Which book best shows Dan Tianfang's skills?

Speaking of Dan Tianfang, there will never be a second decomposition. 201September 8 1 1, a generation of storytelling artists left us, and we can only relive those classics in his recordings.

Over the past half century, Dan Tianfang has recorded more than 65,438+000 ballads and 65,438+05,000 ballads.

Representative works: Romance of Sui and Tang Dynasties, Hero with Bridled Eyebrows, Three Heroes and Five Righteousnesses, and Biography of Tonglin, etc.

Dan Tianfang's life is full of inspiration. In order to tell a story, he once knocked out his mouth and put cool oil in his throat.

First, Dan Tianfang put cool oil in his throat. Cool oil is for external use. Most people put it on their skin, but Dan Tianfang actually put it in his throat and eyes to tell stories.

Dan Tianfang has a polyp in his throat. At that time, Dan Tianfang had just finished surgery. He often hangs an ice pack around his neck, and rents an atomizer to suck two times when he is free. But in spite of this, his voice is still bad and hoarse. In order to insist on recording this book, Dan Tianfang put cool oil in his throat, thus insisting on recording his first book on the radio.

1980 On New Year's Day, Dan Tianfang's first book, The Romance of Sui and Tang Dynasties, was broadcast on the radio, and his hoarse voice spread to thousands of families. The second time, Dan Tianfang knocked out a tooth. During the Cultural Revolution, Dan Tianfang lost several teeth. Later, in order to tell a story, Dan Tianfang put on some false teeth. But once I made a joke about my false teeth.

It was during the performance, and Dan Tianfang spoke very hard. When he talked about Cheng's exploration of the crypt, a big axe swung round, and poof, a white light flew out and his false teeth flew to the audience. Dan Tianfang said quickly, Leave Fred at your feet, my false teeth! People laughed. Dan Tianfang quickly picked up his false teeth, put them back in his mouth, and then went on telling the story.

In order to stop joking like this, Dan Tianfang abruptly knocked out a tooth and inserted a false tooth.

It doesn't matter if the dentures are uncomfortable in your mouth, just adapt yourself. But Dan Tianfang's entire gums are swollen and purulent. In order not to delay the performance, Dan Tianfang squeezed pus out of the mirror, then put on false teeth and went to the performance again.

From these two incidents, we can see how much effort Dan Tianfang has made in telling stories. He is so worthy of our study.

The book that best shows Dan Tianfang's skill is Knight with White Eyebrows. Dan Tianfang vividly depicts the characters in the book, especially Liang Xu and Fang Shuan, which makes people seem to see their people and hear their voices. Dan Tianfang deserves to be regarded as an outstanding storyteller.

It should be "gone with the times"! ! !

Dan Tianfang's ballad Romance of Sui and Tang Dynasties shows how profound his knowledge is. In fact, every ballad he said is a masterpiece.

Hero with Bridled Eyebrows is the pinnacle of Dan Tianfang's works. On the basis of summarizing predecessors' works and adding his own ideas, Mr. Shan created the book "Heroes with Bridled Eyebrows", which created classic images such as Xu Liang, Bai Yunrui, Pingjiang and Fang Shuan. This book was broadcast in the streets. Up to now, there are still many people listening.

The Romance of Sui and Tang Dynasties, which can best show Dan Tianfang's storytelling level, has reached the top level in both the words spoken and the grasp of the characters' emotions and voices, including the reservation of buttons.

I think Shan Lao tells wonderful stories, but many books are similar. For example, there are too many similar stories about storytelling such as The Story of Tonglin, Three Heroes and Five Righteousness, and The Bridled Hero, all of which are framed and then attacked. If you listen to one, you will know other stories. I feel bored.

Shan Lao also has a song called "Gone with the Times". In the first half, I felt bored. The second half of the warlord melee, I thought it was also a perfect performance, but compared with The Romance of Sui and Tang Dynasties, the whole story can be said that the plot fits perfectly. Many ballads of Shan Lao are slips of the tongue, which often don't match the previous ones, and The Romance of Sui and Tang Dynasties is the whole book.

I think the best thing about Shan Lao is his grasp of the task mentality and tone, which is particularly great. However, compared with Yuan Kuocheng and Tian Lianyuan, he felt that he was far from them in the delicacy of telling stories.

The skill of storytelling actors is reflected in the following aspects:

First, adaptability. This ability is mainly reflected in the understanding of the original. Only by understanding the work can we express the work better. Grasping the plot of the story and shaping the typical characters are all tests of the storyteller's skill. Adaptation is actually a process of re-creation. Generally speaking, the re-created works retain the skeleton of the original, while the adaptation adds blood and meat. Only in this way can a new work be formed.

Second, language control ability. Be good at transforming written language into living language. This is very important, because storytelling is an auditory art, and only the audience can understand and understand it can reflect the skill of storytelling actors.

Third, adaptability. Telling storytelling is different from reciting storytelling. Even if an actor writes a script, he may not necessarily follow it when he broadcasts it live. This requires actors to be flexible and able to "round the field" for themselves.

According to the above requirements, I think Dan Tianfang's book Gone with the Times can best reflect his skill. Throughout the book, Dan Tianfang skillfully uses unfamiliar language, and some common sayings are also used properly. For example, if a person can shoot accurately, he will say "keep straight" and call the gun "smoking guy". The use of this language not only has the characteristics of the times and regions, but also conforms to the identity and language characteristics of the characters.

As a fellow villager of Mr. Dan Tianfang, I personally have great respect for this storytelling master, and I miss his voice and smile more and more. The scholarly world is romantic.

Master Dan Tianfang is an old artist with the largest number of works in China storytelling field. He is unique, there is no second person. His books can contain the changes of China for 5,000 years and have a panoramic view of the glorious history of the Chinese nation.

Such a great artist with outstanding achievements has devoted his life to the performing art of storytelling that he loves, and won the enthusiastic support and heartfelt love of the people all over the country. His death also touched the hearts of people all over the country, mourning and mourning this outstanding artist.

As for the storytelling story of the master, it is really difficult to judge which one can best show the life skills of the master, and it is also difficult to tell the difference between high and low. It is because there are so many works by masters that they have obvious advantages and characteristics. It is really difficult to choose the best among these excellent works.

But as a storyteller, I can talk about my best works.

In my opinion, Shan Lao's Hundred Years of Storm should have a certain status and a certain representative style, which accommodates the historical process of a historical period. It is lifelike, lifelike, and I am fascinated and deeply immersed in it.

Many people like the master's Biography of a White-browed Hero, which is both long and good. It is the pinnacle of the master's martial arts works, representing the master's highest achievements in creation and performance.

Personally, I basically support this view. But I prefer the master's pioneering work The Romance of Sui and Tang Dynasties. It was also at that time that people suddenly remembered this hoarse storyteller.

It was also from that time that Dan Tianfang officially returned to the historical stage of storytelling performance, creating a generation of calligraphy styles that are easy to understand, simple in style and approachable, and became the most loved and appreciated artist by grassroots groups and people.

In my present city, whenever I turn on the radio, I play the jokes of the old single. Every time I get tired of driving, I open it and listen to a paragraph, which is refreshing and refreshing. It's really spiritual nutrition.

Miss Shan Lao, miss those unpretentious storytelling jokes.

Shan Lao is a famous storyteller in China. He, Yuan Kuocheng, Liu Lanfang and Tian Lianyuan are also called the four great storytelling artists in China. Mr. Dan Tianfang said 100 many ballads in his life, and he is a model for ballads. His works are deeply loved by the audience. As the saying goes, where there is a well, there is Dan Tianfang, which shows the wide audience, wide range and strong influence of his stories.

I have heard many Dan Tianfang ballads, such as the white-browed hero, Long Hudou, king cat, Five Rats in Tokyo, the legend of the gods, the legend of the Water Margin, the legend of Tonglin, the romance of Sui and Tang Dynasties, the legend of Iron Umbrella, the hero in troubled times and so on. It can be said that each of his ballads has its own characteristics, both in the wonderful twists and turns of the plot and in the shaping of characters, which can leave a deep impression on people and make them want to stop.

Specifically, which ballad best shows Mr. Dan Tianfang's skills? I think it is also his masterpiece "The Legend of the White-browed Hero" and his companion "Dragon and Tiger Storm". Take The Legend of the Bridled Hero as an example, there are many characters, ranging from swordsmen over 100 years old to thieves in their twenties. There are hundreds of important people, but in the mouth of the old man, there are many people who are not chaotic. Every character is lifelike, lifelike, which can make the audience easily distinguish each other, just like a few treasures, showing the superb skills and ability of Shan Lao's powerful characterization.

The book "The Legend of the White-browed Hero" is probably the book that Shan Lao used dialect and language skills the most! In order to better depict characters and personalities, Shan Lao used many dialects, such as the voice of Pingjiang River and the mouse crossing the river. Shan Lao uses a sharp and thin voice, which is very recognizable. Liang Xu's Shanxi dialect has a unique sour taste. Feng Yuan, a graduate student, also has a wonderful southern accent. Feng Yuan's appearance style is generally like this: "Oh, shit, his wife raised his broken head and rotten feet ..." Shan Lao expressed Feng Yuan's speech in Southern Mandarin, and I believe few people would hold their breath. In the laughter, Feng Yuan's strange and bad appearance was firmly engraved in the hearts of the audience.

Fang Shuan is the only one to say that Shan Lao used the art of sound to the extreme. Because Fang Shuan is a very special character, it is too difficult to imitate his voice. What's so special about house bolts? No nose! In real life, we have never seen a person without a nose, let alone heard a person without a nose talking.

The sound of the old man using a square bolt without a nose is simply amazing. Fang Shuan's nose was cut off by Xu Liang with a big ring knife, which made him talk without going for a ride. You should be lucky before you speak, and you can't speak until you are angry. Your tone of voice is really hard to describe in words. I suggest you listen.

It is said that Mr. Dan Tianfang's voice is bad, rough and dumb, not as clear as other storytellers. But with this picture of Yun Zheyue's voice and full of dentures, Shan Lao turned his hoarse voice into a unique, unique and charming label, which became an unforgettable classic voice from generation to generation.

Conclusion: When the master is gone, the classics will last forever!

Gone with the times is an epic masterpiece.

heros in sui and tang dynasties