the piano is called "finger dance", no matter what you learn, you have to practice day and night if you want to achieve something, and you have to practice several basic skills every time you practice the piano. Let's look at the basic training of piano fingers.

Piano Finger Basic Training 1 Non-Legato Practice Method

The practice of breaking up with the non-Legato practice is played by the way of natural falling of arm weight, which can let beginners master the relaxed playing state.

Methods: Take the right hand as an example, put your hand in the position of the large group of C sounds to be played, then raise your arm and thumb up to prepare. This action can train the flexibility and independence of the big finger and lay the foundation for fast playing and finger rotation practice. When falling, the strength of the whole arm should be concentrated on the position where the finger touches the key.

The big finger is different from the other four fingers. The key position is on the lower side of the fingernail outside the fingertip. Be careful not to touch the keys with the position of the first joint. Feel the supporting force of fingers and the relaxed state of arms when touching keys.

Next, two fingers play the leaning sound separated by one note. Like the big finger, when the arm is raised, the two fingers should be raised for preparation, and the fingertips should be pointed down when the fingers are raised, which is conducive to the concentration of strength; When the arm falls naturally, touch the keys with the position inside the nail. When touching the keys, the first joint, the second joint and the metacarpal joint should have supporting force to form an arc.

The other 3, 4 and 5 fingers are played in turn. Because the little finger is relatively weak, sometimes it will involuntarily touch the key from the right side of the little finger, resulting in uneven strength, speed and movement with other fingers. Therefore, when practicing, we should pay special attention to the little finger touching the keys with the fingertips and relaxing the arms.

The practice method of non-Legato can strengthen the support of fingers and relax playing with natural weight.

Legato practice

The practice of Legato is to achieve seamless connection between sounds without overlapping when playing.

Method: Raise your finger to play the first note, and then move the intensity to the next note continuously. The fingers to be played should be held high, which can train the flexibility and independence of the fingers and keep the wrist relaxed and smooth. When the next tone touches the key, the previous tone should be raised quickly. This kind of coherent playing requires the coordination of all parts of the hand and the transmission of power between the fingers.

Legato practice can be an important practice method to train five fingers to exert force evenly and move smoothly.

Intermittent practice

The practice of staccato is to lift your fingers with the metacarpal joint as the axis, concentrate your fingertips on touching the keys quickly, and then leave the keys quickly after touching the keys. When playing staccato, we should pay attention to maintaining the basic hand shape of semi-clenched fist. The raised finger tips are facing down. If the finger is stretched too straight, the strength of the key will be weakened, which will affect the timbre.

Intermittent practice can strengthen the touch of fingers and improve the touch speed of fingers. Intermittent practice can play a strong sense of granularity and brilliant timbre.

(Schmidt practicing piano fingers)

Pronunciation five fingers exercise

This practice method greatly increases the difficulty of playing clearly, so the practice of lingering sound is a very effective way to train fingers to be independent. You can also avoid bad habits such as shaking your arms and wrists from side to side and jumping up and down. When playing, pay attention to the relaxation of the fingers playing the sustain, and don't keep pressing the notes to cause hand tension.

Half-tone five-finger exercise

Long-span five-finger exercise

(by sound type)

Semitone exercise: Five fingers play the notes with the smallest distance from the nearest scale on the keyboard in a certain order. This sound mode is easier to control for players with small hands, while for players with large hands, it can enhance the accuracy of playing near notes with fingers.

Large-span exercise: train the expansion between fingers, so that fingers can play long sounds accurately and evenly. For example, in Hanon 3 1 class, you should keep relaxed and exert yourself evenly during practice.

Besides the above exercises, you can also practice by changing the rhythm. For example, the practice of changing the rhythm of attachment, the practice of triplet rhythm and so on. , can be varied, each rhythm should be carried out in pairs.

Changing rhythm practice is helpful to improve the independence and unity of fingers. In addition, increasing the beat is also a very good practice method. This method increases the playing frequency of fingers with weak control, such as repeating 3 or 4 fingers.

Finally, summarize the key points of five-finger exercise: 1, fingers are flexible, independent and powerful, 2, exert force evenly and balance hands. 3. Control of speed and strength. As long as you use the right method and practice persistently, you can gradually have flexible and controllable fingers.

Basic training of piano fingers 2 How to train the flexibility of fingers when playing the piano?

dedendum circle

When massaging your fingers, circle from the root of your fingers to your fingertips.

Hands crossed, hands folded.

Put your hands with your fingers facing each other, and then press your hands slightly hard, paying attention to the palms to avoid contact. Exercise the curvature of your hands.

Put your hands together and then press them to the left or right to enhance the flexibility and softness of your hands and wrists.

Hands opposite, fingers crossed, and then fingers rubbed hard at the same time, from fingertips to fingertips.

Put your hands together on your chest, push your left wrist hard to the right, put your palms together, and then turn left. Can strengthen the wrist and enhance the flexibility of the wrist or palm.

Elbow rotation

The forearm bends and rotates around the elbow to the third fingertip. Keep your palms in harmony, and stretch your fingers as if holding a big circle. The movement should be gentle and slow, and the rotation range is equivalent to one-eighth of the circumference. The most important thing is to make the arm movements always rotate around the imaginary axis. Take turns with your arms.

Wrist movement

Palm inward, wrist up and down (extreme exercise).

Break your fingers inward.

Keep your arms straight and palms forward, then break the fingers of this hand in with your other hand, and then change hands before doing it. This can reduce the stiffness of the fingers.

Open your fist.

Make a fist gently (put your thumb in your fist, but don't let the rest of the system press tightly), and then stretch your fingers hard to spread them back. This exercise can be done dozens of times at first, and then it can be gradually increased. The force used to stretch and hold fingers should be equal.

Finger bending

The fifth finger bends as close as possible to the wrist and touches the palm, then the fingertip rubs along the palm until it reaches the finger, and the other fingers do so in turn.

Replace fingers

The four fingers of the left hand are tied together, and each finger of the right hand is intertwined with each finger of the hand, so that the third and fifth fingers of the left hand are above, and the second and fourth fingers are below. Then quickly change your fingers so that two or four fingers are on top and three or five fingers are on the bottom.

Note that the thumb of the right hand should always be placed under the thumb of the left hand, otherwise it will hinder the rapid replacement of each finger, and so will the left hand. This exercise can be done slowly at first, only a few times. Later, when you master quickness, you can do it forty times with each hand.

Fingers together

Open your fingers and go all out. The bigger your eyes are, the better. Then close your fingers in the middle of the food and open them as far as possible. Then quickly separate the two fingers in the middle and close them with the heads on both sides. Do this action continuously, open and merge the middle finger, and then merge the fingers on both sides.

Finger flick

Beat tables, chairs and handrails repeatedly with ten fingers without rhythm. To enhance the flexibility of fingers.

Abacus typing

Learn to use abacus (abacus) and learn to type more. According to Japanese experts' research, regular exercise of fingers with abacus can make fingers flexible, promote the growth of brain cells, delay brain aging and keep the brain flexible.

Chest incision

Put your hands on your chest and shake your wrist violently for about 10 second, which can promote blood circulation in your hands.

Throw imagination

Put your hands on your chest and imagine a ball in your hand. Hold tight, meditate five times, open your fingers and try to throw them away. It can strengthen the palms and wrists and make the fingers flexible.

Finger flick

Play the piano with both hands and fingers, starting with the thumb and playing one by one to the palm. Repeat 20 times. Can exercise the hand's control ability and activity ability.

Finger clamp

Hold one finger of the other hand with two fingers of one hand and press it from the root of the finger to the fingertip, which can be done in turn.

In the process of practicing music, don't be impatient, practice with the correct sitting posture and method, raise your fingers high, touch the keys correctly, and play every note clearly. When you start practicing, slow down and gradually speed up. After practicing Cherny 599 and seriously practicing 849,299, they are all smooth and fast exercises. If you can persist, your fingers will become more and more flexible.

Piano Finger Basic Training 3 1, one-to-one: The most basic thing is to point a finger at a keyboard. Five fingers correspond to do, re, mi, fa and so.

2. Finger-piercing: Finger-piercing is also called "thumb peristalsis", and some people call it "hole-drilling", that is, 1 refers to playing higher notes by fingering under 2, 3 or 4 fingers.

Finger puncture rules:

A, can only use 1 finger, and can only wear 2, 3, or 4 fingers, not 5 fingers. Wearing five fingers is taboo. In addition, 1 wears 2, 1 wears 3 more times than 1 wears 4.

B, if 2, 3 and 4 refer to white keys, then 1 refers to black keys after finger puncture. Otherwise, don't cheat. You can have a try. This means that 1 means that due to its physiological structure, it is not suitable to go to black keys often. But on relatively rare occasions, I still need to go to black keys. But it must be done under convenient circumstances.

C, don't wear the finger span is too big, try to avoid wearing more than 4 degrees. What is 4 degrees? The distance from do to fa is 4 degrees. You can try. If you put 2, 3 or 4 fingers on do and then use 1 to prick, it will definitely be uncomfortable to land on so or la.

3. Finger crossing: Finger crossing is also called "thumb crossing", which means that two fingers, three fingers or four fingers cross 1 to play lower notes.

4. Pointing method: Five fingers in the fifth interval, keeping the basic hand playing. This fingering is that one finger is aimed at a key, and five fingers are arranged on five keys in turn, with no middle key. This is the most basic fingering and the most important fingering.

5. Five-finger spread method: Five-finger spread hand play, the interval is greater than five degrees. The tiger's mouth between thumb and forefinger is a favorable condition for reaching out. The melody of the sixth interval is played with the sixth hand, the distance between one finger and five fingers is six degrees, there is a key between one finger and two fingers, and the other fingers are arranged along the fingers.

6. Abbreviations:

Five fingers are played with contracted hands at intervals of less than five degrees. Melodies that detour up or down can be played in this way. All kinds of short arpeggio exercises use this finger shortening method.

Fingering is a very important part of piano foundation. Fingering and the arrangement of phrases influence each other, and wrong and improper fingering will make the whole song fragmented. Fingering, as the name implies, is the arrangement order and method of fingers.

All excellent and successful performances are always inseparable from the support of finger techniques, which can only be obtained through systematic, strict and scientific finger training and a lot of practice, and there must be reasonable and standardized factors in the choice of fingering.

Fingering skills in piano playing;

1. When you need to play the keys continuously from left to right, you can shuttle between the other four fingers with your thumb to realize continuous rhythm and melody.

2. When you need to play the melody from right to left on the score, it is the thumb playing from the little finger end to the index finger, which can be played continuously or by jumping.

3. When the distance between the keys to be played is greater than the number of five keys, it is necessary to expand the positions where fingers can bounce, such as 1 and 10, and it is necessary to expand the palm of your hand and press with your thumb and little finger at the same time.

4. When it is necessary to play two adjacent keys on the piano score, you can play with your fingers. For example, playing the keys of 1 and 3 can combine thumb and little finger to play.

5. If one finger operates too frequently, you need to use another finger to take over the performance. For example, when the thumb plays too many keys, you can take over the playing with the ring finger to reduce the burden on the thumb.