It is said that Lao Guo is a master! What did the crosstalk master Hou say?

Let's start with the conclusion: Degang Guo is just a businessman, not a master of art, not even a famous artist, but an excellent actor.

Mr. Xue, a famous quyi theorist, once commented on the masters of phonology. In his view, there are only four masters in the history of cross talk. They are:

, horse,,, Hou. Zhang Shouchen is a leading figure admired by his crosstalk peers. The construction of crosstalk performance theory has made a unique contribution to the improvement and arrangement of traditional crosstalk. Zhang Shou has always been called "the king of jokes", and his excellent jokes have really added industry to the music industry.

Ma is the oldest and most educated crosstalk artist. Majia crosstalk has been passed down for five generations, and everyone in Tianjin crosstalk lives on horses. Ma Pai crosstalk depicts ordinary people, which is tacky but not vulgar at all. Ma's performance is also meticulous, and every expression is textbook-level. There is no dispute that rice is known as the Beidou of Mount Tai.

Liu Baorui is the king of one-man show, and he left officialdom bucket, Pearl Jade, Baiyutang and other famous works, and his "Three Dangers a Day" has also been included in primary school textbooks, which is a masterpiece for all ages in Xian Yi. Liu Baorui is very strict about art, even though every word needs his thorough understanding. This spirit is beyond the reach of fast food artists who tell online jokes now.

Mr. Hou strives for perfection in art, and Mi learning to sing Peking Opera is the peak in the history of crosstalk. And his greatest contribution is to make cross talk into the classroom, remove vulgar and demeaning elements, and make cross talk a literary light cavalry on the propaganda front. Later disciples (mainly Ma Ji) started a new genre of cross talk, which reached the first peak in history.

Compared with these four men, Ma Ji can barely be called a master. After all, he failed to achieve unique achievements in a certain field, so Mr. Xue questioned Ma Ji's status as a master.

As for Degang Guo, his historical achievement is to make cross talk return to its true colors and pick up a lot of discarded things, both good and bad. But at the same time, in order to cater to the market infinitely, he instilled the most wrong concept in his audience, that is, "Crosstalk is just for fun." This may be no problem for an ordinary crosstalk performer, after all, the pursuit of art is lower and the requirements for oneself are lower. However, if you want to be a master, it is not enough to have pure entertainment crosstalk. Laughter also has a taste. Sensory pleasure cannot replace rational pleasure, and pleasure is not beauty. And Degang Guo and Deyun Society, at this stage, only have sensory stimulation, without any rational thinking, so he can only be regarded as a successful businessman, and definitely not a crosstalk master. His contribution to cross talk also stopped at "returning to nature" and gathered a bunch of diehard fans, but these diehard fans have no interest in cross talk at all and have no basic knowledge. They are just idolized and don't follow cross talk.

Now 47 years old, Hou Hema, who is also 47 years old, is experiencing special hardships, but they have made achievements in keeping future generations in the mountains. Ma's classic works "Buy a Monkey" and "Start at Ten o'clock" are popular all over the country. Hou's improvement of crosstalk has been basically completed. Until the special period, he still compiled a lot of useful documents and materials, leaving valuable wealth for future generations.

But Degang Guo has started to live on his laurels now, his performance is not hard, and his creation has completely stopped. The so-called "Hot Shang Yan" is basically a kind of rhetoric-it is difficult to get a ticket from Deyun Society because of being jealous by peers and being persecuted by someone. He can't even catch up with himself ten years ago, so what can he compare with Hou Ma? If the master is better than selling tickets, the circus bear says I can try.

So art can be discussed in the art field, and businessmen can discuss it in the business field. You can't have it both ways. What Degang Guo wants to compare should be those who have won the dividends of the times, which has little to do with the cross talk art itself.