Guidance on Real Writing and Imaginary Writing

1. How to use virtual writing and virtual writing in writing? Zong Baihua, an aesthete, pointed out in a more popular way in "Virtual and Real in China's Artistic Expression" that the characteristics of poetry, drama, painting, calligraphy, architecture, seal cutting, music and dance are the combination of virtual and real, and the coexistence of virtual and real.

Take Wang Zhihuan's Poem of Loving Herons as an example. "The mountain covers the day, and the ocean drains the golden river", which is written in real life, and the language is just around the corner; "But you have broadened your horizons by 300 miles to a higher level", and from reality to nothingness, you have integrated the scenery and the soul. From a broad field of vision, we can imagine great ambition and tolerance, and the poems are realistic and vivid.

The "virtual" and "real" here are commonly understood as: there is real, and there is no virtual; Evidence is truth, and false support is empty; Objectivity is true, hermit is empty; Actions are true, but words are empty; The present is true and the future is empty; What is known is true and what is unknown is false. Take Li He's poem "Will Send" as an example: "Roll the mat in the east bed to protect the autumn.

Autumn is far away and the moon is full in front of the door. "The first two sentences are written in order, and the journey is about to begin. This is real writing.

So what is the road ahead and what is the poet's heart? I won't say this directly. The poet just wrote the scene in front of him. The autumn sky is far away and the sky is boundless; Moonlight, like water, fills the road and seems to have no end.

This is a virtual pen. The author wants to explore some writing methods of college entrance examination composition from the perspective of the relationship between "virtual" and "real" in order to relieve the confusion of some candidates.

There are two materials below. After reading it, write a composition as required: material 1: geese leave their voices and people leave their names. Footprints will be left everywhere in life: under the bridge on the road, in the streets and lanes ... Footprints may not be erased, but the road has changed, the bridge has collapsed, the street has disappeared, and the lane has changed ... Can we still pick up the footprints of the past? With the passage of time, many things have left their footprints. What can you think of? Please write a composition on the topic of "Footprints". You can record your experiences, talk about your experiences and feelings, tell stories, make comments, expand your imagination and express your feelings.

Material 2 Affection is intangible, and no one can tell what it looks like; Feelings are free, and no one will let you spend money to buy them; Family ties are priceless. Nothing can match its price. Affection is selfless. Nothing can sacrifice yourself more than it ... you must have your own unique feelings about family. Please write a composition on the topic of "family".

The requirements of the two materials are the same: ① independent decision; 2 topic self-made; 3 style selection; (4) Not less than 800 words. Analyze "topics".

Footprints are tangible, that is, they are real things; As verbs, the meaning of "emotional meaning" and "feeling" lies in thinking or deep in the heart, which is intangible and exists in the carrier of people's thoughts and feelings. When students are faced with writing topics with specific nouns, their thinking is often limited to these nouns themselves, and they are not good at association and imagination, or they are not good at divergent thinking in many aspects. Therefore, it is difficult to connect the materials collected from real life with writing topics, and they cannot find a starting point for writing, which leads to a narrow writing space.

To this end, we can adopt the method of "avoiding the real and making the virtual". Specifically, we can use the past scenery, future scenery and inner scenery to reflect the real scene in front of us; Authors can express real people by mixing synthetic, historical or virtual characters; Notes can reflect real feelings and facts with the help of things in memory, assumptions and even dreams; Writing theory can be extended by concrete images, talking about history, culture, life, society and so on. Therefore, "footprint" can be associated with the road under foot (virtual) through the real footprint, with the history of growth (virtual) through the road under foot, and with the footprint of life (virtual) through the process of growth. Its connotation is rich and profound, its artistry is revealed and its philosophy is excavated.

Such ideas, ideas and writing methods can be implemented. For example, the article "Culture, Treading in the Footsteps of Autumn": Culture, singing "Looking up, I found that it was moonlight, and then sinking, I suddenly remembered my home", while Li Bai was treading in the footsteps of autumn, looking for a way home; Spit a sentence "Leave the residual lotus to listen to the rain", Li Yishan followed the footsteps of autumn and disappeared into the confused fog; Whispering "Steal a pear core and borrow a plum blossom soul", Lin Daiyu followed the footsteps of autumn and buried her romantic life with a piece of pure land.

Autumn, sentimental autumn, its footprints are all over this magical land. With the wheel of history, it has been more than two thousand years in Kyushu, China. How many literati indulge in the footsteps of autumn.

Its footprint crosses the field, and Xin Qiji touches its golden color with "rich years in the fragrance of rice and flowers"; Its footprints remain on the frost leaves, leading Du Mu to "the depths of white clouds"; The Moon Palace left its footprint, which provoked Dongpo to "ask heaven for wine"; Its footprint stays in the mountains, teaching Tao Qian to "pick chrysanthemums under the hedge" ... not just poetry! When Yuyao left the footprint of 1948 in autumn, Yu, a figure who influenced the contemporary literary world, was born. The footsteps of autumn, accompanied by the continuous autumn rain, have gone through the "cultural journey", the "notes of mountain residence", the "long river of frost and cold" and said "a thousand-year sigh", ending with "borrowing my life".

Mr. Yu left a trail of autumn in the north and south of the Yangtze River with his pen tip, which made autumn occupy enough weight in China culture and exotic culture! Autumn gave Yu a lifetime, and Yu gave China culture a lifetime. Following the footsteps of autumn, he took the wounds of the next generation, the tears of ruins, Qu Yuan's dreams, Li Bai's poems, Kunlun Mountain and the waves of the Yellow River, and he became a nirvana phoenix, flying proudly in the autumn of culture.

The shadow of autumn can also be found in the traditional folk culture of China. When the footsteps of autumn stay in August, a song "The Moon of the Fifteenth" sings endlessly, echoing in the barracks at the ends of the earth of the motherland; When the footsteps of autumn stay in August, a song "Flowers in August" sings the deep affection between the army and the people and stays in the burning years; When the footsteps of autumn stay in August, every family puts a plate of attractive moon cakes on the table, taking a bite is crispy and delicious, sweet in the mouth and beautiful in the heart; When the footsteps of autumn stay in August, the fairy in the moon palace also lights a lamp for homesick people. This lamp is called "Mid-Autumn Festival" ... Autumn flowers can pass away, but autumn footprints have really existed, the autumn moon can change, but autumn footprints have become eternal.

A nation's culture is based on autumn.

2. The relationship between real writing and imaginary writing. Real writing is to directly describe the facts and positively express the characters, which can add realism and realism to the article; Virtual writing is an indirect rendering through feeling, imagination, contrast and foil. Its function is to leave enough imagination for readers and make the article more implicit.

Real writing and imaginary writing are often used in combination, which complement each other and achieve better results. People call it "the alternation of reality and reality" For example, Xin Qiji's: The childless gave Chen Tongfu Zhuang language to give him a drunken sword.

Give the roast beef to the men and the band will play northern songs. This is a military parade on the battlefield in autumn.

Luffy, made of a horse, ran as fast as lightning, but he forgot what was happening in the world and won a reputation before and after his death. Poor hair has become a white-haired man! The whole word is mainly composed of imaginary words, supplemented by real words, and expressed through imaginary dreams.

3. Prose can be divided into real writing and imaginary writing. Please talk about the benefits of imaginative writing and collect some for your reference.

Virtual writing, the definition of virtual writing, is a means of expression, as opposed to positive writing. Also known as virtual pen, it is a narrative and descriptive skill with virtual realism.

It is similar to pause in music, blank in painting, empty lens in movies, still field in drama and so on. Virtual writing is a means of expression, which is often used in literary and artistic creation.

In order to achieve unexpected results, especially in prose, poetry, classical literature, painting and so on. For example, "I didn't see him, I heard his voice first." "I'm not in this mountain. How can I tell, it's so cloudy?" And so on.

Give a person a kind of artistic conception. In imaginary writing, although the author exaggerates some characters, he does not let them appear, but only makes readers feel their existence, thus affecting the fate or outcome of the characters present.

For example, Ba Jin in Cao Yu's drama Sunrise and Yu Xia in Lu Xun's novel Medicine. "Virtual" refers to the virtual part in literary works, that is, the intangible or fictional part caused by the tangible or realistic part in literary creation. As a writing skill, virtual writing often provides readers with associative space through metaphor, exaggeration or symbol, thus achieving an inevitable virtual environment.

Any literary work comes from truth, and truth is the reflection of real life in the author's pen. Because the truth in literary works permeates the author's experience and emotion of life, literary truth is a kind of reality and virtual realm higher than life imagination. The combination of emptiness and reality creates a strong artistic atmosphere in literary works.

Second, the case analysis of imaginative writing 1, Zhu Ziqing's imaginative writing in Moonlight on the Lotus Pond, with the help of artistic means, guides readers to produce inevitable associations, actively and consciously captures those unspeakable interests and verve, thus realizing the realm of "emptiness". "On the winding lotus pond, I am looking forward to the leaves of Tian Tian.

The leaves are high above the water, like a slim skirt. Among the layers of leaves, white flowers are scattered, some are blooming gracefully, and some are blooming shyly: just like pearls, stars in the blue sky, and beautiful women who have just come out of the bath. "

2. In the third episode of A Dream of Red Mansions, Lin Daiyu came to Jia's house and met her grandmother, two aunts, three sisters and Xifeng Wang. When I arrived at Jia's house, Jia said, "I'm in poor health these days. I'm sad to see the girls, so I can't bear to see them for the time being." In Jia * * * I didn't see it because of the "strike".

According to the normal etiquette, Daiyu came to Jiafu to meet two uncles, but it is difficult to grasp the way of meeting so many people one by one, and the conversation with the two uncles will be very formal, which requires a lot of pen and ink to describe. Therefore, the author uses a fictional writing method to explain why she can't meet each other through the mouth of others, which avoids the difficulties in description and increases the ups and downs of the story, laying the groundwork for the real meeting later. 3. In the fifth episode of Romance of the Three Kingdoms, there is such a passage: Hua Xiong was brave, and he came to scold and beat, even beheading two generals, Yushe and Pan Feng.

Yuan Shao, the leader of the alliance at that time, was surprised and sighed, "It's a pity that my generals Yan Liang and Wen Chou didn't arrive, so this one can behead Hua Xiong." Before the words were finished, the next person shouted out the sky: "The young man is willing to cut off Hua Xiong's head and give it to the account!" When people look at him, they see that his body is nine feet long and his beard is two feet long. He stood in front of the tent with a phoenix eye, a silkworm eyebrow, a face like a heavy jujube and a loud bell.

Shao asked who Gongsun Zan was, and Gongsun Zan said, "This man is his brother Guan Yu." Shao asked, "Go ahead and shoot the horse."

Yuan Shu shouted to the outside of the account: "Are you cheating our vassals without generals? Measure an archer, don't dare talk nonsense! Play with me! " Cao Cao stopped, saying, "Don't be impatient with Tao. Since this person is boastful, he must have courage; If you try to teach a horse, if it is invincible, it is not too late to blame. "

Yuan Shao said, "If archers go to war, Hua Xiong will laugh." Cao Cao said, "This man looks good. Does Hua Xiong know that he is an archer? " Guan Yu said, "If you can't win, please behead a certain head."

Cao Cao poured a cup of hot wine and got on the horse with Guan Yu. Guan Yu said, "Pour the wine and come as soon as you go."

Pay the bill, carry the knife, Pegasus. When the vassals heard the drums outside the customs, they shouted loudly, as if the sky were to fall and the earth were to fall, and everyone was shocked.

Just as he was about to snoop, the Luan bell rang and the horse arrived. Yunshang lifted Hua Xiong's head and threw it on the ground. -The wine is still hot.

In this passage, the author also avoided reality. When describing the scene of Guan Yu's painful beheading in Hua Xiong, the author did not choose to describe positively how Guan Yu appeared in a heroic manner and how he fought fiercely with Hua Xiong. Instead, it only describes Hua Xiong's bravery and the roaring drums and deafening roar on the battlefield, as well as the images of many war generals in the military account who are anxious about Guan Yu's safety. When people were anxious, Guan Yu rode back to the village and brought Hua Xiong's head back to his account. The technique of fictional writing even enhanced the expressive force of Guan Yu's heroism, which made readers secretly exclaim.

4. Strange Tales from a Lonely Studio is a flesh-and-blood life created by Pu Songling by writing ghosts and demons, and it is an artistic world where reality and reality coexist. The dream world created by Pu Songling is relative to the real world. Relying on nature, society and human inner world, it depicts the heterogeneous world that human beings do not have in reality, but it makes people feel that it really exists in reality. This artistic realm of asking the truth makes readers realize the agility of life in the universe and the profound philosophy of life.

5. The masterpiece "One Hundred Years of Solitude" that reproduces Latin American history is Garcia? The representative works of Má rquez's magical realism, through imagination and clever handling, combine reality and fantasy, and combine real writing with imaginary writing, presenting readers with a picture that is difficult to distinguish between true and false, enriching people's imagination and receiving strong artistic effects. For example, when writing about the silence of the night, people can actually hear "the cries of ants in the moonlight, the loud noise of moths eating and the persistent and clear screams of weeds growing".

6. There is such a classic music poem in Pipa: "Big strings hum like rain, and small strings whisper like secret words. Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade.

Between Guan Ying's words, the bottom of the flower is slippery, so you can't swallow the spring scenery and flow under the ice. The ice spring is cold and astringent.

4. Write a virtual composition with reality.

Empty and ethereal, but it can make people happy; True and aboveboard, but some people find it hard to accept.

Unreal reverie, some can bring happiness, blind pursuit, and some can make people excited. So, what's the use? Reality cannot be distorted. Illusory reverie is like a dream. When you wake up from a dream and come back to reality. True and false, false and true, can never be reversed!

Just like some people in our class, they are idolized. Blush for the star you love. Unreal pursuit, stars, is it that important?

Face the reality! What can you get by pursuing blindly? Tasteless happiness? Were you happy then? Just your imagination!

As for the stars, I am very quiet inside, and I have no preference or prejudice for them. Stars are stars, seemingly reaching out, but actually higher than the sky.

It is better to read more books! I know these words are useless to you, but I still want to say, "Good medicine tastes bitter and is good for illness, but advice when most unpleasant is good for action!" "

"If you are not indifferent, you will have no ambition. If you are not quiet, you will be far away." Calm down and think about it. The time for arguing is not as good as reciting ancient poems, and the time for reading gossip is not as good as reading masterpieces.

"How thick the brick is, how thin the jade tile is." Face the reality!

Yes, the reality is so cruel that you can't face it. However, you must face it, not run away to fantasy with fear.

If falsehood and reality are truth, then reality is truth and falsehood is fallacy. If emptiness and reality are gods of heaven and earth, then reality is god and emptiness is the devil.

Reality makes you too scared to face it. Illusion makes you happy, so happy that you can't see the truth and lose your way. When you suddenly understand and feel the cruelty of reality, you immediately go to the so-called "Elysium". Reality sighs at you, because every time you meet it, you will panic, and before it sees your face clearly, you will even run away rolling and crawling. ...

5. Writing on the topic of "emptiness and reality" in traditional culture often uses the concepts of "emptiness" and "reality".

"Virtual" and "real" are relative, generally speaking, some are real, and none is virtual; Evidence is truth, and false support is empty; Concrete is real, abstract is virtual; The obvious is true, and the hidden is empty; Actions are true, but words are empty; The present is true and the future is empty; What you see is true and what you hear is false; What is known is true and what is unknown is false. As the old monk said in the materials, the relationship between them is complementary.

After the above divergence of thinking and the main perspective of the topic, you can choose a point to talk about. For example, talk about "emptiness" and "reality" in literary works and write a short essay on literary appreciation.

When Cao Cao wrote about the sea, he first wrote "The autumn wind is bleak and the waves are rough", which is a true pen, and then wrote "The trip to the sun and the moon, if it is out of its territory, the stars are brilliant, if it is out of its territory", which is an empty pen, from reality to emptiness. "All love can't be caged, and an almond will come out of the wall." The first sentence is empty, and the second sentence is real, from empty to real.

In "Medicine", Lao Shuan's buying "medicine" is true writing, while Yu Xia's killing is false writing. Virtual reality and reality set each other off, and both are indispensable. Virtual writing is more difficult than real writing and belongs to imagination.

You can also write about the relationship between matter and spirit. Material is real, and spirit is empty. Without matter, there is no spirit. We can't just talk about spirit and ignore the importance of matter. But the problem now is that people pay more attention to the pursuit of material things, while ignoring spiritual things, which will inevitably lead to the bad tendency of being rich in material things and lacking in spirit. Connecting with social reality, it is not difficult to find such a typical example.

What the old monk said in the article "How can you only know the truth but not the emptiness" can be described as a warning to the world. Virtual reality and reality.

Sometimes people pay too much attention to the boundary between "virtual" and "real", but live half-virtual and half-real. In fact, there is no boundary between them. Only when people fill the reality with emptiness in this trance-like space can this boundary be established naturally. Inscription: "There is a canal behind the house, and there is much silt in the canal." Father said, hanging his glasses on his nose.

"There are many people trapped there, including the elderly and children. They can't extricate themselves, some have only half a body, some have only arms, and some even have only a pair of eyes.

Where they broke, there was blood, black blood, which matched the color of the mud. "My mother looked at me anxiously and said.

"Yes, there are many people there." I played with coins carelessly.

When it landed on the table, I tried to make it stand up, but every time I failed. I suddenly felt a tingling in my eardrum, and I knew my father was sighing again. Every time he does this, my ears swell up like a brown hat lying to me. I'm sorry I turn around and tell my father every night. I always wrap myself in a quilt, but I always laugh in the coffin, and even my nose and eyes are gone, leaving only one mouth, which makes me sweat. You can touch my quilt if you don't believe me. "

I pointed to the quilt hanging outside the window. There are swarms of ants on the quilt, devouring the quilt, which is stained with blood and dripping with black liquid.

I got up and looked at myself in the mirror, with red eyes and no mouth. There was a thin man with his eyes reading the newspaper at the back, but he put his red eyes on his glasses. Another man sat on the bed, counting his rather thin knuckles and changing their positions from time to time, when they were hooked into talons.

"I'm out." The man with glasses said that he put his eyes in his eyes.

I sat down again and picked up the coin. Suddenly, the man sitting on the bed said, "Your father had a ring and once fell into the mud ditch behind the house. In the dream, he always wanted to pick it up, but the earth wrapped the ring too tightly. Your father committed suicide and threw it into the mud ditch, and he was annoyed for 50 years. He is 45 years old this year, and he will never get it back in a few years. Therefore, his distress tormented him all day. "

For this reason, he has no blood now, and his blood vessels are full of mud. As she spoke, she went out and deliberately let the door clip off half her knuckles. Then she pushed the door in, picked up her knuckles and said, "You should have seen that damn mud ditch."

"Bang", the door closed again. I put down the coin, stood up, turned and walked to the mud canal, but there was nothing there, only smelly mud and tens of thousands of red nematodes, thousands of scorpions and a few mice.

I didn't see the man and the ring, and at this time, the mice began to attack me as a stranger with red eyes, so I had to hold my head and go home. Father was picking up my coins, but I didn't expect him to find my beloved coins.

I locked the drawer before putting the coins and keys in. "I had a hard time finding your coin. I found the key to this drawer in your mother's dream, but I didn't expect the coin to be hidden here. "

"I really want to throw away your coins. Every day, the sound of it rolling up and down annoys me. I almost hit my head against the wall. I hope I don't see this damn thing again. " He dropped the coin and was about to leave. I quickly stopped him and said, "I went to the mud ditch behind the house today, where there were hundreds of mice and many bugs." Some people say that these mice are there because there are many talents in the mud. They want to eat fresh human flesh, but I don't see your ring. "

"I always thought that losing my ring made me 40 years older. It seems that this is not the case. Today, I found myself 80 years older. That was the only mistake in my life. That ring is gold, with three skeletons and more than three flowers engraved on it, which was left by your grandfather. "

He said that and went out, but I knew he was still listening. "There were dozens of faces outside the window last night. They squeezed each other and surrounded our house. There are several holes in the window because of the nose.

I woke up this morning and found that the window was beyond repair and the ground was covered with earthworms. "┈ ┈ Mom appeared in front of me with her head down, and her head was covered with ants. I can see a shadow flashing in your room every night. I am afraid that something will be lost at home, so I fall asleep and dream. ┈┈ Looking up at the back of the house, her eyes were glowing red.

I finally know why her eyes and his eyes are red. It turns out that my mother and father are here.

6. What is virtual writing and what is real writing?

Virtual writing is not about writing the real scene in front of you, but about writing the imaginary scene. Writing is just the opposite. For example, Miracle's "Early Plum": ten thousand trees are frozen and ready to break, while solitary roots are warm and solitary. Snow covered the village. Last night, flowers were in full bloom in the snow. The breeze is blowing towards Mei, so it has no emotional appeal. Avon's clean posture makes the birds jumpy. If the plum blossom can blossom on time next year, I hope it can bloom on the spring terrace of people's love.

"Everything is frozen, ready to fold" is a virtual writing, an imaginary scene. "Thousands of trees are frozen and ready to break" and "solitary roots are warm and return alone" are just in contrast, which contrasts the character of plum blossom "solitary roots are warm and return alone". Virtual writing arouses readers' imagination just like things that are not in front of them. Another example is Wang Changling's "Join the Army":

There is a dark snow-capped mountain in Qinghai, with long white clouds and a lonely city looking at Yumenguan. Yellow sand wears golden armor in hundreds of battles, but the loulan is not returned.

"There are dark snow-capped mountains in Qinghai, and the lonely city looks at Yumenguan" is an imaginary writing, describing an imaginary scene: there are long clouds floating in the sky above Qinghai Lake; To the north of the lake, there is a faint snow-capped mountain stretching for thousands of miles; Crossing the snow-capped mountains, it is an isolated city, standing in the desert of Hexi Corridor. Further west, it is Yumenguan, a military fortress far away from the lonely city. Imagine, if you don't have to write in vain, how can you show such a vast scene? This kind of environmental description has played a very good role in expressing the lofty sentiments and ambitions of the soldiers guarding the border. The writing speaks for itself.