Sir Henry Merriwell-Region

According to the novel, the description is in London, England;

An alternative clown detective who subverts the world: Sir Henry Merrivale

He , the hereditary baronet status was inherited from England two or three hundred years ago, and it can be called the oldest noble knight.

He, as the head of the British Military Intelligence Agency, served his country during the war.

He is both a qualified physician and a practicing lawyer.

He has an innocent and frank mind that can be annoying at times, but all the incredible and impossible crimes are not a problem for him.

He is an alternative detective who has suddenly emerged in the history of reasoning. He is a funny clown who dominates the world of mystery literature.

He is a hero created by John Dickson Carr under the pseudonym Carter Dickson to solve "secret room murder cases".

He is Sir Henry Merrivale, who is loved by mystery fans.

Domineering and domineering

Under Carlson's wonderful writing, Sir Meriwell is a bald, obese guy with black-rimmed glasses and a ferocious appearance. He spoke incoherently, and always had hidden agendas in his heart: he threatened the female typist, wore white socks, and went to official occasions without wearing a tie, completely regardless of his aristocratic status; what's worse, he was always uncanny. He yelled, cursed, roared and got angry, and sometimes made an awkward face because he felt that his dignity had been insulted; what's more, he worried day and night that someone in the House of Lords was plotting to assassinate him. In this way Under such circumstances, it is not easy for him to keep smiling. Ironically, even though he was worried, Meriwell accidentally fell asleep during the meeting of the House of Lords, and when he was awake, he spoke harshly to the Prime Minister. Such domineering behavior really makes people wonder how to deal with it.

Funny at both ends, dignity at the center

As a birth promoter, Carl stated clearly from the beginning that "the character of Sir Meriwell is to challenge readers' admiration for the detective." ". Carl keeps making Merriwell embarrassed and making jokes. Other detectives are so funny because they just say the wrong thing, but Merriwell is different. His performance is not only a talk show, but also a big farce, so we You will see him pick a banana peel and fall into a physical performance. However, the "dignity" that Meriwell regards as his second life has never been damaged because of all the incredible unsolved cases, as long as he sits down and thinks about it, any difficult and complicated problems will be solved immediately. In the end, readers will only admire him as a genius in solving crimes. How can they dare to slander his "dignity" as a knight?

Indicative character prototype

Carr also set Meriwell as a "militant socialist" and asked him to devote himself to being active in the Labor Party. In fact, as an ultra-conservative, Carr believed that no one could be more idiotic and stupid than a baron who supported socialism. The purpose of Carr's setting was, firstly, to add to the absurdity of the protagonist's character, and secondly, to mock Sir Winston Churchill, a celebrity at the time. No wonder the wife of Sir Meriwell in the fictional story and the real wife of Sir Churchill are both called Clementine. Karl's intention is clearly revealed.

Misplaced identity, mocking the world

In the Sir Meriwell detective series, there is also an incompetent police officer who makes funny fruit, his name is Humphrey. Humphrey Masters, this person is addicted to magic and is an amateur magician. When he encounters an impossible crime, he is helpless and waits for death. Carr repeatedly uses "misplaced" character designs (the one who wants to do magic is a policeman, and the one who supports social movements is an aristocrat) to subvert secular values ??and create a sense of ironic absurdity.

Even though some people criticize the sense of humor presented in Sir Merriwell's detective work as being as unrefined as a vulgar farce, to this day Sir Merriwell still enjoys a unique reputation and is still the favorite among thousands of mystery fans. like. Faced with such an unforgettable and interesting person, those harsh comments in the past seemed sanctimonious and insignificant!

Sir Henry Merrivale Series

Carr created another detective character, Sir Henry Merrivale, in his other 22 novels. The first novel to feature Sir Henry Meriwell, The Plague House Murders, was published in 1934. Twenty years later Sir Henry Meriwell solved his final case in The Cavalier’s Cup.

In 1933, Carl had been creating for three years, and the Bencoulin and Phil series had become famous. However, the American publisher Harper Brothers stipulated that no more than two works by the same author could be published within a year, so Carl found a new publisher with his latest creation, detective John Gault ("The Bowstring Murders"). Sold by William Morrow, this is the first and last installment in the John Gault series. His last novel in the Sir Henry Merriwell series was also published by Moreau. Moreau published 22 novels in the Merriwell series.

Carr originally wanted to use the pen name Christopher Wood in Moreau, but Moreau chose the strange pen name Carl Dickson without informing Carr, which also appeared in the American version. Name on the hardcover. What annoyed Carr was that the two publishers, Harper Brothers and Morrow, disagreed and insisted on using different pseudonyms.

After the success of John Galt's novels, Moreau wanted to use a name similar to Carl Dickson's for the Sir Henry Meriwell series. All opinions ultimately boiled down to Cartwright Dixon. However, when "Murder at Plague House" was officially published, Moreau once again changed Carr's pen name without authorization. This time they used Carter Dixon. This pen name appeared in this book and in all subsequent books. In Carr's work published by Moreau.

All UK editions of Carr's works were published by Wilhelm Heinemann, including the John Galt series.

All first edition books by William Morrow will indicate the date of first edition on the title page and copyright page. The copyright page does not clearly indicate "first edition", nor does it mention the printing number. The following is Henry Merrill The original cover of Sir Will's series, if the title word is in red, it means it is not the first edition.