Sun's character in My Fair Lady?

Zeng, played by Sun, is a peasant entrepreneur with many assets. He thought that idolize was frustrated by his vulgar behavior. So he hired Wu, the manager of the public relations company, to do packaging and gentleman training for himself. There are many jokes, and it was finally discovered that Wu is his favorite.

My Fair Lady is a pleasing story mode, and with the excellent performance of the first-line actors, the audience can leave the cinema with great satisfaction after 90 minutes of viewing time. But the film doesn't have much power in two places, which shows that the director and screenwriter are immature.

The first aspect of the problem lies in the portrayal of characters, which is not clear and lacks change. The earnest efforts in the course of "Gentleman Training" and the sincerity in the process of interacting with Wu did not well combine their own background as an entrepreneur with countless assets, so that the audience could experience and discover the profound and lovely character of the protagonist from the comparison; As the main means of characterization, Wu's change of attitude towards Zeng is not obvious and dramatic enough. When Wu attended the dinner for the first time, he was a little sarcastic and gloating, but how this attitude turned into love and appreciation was not explained in the film.

In addition, the film intentionally or unintentionally expresses an interesting contrast in some places, that is, the collision and transformation of the relationship between Wu and Zeng as business contracts and as personal feelings. As an important emotional driving factor, commercial contracts complement women's unfathomable hearts and constantly appear, stimulating Zeng's personal emotional changes. In this way, the plot design can be more rhythmic, instead of being too close when the two were in close contact with the Zeng family for the first time, and returning to the previous state after returning to public.

Finally, judging from the ideological expression of the film, this kind of drama film often describes the aristocratic life of spending money like water at the beginning, and often leads to the ordinary life and human value at the end of the film, thus providing the audience with a aftertaste when leaving the theater. The film depicts the high-end life of the rich and the entertainment circle, from which jokes and sense of humor are extracted. Although there is irony, as the opposite of this life and class, it is missing. Everyone in the film never has to worry about financial resources, and often dresses appropriately and behaves appropriately. But aside from these external things, as human beings, movies have not given enough spiritual care. In the last scene of the film, the hero and heroine are happy with the citizens dancing along the road. Although there is a feeling of "civilian return" in form, it lacks the foreshadowing of the previous plot. This scene has lost its organic connection with the film, and this turning point is unsuccessful.

Aside from the plot and characters, the deep-seated contradiction in the film lies in the identity difference between capitalists and nobles, and how money blends with culture to provide elite taste for wealth owners. When taste can be exchanged with money, culture itself has degenerated into consumer goods and become the object of plaything and investment. In this sense, the deep psychology and mechanism of the cultural craze in contemporary China embodied in My Fair Lady deserve serious consideration.