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What about BOSSYPANTS?

There was a wonderful episode of "The Good Wife" about a female comedian who exposed her breasts on live television and was sued by censorship agencies. She hired a lawyer, but was unable to deal with the lawsuit seriously from beginning to end. On the one hand, she said that her breast exposure was accidental and wanted to draw public attention to breast cancer in the show. On the other hand, she secretly asked a makeup artist to beautify her breasts before going on stage. She has no way of maintaining a linear seriousness in a conversation of more than three sentences, so you never know which is the real reason, her mother dying of breast cancer or her desire to be famous. After the lawsuit was over, she compiled the entire litigation process into her stand up, and also gave the lawyer who helped her a hard time. Tina is not as crazy, but shares this unique comedian spirit. Break down, dissolve, and dramatize everything that happens to you and those around you. Of course the book is good to read, just like watching SNL sketches, but people like me who have a great voyeuristic desire for biographies may be disappointed, because if a person is composed of some indecomposable factors, then for comedians It is said that these factors are too deeply hidden and broken down too finely. What kind of man does she like? How does she face the fierce competition in SNL? What is her relationship like with her colleagues? What is her biggest fear? Is there something she can't make fun of? What will happen if she gets hurt? The female comedian in "The Good Wife" once said a joke: Being raped is not funny, the funny thing is being raped by a clown. This kind of comedy logic that juxtaposes two different reality logics is everywhere in "Bossypants", such as those things that make oneself achievement-oriented, drug-free, adult virgin, such as complaining about one's own body. When someone called her "an ugly, pear-shaped, bitchy, overrated troll", she replied "To say I'm an overrated troll, when you have never even seen me guard a bridge, is patently unfair….You have to be at NASA early in the morning. So they can look for your penis with the Hubble telescope.” It’s not important to be scolded harshly, it’s important to respond beautifully. Maybe it's the only thing that matters. Of course, some obvious clues of personal imprint can be seen. For example, in the above paragraph, she assumed it was a GUY. Tina Fey and Amy Poehler are both comedians with strong feminist consciousness, and this is fully reflected in their works. They play with various stereotypes and imaginations. , constantly piercing the boundaries (the chapter "I don't care if you like it" seems to confirm the image of Jimmy Fallon circulating on the Internet?) But I still can't help but wonder whether Tina herself is almost perfect The image gave her enough ability and buffer space to complain. Rachel Dratch also published a book last year, saying that most of the characters she came into contact with after leaving SNL were madmen and lesbians. Tina's book confirms that crazy woman is almost the fate of most comedy actresses.

There are traces of Seinfeld's path, not every actress can be Betty White (Because American still want to fuck her, Tina says.). But this is also the part that is closest to Tina, the others, she said in the book "I am all about money" and "I am a cold stone bitch" she said when accepting the Mark Twain Award. After laughing it off, who knows a little more about her? Anything you can think of to complain about her, she will complain about it much harder than you can. Anything serious enough to be sad, she took it lightly. I once watched a documentary about a comedian. One of the comedians said in an interview that on the third day after my breakup, I was already telling jokes about my breakup on stage. What's wrong? For personal health, emotions need time to relax. For me, any emotion is improvisational material. Amy got divorced not long ago. Listening to her tell jokes about her divorce, it will only happen sooner or later. What attracted me most in the book was her time in The Second City. Although it was only a short chapter, she said "It was like a cult." A passion to put oneself on the pyre to set off the fire. An almost crazy excitement of deconstructing oneself and consuming others, and the laughing fruit of this excitement has a powerful narcotic effect. I'm really jealous.