If there are evil spirits, will it become a gathering society in China?

I think since the topic was led away by a cold joke "100,000 cold jokes", let me first talk about my views on it (hereinafter referred to as 100,000 cold jokes). I made a record of 1 00000 yuan crowdfunding project in roll call time in May, and I raised it in the first month? 266,490; Today happens to be the second month. Have you raised it? 426,560。 It seems that it is just enough to complete the 42% fundraising goal within the 42% time limit, but obviously the stamina in the second month is not as good as when the project started-in fact, nearly 200,000 yuan has been raised in the first half of the month. In order to achieve the goal of 654.38+0 million, I'm afraid we need to work harder in the second half of the year and need some gimmicks to attract more attention. I'm afraid it's dangerous to put one every month step by step.

But even if100000 cold puts forward the goal of 6.5438+00000, I actually don't have much confidence in the theatrical version of100000 cold. Crowdfunding is inherently risky. I can't convince myself to spend money on risky projects. On Kickstarter, the project I supported must be that the author once had excellent works-I'm not saying that the director Lu is not strong enough. On the contrary, I have been paying attention to his works since the time of Zhonghua Xuan. He is one of my favorite authors in the flash era.

However, a good short film animation and a good animated film are completely different. Re-talk about the works of Shi Wanlang

In itself. The biggest problem of 100,000 coldness is Japanese-style spit-or the more understandable "Japanese peace disease". Tucao has become a phenomenon in domestic network culture, and the three works with the greatest contribution are Spring Palace Spring Day Series, Silver Soul and the comic book "Day and Peace". Therefore, the success and shortcomings of 100,000 Leng are equally obvious, both from the popularity of Rihe on the Internet. For example, Japanese humor is obviously different from China's humor. To put it simply, most talents rely on the irrational behavior of the daze service, and the tucao service makes a short and powerful reprimand or ridicule for it in an exaggerated tone or way, thus making jokes. Many people like to compare Tucao with comedians in cross talk, but we need to pay special attention. Spitting is the strong side of talent, and crosstalk performers are the weak side of crosstalk-so you always see Degang Guo bullying Yu Qian.

The reason is that in the talent wandering, the role of tucao clothing is often to enlarge the abnormal part of the words and deeds of daze clothing to the audience. His role is actually to stand on the opposite side of a daze suit and fight back with normal logic, so he should put on airs and exaggerate enough; The role of the comedian in cross talk is to follow the jokes and bring them out with each other's logic. These two people actually echo each other. You might as well take them to Degang Guo, Yuqian and Japanese Unjash to imagine for yourself.