As one of the trump cards of Hunan Satellite TV, why does Everyday Up feel worse than before?

Speaking of making progress every day, I believe all post-90s will be familiar with it. As one of the trump cards of Hunan Satellite TV, Everyday Up is famous in the variety industry because of its unique cultural connotation. It has been deeply loved by the audience for many years and shines brilliantly. However, looking at the variety market in recent years, new programs have sprung up like mushrooms after rain, but the figure of "Everyday Up" does not seem to appear in front of us.

First, the mainframe group falls apart.

The original five daily brothers have been separated over the years. Although they all have their own convincing reasons, the final result is that everyday brothers are different from before. The so-called brotherhood between several men is a large part of the audience's attention, so if this main component is missing, this concern will disappear.

Second, the style of the program is too deep.

Reality show is a performance form that most variety shows will adopt now, and most of them have a "big game" link. Modern people are under great pressure, and everyone wants their programs to be relaxed and happy after fatigue. Compared with this kind of program, "Everyday Up" seems to be a more thoughtful and intelligent program, which is one of its major advantages and a major feature, but it seems to be far from the appetite of modern audiences, resulting in fewer and fewer viewers.

Third, the variety market has deteriorated.

The above two points are internal factors, and more importantly, the competition in the variety market is too fierce now. Various types of programs have appeared one after another with different amounts of exercise in a short period of time, and the phenomenon of "out of breath" does not only appear on the program "Everyday Up".

Now, in order to compete for the so-called ratings of the huge remaining audience, major TV stations are constantly innovating, inviting some big-name and high-traffic stars to join, and even ignoring the original intention of the program for hot spots. For example, in the first half of the year, a female group talent show was very popular. The program group took a fancy to the characteristics that some players can drain, and even manipulated the votes behind their backs, which attracted a buzz from netizens.

You may think that this kind of operation brings negative effects, but what producers want is only heat and flow, and morality and right and wrong are no longer important to them. This is also a big reason why we can't do it every day. When the whole market becomes chaotic, we can't stand it every day and have to go with the flow. As a result, Laofen was disappointed and failed to attract the attention of the new generation.

Fourth, in this cross-flow era, the style of striving for gold is unchanged.

As an early variety show, Everyday Up has existed in the eyes of the public for many years, and it is undeniable that it was a fire before. But with the passage of time, more and more TV stations have introduced novel network synthesizers that meet the aesthetics of young people. Including Hunan Satellite TV itself, it has also launched many new themes-"My Wife's Romantic Travel" and "Life I yearn for".

On the other hand, the style of daily progress has never changed. Only the humorous atmosphere of the five hosts on the stage drives the rhythm, and the scope of invited guests is getting smaller and smaller, resulting in many people coming up many times every day.

There is no doubt that the unchanging style for many years is the reason for the fire of Everyday, and it is also the reason for feeling defeated. In this era of cross-flow of content and advocating rapid consumption, it has not changed every day, and it is difficult to bear the impact brought by other online integration. Various networks have taken away a lot of traffic, and people naturally feel that "going up every day" is not as good as before.

Fifth, the audience changes and the popularity decreases.

From the beginning, the biggest audience should be the post-90s generation, but now this generation has just entered the society, and their leisure time is getting less and less. This has led to the loss of a large number of viewers, while the new generation of children are more inclined to "small fresh meat" and "young women's groups", and there will be too few people who want to know about Wang Han's big brother program. As a result, fewer and fewer people watch it every day, and even if the program is distinctive enough, there is no way to return to the peak.

There are many programs in the variety market, and the audience has their own tastes. In fact, there is no need to feel too much about the decline and glory of a certain program. This is an inevitable law in the world. As an audience, just stick to what you like, which is the greatest respect and support for what you like!