Joke Collection Website - Cold jokes - How did Xu zhēng become a new generation of "entertainment circle" bosses?
How did Xu zhēng become a new generation of "entertainment circle" bosses?
First, Xu zhēng entered the entertainment circle very early, and his early acting skills were smooth. Shanghai Children's Palace selects actors for children's troupes. There are four roles in this play: a teacher, a long-term worker, an old landlord and a small landlord. Xuzh ē ng Jr., who has the temperament of landlord wealth, was chosen to play the role of "small landlord" and has an actor dream since then.
Xu zhēng plays the role of "small landlord", and the middle school is selected into the drama class of Shanghai Children's Palace. When his peers came home from school to catch up with their homework, Xu zhēng ran to the Grand Theatre with his homework and caught up with a "national first-class actor" like Xi Meijuan.
After the performance, another "national first-class actor" sent him home by bike. Xu zhēng's luck didn't end until he graduated from high school and entered the university. He originally wanted to study in Beijing. As a result, the Central Academy of Drama only enrolled students in the "Xinjiang Class" in Shanghai, but he fell into the primary stage when he wanted to enter the Beijing Film Academy.
In the end, Xu zhēng did not go to Beijing, but was admitted to Shanghai Theatre Academy with the top ten scores. However, in his sophomore year, he encountered a life crisis-he went bald at a young age.
Xu Zhimo's remarks about baldness were a heavy blow to him. Until now, Xu zhēng will still think of it. In "Starry Speech", he said:
"Do you know the difference between hair loss at the age of 20 and hair loss at the age of 45?
If you are bald at 45, you are still an elegant man. You're bald and well founded.
But if you are bald at the age of 20, you are a sneaky little person, and all your treatments are jokes. "
Yes, Xu zhēng was a joke in everyone's eyes at that time.
Xu zhimo's wonderful speech
He sought medical advice everywhere, and his relatives and friends demanded remedies. He tried to wipe his head with ginger until his scalp was numb and red. As long as he sits around him, he smells like ginger.
Every time he wipes Jiang Shui, everyone will watch, and some people will knock on the washbasin in the corridor and shout, "Come and see, Xu zhēng is treating his hair again", which makes him feel very ashamed.
Even so, Xu zhēng's "Mediterranean" hairstyle failed to improve, so he realized.
On Christmas Day of Grade Two, Xu zhēng walked into the small barber shop next to the school, shaved his head for 50 cents, and was forced to make up his mind to become a "powerful actor who doesn't rely on looks".
Secondly, Xu zhēng graduated from Shanghai Theatre Academy, and he realized that baldness is actually so insignificant to actors. "Because no one asks you to act, whether you are bald or not."
In desperation, he came to Shanghai Theatre Center as a drama actor and participated in many other drama works.
Four years later, Xu zhēng won the Magnolia Award for starring in the drama The Color of Stock, which is the highest honor that a drama actor can get in China.
That is, in the year of winning the prize, he directed and performed two experimental dramas, Crowding and Mother Tongue. At the Shanghai Theatre Festival, he performed on the stage alone for 40 minutes.
The audience was either in a daze or asleep, and the reporter came to ask what this meant.
Xu zhēng talked a lot about his own views, only to find that the reporter's eyes were gradually dull and his face was full of doubts.
In Thirteen Invitations, Xu zhēng talked about the influence of two experimental dramas arranged in that year on himself, which had a great influence on Xu zhēng, who had just won the Magnolia Award at that time. Since no one can understand it, what's the point of mending it?
What makes Xu zhēng doubt himself even more is that the entertainment circle at that time has gone to entertainment, and the income of "drama actors" is far less than that of "TV actors".
Li Bingbing, a school elder sister who is two grades younger than him, got several times of benefits from receiving the notice after she appeared in the hit TV series "Young Bao Qingtian". Xu zhēng's basic salary as a drama actor is only 1 0,000. He plays a play, he gets 200 more.
Xu zhēng left Shanghai to develop in Beijing film and television circle. Unfortunately, Xu zhēng acted in two plays, and there was no sound until Fan Xiaotian, the director and producer of "Spring of Pigs and Eight Rings", came to your door.
Hong Tao and Xu Zongheng in "Pigs in Spring" are the turning points of Xu Zongheng's film and television career, because this TV series has put him on the road to success and given him another identity-film and television investors.
According to Qian Jing magazine, when the play was filmed, the promised investment was postponed because early investors were not optimistic about this nonsense work. The crew can't shoot without money, and the director said to the outside world, "Whoever invests will play the leading role."
After reading the script, Xu zhēng felt that the role of "Pig Bajie" was very suitable for him, and there was not much investment in the play. Even if the ratings are bleak, there is little pressure to recover the cost.
So, he found the director with all his savings from filming before and patted the passbook on the table. "I want to play with pigs. This is all my savings. Is it enough?" Later, "Pig Eight Rings in Bright Spring" landed in David, setting a viewing record.
Producer Fan reveals the inside story of Pig Eight Rings. Xu zhēng, who plays the leading role, became an instant hit. She not only got a love, but also got a bonus twice as much as her salary, and even her worth doubled. After Xu zhēng became a high-profile cutting-edge actor, he followed the big waves and took on wei li's TV series "Official" and "Love Through Time and Space". When wei li's "Official 2" encountered financial difficulties, Xu zhēng gave generously again and became addicted to the play as the leading actor and deputy director.
Thirdly, Wang, a "grass-roots actor", changed Xu zhēng again. Wang left Shaolin Temple to attend a group performance in Beijing after the popularity of "Pigs in Spring". Because of his unsatisfactory appearance, Bao Qiang couldn't get the play at all.
For his ideal, he had to run the crew in a humble way, and for his livelihood, he had to go to the construction site from time to time to work. It took him two years to stand out from more than 1000 performances and was selected by director Li Yang to star in a small-budget literary film "Blind Well".
However, the birth of this film is also ups and downs.
Once, two hours after the crew of a small coal mine came up from work, the coal cave collapsed, scaring everyone to go down and shoot again. Halfway through, the crew's funds were cut off, and many people left, but only some staff members persisted, including Wang.
What is more tragic is that after the film was finished, it was banned without even going to the cinema. Fortunately, God has eyes. "Blind Well" won the Golden Horse Award in Berlin and France Film Festival, and was awarded many awards.
Wang, a student under the age of 20, also won the Golden Horse Award for Best Newcomer for his outstanding supporting role. Chen Kaige, Jia, and other great directors are scrambling to find him for filming.
Finally, Xiaogang Feng beat us to it and co-produced world without thieves. Wang, who plays the "silly root" of migrant workers, became popular in the film circle, even more popular than Xu Zheming, an old drama bone for many years.
Xu mentioned again in the Thirteen Invitations that Wang's popularity greatly stimulated Xu. Until now, he still talks about this matter with the media, and he never forgets it, and there will be repercussions.
Xu zhēng and his wife Hong Tao * * * saw a script called Crazy Stone in their work mailbox. Originally invited to be the girlfriend of the third male "Doug" in the guest play, Xu zhēng directly cut Hu off and volunteered to participate. And said to director Ning Hao: "The book is so good that I came without paying." While filming the play, Xu Zongheng forged a profound revolutionary friendship with directors Ning Hao and Bo Huang.
After the release of Crazy Stone, there was a small achievement, and director Ning Hao became famous overnight. Xu zhēng, who plays "Feng Dong" in the film, won the title of "Hundred Flowers Award Male Match" and was once again remembered by the film circle.
Later, Xu zhēng took over the movie "Love Call Transfer", which was his first solo performance in the film, with a large number of popular actresses such as Fan Bingbing, Qu Ying, Yi Nengjing, Jing Ning and Eva Huang.
There are two writers in this film, one is Liu Yiwei and the other is Shu Huan. Shu Huan was the screenwriter who later wrote Sorry. During the filming of Love Call Transfer, Xu zhēng revised the script many times on the spot and gave various ideas to director Zhang Jianya, such as moving mirrors and sound effects.
Director Yang Qing wants to take a selfie and direct a small budget drama and film shop. In order to support him, Xu zhēng not only reduced his salary, but also didn't film for a year. Director Qing Yang was very grateful to Xu Zheming, and they became bosom friends. Xu zhēng and Wang had an epic meeting, and they co-produced A Man on the Road.
"The Man on the Embarrassed Road" is exposed: Ye Weimin eats rice, and Xu zhēng is the real director.
The actors in The Man on the Embarrassed Road are Ye Weimin and Wen Juan. They want to please the ordinary audience in the mainland, but they can't understand the jokes in the mainland. Some insiders visited the class, and all they saw was Xu Zhimo telling plays to Wang He and other actors on the set.
After the release of the film "People in Embarrassed City", it was a great success. After the film became very popular, Xu Zheng had the idea of directing and performing, so he wanted to make a sequel "The Man in Embarrassed City" and found the director Qing Yang whom he met last year. But the outline of the script has been written, but there is something wrong with the copyright.
The two sides were deadlocked until a chairman Li Ming stepped in and promised to solve the copyright problem. However, several months passed without any progress, and the director Qing Yang couldn't adapt, so he proposed to shoot another story in Thailand.
But once the story changes, Li Ming is unwilling to provide any support. Qing Yang was really helpless, so he packaged the information he found and sent it to Xu zhēng, and named the film "Sorry Thailand", and he retired.
Then Xu zhēng found two screenwriters he knew in Love Call Transfer, and Shu Huan and Liu Yiwei helped him.
Shu Huan helped Xu zhēng get the script of Sorry Thailand, while Liu Yiwei helped him find Wang Changtian and got tens of millions of investment through negotiation. After the release of Sorry Thailand, Xu zhēng, who made a movie for the first time, had unlimited scenery.
However, with such a small amount of money, do you care about Xú Zhēng? What really worries him is that Sorry Thailand has earned hundreds of millions. Director, starring, screenwriter, producer and other positions, only get 40 million dividends. After the success of Sorry, too many people threw olive branches at Xú Zhēng, among which the biggest brand was naturally appreciated by Boss Dong.
Later, Boss Dong took Xu zhēng and Ning Hao to subscribe for shares of a listed company in Hong Kong and became the three major shareholders of the company. Soon after, the top management of the company withdrew one after another and the company was renamed Joy.
Later, Xú Zhēng copied another novel, Hong Kong Long, according to the model of Thailand Long, but this time he learned wisely. The first investor must be himself, accounting for 47.5% of the profits.
What's more, before the film was released, he sold the profits to Joy at the reserve price.
What is the name of this wave of operation? It's called "left hand to right hand".
Of course, it can be more than that. After getting the guaranteed reserve price, add tens of millions of dollars to fill in the money that Boss Dong took him to subscribe for the listed company. When "Hong" is sold, the share price of Kaixin.com will skyrocket, and the equity of Xu zhēng will become money again.
After "Lost in Hong Kong" became an instant hit, Xu zhēng and Ning Hao began to weave a circle around them, aiming at the new directors in the circle, but using different methods.
Xu zhēng likes to cooperate with the new director. Ning Hao in Crazy Stone, Shao Xiaoli and He in Modern Times, Chen Zhengdao in Master of Hypnotism, Su Lun in Living Together in Time and Space, Peng Yuanren in The Player Behind the Scene, and Call of Destiny are all unknown newcomers.
Ning Hao's method was simple and crude, and he brought them together, so he had a movie plan. When the project started, thirteen new directors were signed in the first issue, and a list of 48 films was made. The first director who signed the project was director Muyewen.
Ning Hao's film project also inadvertently contributed to the perfection of Xu zhēng's actor career. A movie called "Survival and Dying" went online, and it was another fire.
The film was directed by Muyewen, produced by Ning Hao and Xu zhēng. The first investor was a plan of Ning Hao, the second investor was Huanxi who held shares in Ning Hao and Xu zhēng, and the rest were a music channel and a mountain in Xu zhēng.
Xu zhēng won the Best Actor in Golden Horse, and Xu zhēng, who wants to be a good actor, won the Best Actor in Golden Horse with "Close Escape", which was well received by the masses.
In just a few years, Xu zhēng completed the accumulation of capital through the cooperation with Boss Dong, and then completed the highlight of his career through his revolutionary friendship with Ning Hao. Money, word of mouth, honor ... everything is under control.
More importantly, Xu zhēng has also successfully woven a network of capital, directors, screenwriters and actors with himself as the core, opened up his own sphere of influence and became one of the new generation of "entertainment giants".
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