Why does Jia Baoyu miss the irrelevant village girl?

Why does Jia Baoyu miss an irrelevant village girl?

Anyone who has seen A Dream of Red Mansions knows that in the fifteenth episode, there is a story of Wang Xifeng leading Baoyu and Qin Zhong to rest in the farmhouse. When Xifeng was changing clothes, Baoyu and Qin Zhong wandered around the village, which led to interesting stories about Jia Baoyu and the village girl.

I think in this case, the relationship between Jia Baoyu and the village girl is wishful thinking.

Everyone knows that Jia Baoyu is a sentimental person. It seems that in his eyes, there is no distinction between girls, depending on his own feelings. For Jia Baoyu, who has lived in the city for a long time, everything here is fresh and interesting. He couldn't help twisting a spinning wheel for fun, which actually caused the village girl to shout and stop. No matter what her costume looks like, these two girls can't help but get Jia Baoyu's love and provoke his feelings.

So that the second girl left the spinning wheel in a hurry, which made Jia Baoyu feel lost and boring; So that when the horses and chariots were leaving, when I saw the second girl again, I got out of the car and went with her. It can be seen that Jia Baoyu has a good impression on the village girl.

However, the villagers here are cheerful, bold and provocative, which is quite different from the shyness of ordinary villagers and the well-informed appearance of well-off families. This kind of conduct is really rare, saying that she dares to stop Jia Baoyu from twisting the spinning wheel. It is said that she is cheerful, and even turns around on Baoyu and others, but this cannot be said that the village girl is "affectionate" to Baoyu. In the book, Qin Zhong said that "this Qing is very interesting", and the "interesting" here should be understood as "interesting, interesting".

Jia Baoyu thinks that Qin Zhong means that the village girl has a "good feeling" for him, so Baoyu laughs at Qin Zhong. It should be said that Baoyu misunderstood Qin Zhong's words, otherwise Qin Zhong misunderstood the behavior of the village girl. Perhaps it should be said that neither is right, and it may be the author's intentional pen.

As a village girl of seventeen or eighteen, it is wrong to say that she is not in harmony with the world. "Where did you get this?" This sentence has shown that the village women are very aware of Jia Baoyu's identity. The reason why she dares to stop what others dare not do (referring to Baoyu's spinning wheel) shows that her character contains some elements that are not afraid of power, and more are curious factors. "? I turn and watch ",and then turn the line. This can only be said to be the simple and hospitable moral character of village girls and the unique excellent quality of rural women, and can not be understood as "out of emotion" with the meaning of "climbing high"

This is consistent with her behavior of being scolded all the way and leaving without nostalgia; This is also consistent with the fact that she was holding her little brother and other village girls to see jokes at that time, and did not stand out from the crowd.

This shows that the relationship between Jia Baoyu and the village girl can only be said to be wishful thinking, not wishful thinking.

Granny Liu said, "This master has no son, only a young lady named Mingyu. A young lady knows how to read, but an old lady loves her like a treasure. Unfortunately, Miss Mingyu was born to 17 years old and died of illness. " Hearing this, Baoyu knelt down with a sigh and asked what was going on. Granny Liu said, "Because the old ladies and gentlemen are obsessed with it, they built this ancestral temple, carved this statue of Miss Mingyu, and sent people to burn incense and stir the fire. Now it's been a long time, people are gone and the temple is rotten. Just like nothing. " Baoyu said quickly, "I'm not a refined person. According to the rules, people will not die. "

Chapter 39 of A Dream of Red Mansions

Granny Liu's second visit to Jia's house attracted the attention of Jia, who was a little tired of the aristocratic circle. She wants to ask an old country woman who has accumulated the past to tell you stories for a change.

Granny Liu's pastoral style is very popular with Hebai. She also made up different stories according to everyone's different psychology. For example, she grasped Jia Baoyu's love for jade and made up a story about a beautiful girl in the countryside: in the early morning of a snowy year in the countryside, she heard the sound of chopping wood in the wild. When everyone got up, it turned out to be "a beautiful girl of seventeen or eighteen with a shiny head?" At this point, the story was interrupted by a fire in the stable.

No one else cared about the story, but Jia Baoyu became insane and pestered Granny Liu to continue. Grandma Liu had to continue to make up, saying that a village girl who died early had become a fine woman. Even Lin Daiyu laughed at Baoyu: "There is no need to recite poems under the snow, just smoke firewood under the snow."

Jia Baoyu was even more serious, and asked the page Yan Yan to inquire about the whereabouts of Mingyu Temple. Baoyu was not angry when he learned that it was fabricated.

Jia Baoyu's respect and praise for women is well known, but why did he feel sad about the death of an irrelevant village girl and want to find her temple? In fact, this is an attitude of respect and nostalgia for all good things, and finding a village temple is to hope that good things and people can last forever.

Therefore, Jia Baoyu corrected Granny Liu's superstitious view that the village girl was "immortal". Although her physical life disappeared, her beauty was eternal, and "immortal" was replaced by a poem "Someone died, but he is still alive".

The irrelevant village girl in Jia Baoyu's eyes and the humble Qingwen, Confucius, Zhuge Liang and Yue Fei in others' eyes all belong to the level of "glorious death". Baoyu's care for the village girl and Qingwen is actually the same as people's memory of Confucius, Zhuge Liang and Yue Fei.

The eternal beauty depends on its own value, such as the innocence of the village girl, the beauty and boldness of Qingwen, and the contributions of Confucius, Zhuge Liang and Yue Fei to the national spirit. They also have to rely on people's sustenance. Confucius, a great man, showed his love for Gu Song Cooper in front of the temple and the grave, and his love for the village girl and Qingwen, and his search for temples and care for flowers and plants. Eternity is because of sustenance.

The function of literature lies in sustenance. The reason why A Dream of Red Mansions is eternal and why Cao Xueqin "died" is because readers of every era can find sustenance from it.