Yu Qian never plays Allegro. Guo Degang claimed that Yu Qian hated the art of Allegro. What is the reason?

The characters mentioned in Deyun Club are inseparable from Guo Degang and Yu Qian. We saw their performances on the stage, which were very exciting. However, Yu Qian of Deyun Club never played Allegro. This What is the reason? 1. The master of Yu Qian’s cross talk sect is Mr. Shi Fukuan. In order to respect his master, he does not play banter on stage

Because the master of Yu Qian’s cross talk sect is Mr. Shi Fukuan, but the master of Kueban Shu No. 1 is Mr. Shi Fukuan. Mr. Gao Fengshan. But here comes the problem. Shi Fukuan also learned alleban calligraphy from Mr. Gao Fengshan, which means that in the allegro calligraphy discipline, Brother Qian is on par with his master. The cross talk circle is an industry that pays the most attention to the inheritance and respect of teachers, so Brother Qian has never played Allegro since he became a teacher, out of respect for his master Shi Fukuan.

In the entire Deyun Club, Brother Qian has always set a good example for his disciples in respecting their teachers. How far does respecting teachers go? If the master stands up, your apprentice cannot sit down. Speaking of this, one thing comes to mind. In the past, when my children learned cross talk, I didn’t teach them because I couldn’t get started. A famous master asked his child to tell cross talk with another famous master. When the child couldn't recite it, he kicked the child out of the door. When the child came back, he kowtowed quickly and said thank you to the master for the meal.

2. Teacher Yu Qian is a role model in this regard

There were many times when the audience asked Brother Qian to play Allegro, but Brother Qian politely refused. Guo Degang joked, "What?" When Brother Qian plays Allegro, it means that Brother Qian has made an unforgivable mistake. First of all, it must be said that Brother Qian can play Allegro, and he learned Allegro from the same school as Lao Guo, and both learned Allegro from Gao Fengshan, and this is exactly where the problem lies. Since the age of 10, Gao Fengshan has been performing in Beijing, Tianjin, and Tangshan with Ma Sanli, Zhu Xiangchen, Luo Rongshou, Sun Baocai, etc. "Tongrentang" is officially one of his representative works. And Gao Fengshan's apprentice is Shi Fukuan, who is also Yu Qian's master. This is a bit confusing. According to cross talk, Gao Fengshan is Yu Qian's master, and Kuaiban is his master. This is obviously in conflict with his cross talk master Shi Fukuan. Therefore, Gao Fengshan did not allow Yu Qian to play Allegro again, not only to prevent his apprentice Shi Fukuan from feeling uncomfortable, but also to allow Yu Qian to get along well with his master Shi Fukuan. Conclusion

Teacher Yu once said in a cross talk that you should play Allegro only when you have made a major mistake. Of course this is a joke. In fact, Mr. Yu's Allegro is taught by Mr. Gao Fengshan. In terms of Allegro, he is one generation ahead of Guo Degang, and then he is the same generation as Shi Fukuan. That would mess up the seniority, and cross talk is the most important thing about seniority. Mr. Shi Fukuan is his cross talk master, but he is of the same generation as Mr. Shi in the allegro style. There seems to be a rule. In order to respect the master, he does not do anything on stage. Moreover, Teacher Yu said that he would only be punished if he made a major mistake.