Quyi zaqu

Wuxi Pingqu, Zhaoxing Lotus Fall, Jin Song, Praise Song, Xiang Song, Jiangxi Lotus Fall, Chaozhou Song, Cantonese Song, Dragon Boat Song, Zero Zero Song, Taiwanese Song, Yuedong Fisherman Song, etc. Also known as local minor. One of its sources is a ditty that was born and raised in the local cultural soil, and the other is a ditty that was introduced from other places but evolved into a local ditty through integration with local culture, which has the characteristics of local music.

There are not only a large number of local ditties, but also a wide variety of songs, all of which are circulated in the original ecological form. It can be roughly divided into two systems, namely, time tune ditty and folk ditty. Beijing Opera Xiaoqu, Tianjin Xiaoqu, Zhejiang Shaoxing Pinghu Xiaoqu, Ningbo Zoushu, Jiangsu Xuanjuan, Anhui Fengyang Flower Drum, Shandong Folk Xiaoqu, Shaanxi, Shanxi, Inner Mongolia Errentai, Guangdong Cantonese Opera, Sichuan Nanping Playing and Singing, etc. Qin Fang Sanxianshu, Wuxiang Sanxianshu, Shanghai Zishu, Wuxi Xiaoruoyan, Suzhou Literature, Zhejiang Shaoxing Lianhualuo, Anhui's door songs and four-sentence faders, Fujian's country songs rap, bamboo songs, Hubei's Sanbang drums, Sichuan's Lianxiang and car lights, Ningxia Xiaoqu and Ningxia Qingqu and other folk tunes.

Various types of local ditties, with different time periods, have uneven artistic development, and some have entered a mature stage of development. For example, Guangdong Cantonese Opera, as the representative, has formed a multi-source and multi-performance pattern. However, some kinds of music have short enlightenment time and simple basic tunes, but both ditty and folk ditty are deeply rooted in the local cultural soil, have local basic audiences and are closely linked with the masses. China is a multi-ethnic country, and the Quyi music of 55 ethnic groups shows rich and colorful characteristics because of their different development history, geographical environment, national culture, language and rhyme, and folk customs. Such as Big Ben of Bai nationality, Gesaerzhong of Tibetan, Lamamani and Zhega, Wuligeer and Haolaibao of Mongolian, Dastain and Laipai of Uygur Manchu, Kesa and Aites of Kazak, Pan Suobao of Korean, Molun of Zhuang, Singh He, Yimakan of Hezhe, Pipa of Dong, Gabaifu and Geha of Miao. Among many kinds of songs, some have a long history and ancient traditions; Some of them developed gradually under the influence of Han nationality or other nationalities.

The folk art music of ethnic minorities has strong local color, mass and nationality. Most of them rap the historical stories of their own nation, and their lyrics are often epic, powerful in tone, clear and steady in rhythm, dignified in color and magnificent in style; Some music comes from ethnic and folk sacrificial ceremonies and wizard activities, which are closely related to local beliefs and folk activities. Their music is melodious and melodious, and their singing forms are often dancing or playing while singing. There are also some songs that rap folk stories, myths and legends, and the tunes are mostly developed from folk songs, which are lyrical and beautiful, subtle and affectionate; There are also some songs whose lyrics are impromptu praises and eulogies. Their tunes are smooth and lively, and some are full of humor, which is deeply loved by the people of this nation. Miao nationality is a nation that can sing and dance well. In the long history, splendid national culture has been created, and Miao folk art is like a bright pearl, shining in the sea of Miao culture. At present, there are four main types of Miao folk art: Rangx ghenx, Bad lax bat, kuangd lolndrual and Lol luas.

The Miao folk song Rangeng developed with the formation of Miao Lusheng. According to relevant historical records and Miao oral records, the leaves of the Tang Dynasty were initially formed more than 1000 years ago, but they were more widely used in funeral sacrifices and festivals. After thousands of years of practice, it has formed a distinctive tune of the trilogy of sacrifice, lyric and narrative, and its performance forms are three forms: just blowing without talking and blowing and singing. However, it is popular in southern Sichuan, western Guizhou, southeastern Yunnan, southern Yunnan, northeastern Yunnan, western Guangxi, Vietnam, Laos, Thailand, the United States, France and other countries and regions. The main tracks include 360 songs, such as Directional Tone and Breathless Tone, as well as Songs of the Origin of Huashan Festival, Open the Heaven and Split the Earth, Nine Suns and Eight moons, etc.

Barapa, this is a development of rap form. In the late Ming and early Qing Dynasties, a large number of Miao people moved to Yunnan, and Balapa, a folk art form, was introduced, with a history of about 600 years. Barapa usually appears at funerals to comfort relatives of the deceased. Usually in the form of questions and answers, the performance is accompanied by Lusheng. After the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China, Wenshan People's Broadcasting Station arranged and performed the traditional balaba, which was deeply loved by Miao listeners after being broadcast on this station. The main tracks are Tracing the Source of Heaven and Earth, Talking about Heaven and Earth, Sheng and Drum, Learning to Spend Sheng, etc. Barapa is mainly popular in Wenshan, Honghe, Guizhou and Baise, Guangxi.

Kuang Luo cursive storytelling is a popular form of storytelling among Miao people in Sichuan, Guizhou and Yunnan dialect areas. When the Miao people in Guizhou call it "Lol dlangb", the Miao people in Southeast Asia, Europe and America call it "Dlaab neeg". The performance venue of Kuang Luo Grass is very casual, and you can perform in front of and behind the house. Its repertoire is numerous and well-known, and the representative repertoires are as follows.

Lola, this is a joke. Lola, which is popular among Miao people, is widely distributed, mostly focusing on production and life, praising and criticizing good deeds, ignorant and backward things and things, with various plays, such as "Father and Son Boating" and "Meat Board".

Miao folk art plays an important role in Miao social life and is an important part of Miao culture. In order to carry forward the excellent traditional culture of Miao nationality, a lot of excavation and research are needed.