Who has read Crime of Love? Why don't you understand? Can you tell me your feelings after reading it?

1. People often say that men are lower-body animals, and women don't want to look more like animals controlled by sexual desire in this film, but in the final analysis, this is due to the lack of feelings that can never be made up. From this perspective, women are not animals with only physical desires. They indulge their bodies and just want to find a real love castle and get rid of it. Even if such depravity is a tragedy, I still think they are better than those clients, or hooking up with women costs nothing.

2. The pink pigment ball of the pervert man, according to the chronological order of the story, first appeared in the love hotel when he had sex with Chunyu to the climax. When he clenched hard, the paint ball exploded, which was the outbreak of sexual desire and the beginning of depravity. After the explosion, it fell irretrievably.

The root cause of all depravity lies in her husband's depression-as a well-known writer, he is paranoid and neat, does not make out and have sex, goes out early and comes home late ... The director uses a pot of tea, a pair of slippers, a bar of soap, a big bed with cool colors and a slowly closed door to interpret a calm and extremely depressed space.

3. The important guiders of the road to depravity are two women, and the communication between the same sex is probably more influential. The first woman praised the whole body, and the second woman told the whole woman the value of the body. Under the influence of these two people, Quan only felt more dissolute and free, and freed himself from the life that had been coldly suppressed by her husband for a long time. ......

4. The pink pigment ball explodes crazily again. It was after watching Mitsuko and her husband have crazy sex, Mitsuko rode on her husband. The perverted man threw the paint ball on the bed crazily, and the room was full of pink, and the sexual desire was wanton ... orange and pink people played in the dark, and the music was beautiful. This embarrassing and tragic situation makes people feel sad. Woman, you have. (I think what he wrote is all seemingly elegant erotic descriptions ... In short, his behavior is easy to make people think of ...) When Mitsuko said "Spring, let's go to ruin", it was unexpectedly beautiful.

Several protagonists in the movie are "face changers". I also work hard all day, and I am bohemian outside at ordinary times, and I am very clever when I get home. During the day, while writing a manuscript, the husband looked for a young lady. He was a celebrity's watch when attending the event. When he got home, he just read and slept. Mitsuko is a capable professor at Dongda University by day and a wild street prostitute at night ... Which is the mask and which is the real person? Who can make it clear? ......

6. Mitsuko should be a tragic figure extending from Yichuan's love for his father. His father is a painter (like quan's husband, he is from the art world! = =)。 Did Mitsuko really get rid of this ending ... Even if it went up in smoke, it turned out to be a part of the plaster model ... Personally, this probably means that this feeling is lacking, and the pursuit of "city" (seemingly extravagant love) has been going on ... At the beginning of the film, the wet and prone face of the doll makes people feel sad. ......

7. Mitsuko is really finished, and all of them are finished ... She may have completely become the second third son. Boundless sea, bottomless abyss, spring is facing two children. It doesn't matter if you show your genitals and squat to pee. The children also looked at her with a smile ... All the entanglements and tragedies about sex between men and women are doomed to repeat from generation to generation. The "city" that everyone wants to pursue will eventually be mixed with "sex", which is puzzling ... this is probably an eternal topic for mankind. ......

0. Exploded pink pigment ball, crazy, terrible but charming. And the beauty of a woman's figure is understandable, even if it is the best in the world. When I repeatedly speak my working language naked in front of the mirror, I am already fascinated by my physical beauty, and so are we watching movies. ......

Finally, with tears in his eyes, Quan stubbornly repeated the poem he heard from Mitsuko: "I don't need to remember oral things. Fortunately, I remember Japanese and some other foreign languages, so I can stop in your tears ..." (This poem ... I don't quite understand ...) The film stops at the close-up of the face lying on the ground, bleeding from the nostrils but smiling at this moment, and the meaning and belief that Quan continues to live. ......

I don't understand. About that perverted man, did he dismember the body? How did Sanzi die after his home studio? ......

Love is a double-sided mirror, which can reflect what you show, but not your heart. Just like all her good friends come to her house, she can envy her big house, her husband's talent and their aristocratic life, but she can't feel the loneliness of one person every day and the bitterness behind the scenery. As the saying goes, women have needles in their hearts, which probably means that they are inherently contradictory. Never satisfied with the status quo, always longing for unknown stimulation and change. When this emotion changes from curiosity to yearning, the explosive power of women will surprise everyone.

This mirror also reflects a different person.

The three women in the film, the intelligent policewoman, the confused writer's wife and the poor female professor, all have an enviable position in society. They are all mature women who can walk on the street with their heads held high. We pass these women every day, and sometimes we follow them with envy. The director showed the dark side of two-thirds of women and peeped at the other side of their glamorous lives as a voyeur. It turns out that everyone. At first, I thought the body in the murder case would be the wife of a confused writer. Finally, I learned that a female professor completely split herself with love. One is 18 years old, innocent and transparent in love. One is a prostitute who can't live without love, so her body is hidden in two inflatable dolls, and the inflatable dolls themselves have the color of lust, which shows that love is a natural normal emotion, and the body is covered with condoms from birth, and people are forced to follow the huge planned lines in society.

At the beginning of the film, the life of the writer's wife was expounded. She waits on her meticulous husband like a robot nanny. There is no repetition of passion and fun. Until the last day, both husband and wife discovered each other's secrets. The only truly ethical sex in the film is actually when the husband "whores" his wife, which is absolutely a wonderful irony to the normal world. The female professor who has been in a split personality is much stronger than her. She can face the dark side of this society, and her secrets can be discovered, used, spurned and satirized. However, she always maintained her constant love for her father until her death. (tv.qc99.com, film critic) The seed player who violates morality and ethics becomes an epic romantic scene here. No wonder she was banned by the 18th National Congress. And her respectable mother kept insulting the father and daughter who defiled her noble and pure blood, but it was another release in my eyes. She brazenly said dirty words and words that didn't match her lofty and dignified image, went to places she despised to do things she didn't dare to do, and then ended her life by herself. Maybe she didn't find this mirror herself, and the other side of her is a catharsis of malice and despair.

The man in this movie has become a complete joke. They don't understand or even try to understand women's thoughts. Until what they did became a joke, the director gave up their existence, and so did women. They found spiritual beliefs that can support themselves. Although their lives are no longer the same, they can live like themselves. No matter in the writer's house or the female professor's house, the color presented is single and gentle. Once the director walks into women's hearts at night, the director can't control the ink jet of color, and even hit the men and women in the climax with colored balls filled with pigments. The sense of desperate fragments is really shocking. What is more shocking than color is women's judgment of men. The opposition between money and sex makes them ridiculous.

First, exciting, shocking and even suffocating! There are many exciting scenes in the movie: pouring rain, rotting maggots' bodies, neurotic women wearing heavy makeup, blurred streets, dirty and messy houses, and the scene where the strange innocent expression of the hostess hides * * and strange smiles! Women have been experiencing a dilemma that they will never have an answer-they want to find the entrance to the castle. Whether in a superior, elegant and decent living environment or in a degenerate and dirty street life, women are pursuing love and love. All the joys and sorrows stem from the pursuit of love and love. They have been looking forward to it but never got it, so they only have a dead end. This is desperate and shocking!

Second, only after a woman thoroughly understands and opens her body will she begin to truly understand and control herself. To some extent, this is also the liberation of women themselves, truly freed from inexplicable shame and fear. Sex is just a way for a woman to know her body directly, so only after a woman has a rich and profound understanding of sex can she say that she knows herself. Women can freely control their own life and inner yearning and freedom by freely controlling their own bodies! Often in the life of ordinary people, due to the double evaluation criteria of stereotype and unfairness to women, women are required to be gentle, virtuous, dignified, decent, restrained and ignorant, which makes women suppress their reaction to the body, think that they have no desire, but vaguely feel that life is wrong and lacks some passion, so they are easily tempted and then use their bodies crazily in extreme loneliness.

Third, in the relationship between husband and wife, the hypocrisy and ruthlessness of men is the fuse that forces women to go to depravity and madness. Living together, but not feeling her husband's love (spiritual love and physical love) makes women very painful and live a mechanical life like a walking corpse every day! There is a saying in the play: once sex can be paid, many problems will be simple! In marriage, women often think that they love their husbands and get their love, so under this premise, the sexual behavior between husband and wife is full of feelings and does not need to be paid, but women often feel confused. Are they loved? Do you love this man? When these questions are not answered, they are still having sex with their husbands, so women will feel disgusted with their bodies and confused about themselves, so if sex can be paid, everything will be simple and concise! Women will be comfortable with their bodies and desires, and they will know themselves from a certain angle. Once they know themselves, they will be responsible for their actions, and women will truly be freed from their attachment to men!

Four, several female characters in the play have decent appearances-professors from famous universities, wealthy housewives with famous writers' wives, and capable * *. But under this glamorous appearance, whether women's inner desires and self-worth are truly reflected and satisfied is worth thinking about. In addition, often these glamorous appearances will greatly restrict women, making them victims of glamorous appearances and leading a very painful double life. This is not to say that women are not decent, but that women should not be victims of some nothingness and false emptiness! Women should know their own value, know or reflect? Is this the life I want? Then you should express and communicate, and try to satisfy yourself in a political way, rather than in an extreme and destructive way.

The fact that the language is pale is repeatedly mentioned in the play. Our pain and our happiness cannot be expressed in words! Who we are and what kind of life we live can't be expressed in words! When we are limited to a certain range by a certain language, we will be confused: for example, I am a professor. If you put me within the scope of this language, I will be limited by this language. Besides being a professor, I have many other aspects. If these words express me, what am I? This will really confuse people and make people look at and treat us with colored glasses, so the language is pale and even brings a lot of trouble and pain to people.

Six, sex should be neutral for women, it doesn't matter whether it is good or bad, it is a natural desire and a way for us to confirm ourselves. There is a dialogue in the play: the more money they pay you, the more valuable you are. This is the money you earn through your body. . These are very straightforward expressions of the relationship between women and sex, and women confirm their value through sex.

Seven, when we cherish the body, we don't put it down easily, we have love! We believe in love! When we begin to cherish and even indulge our bodies, it is when we die in despair. The last scene in the play is like this: after seeing through her husband's hypocrisy, Ju really despaired of herself. She stood on the street soliciting without restraint, without elegance and gentleness, which made my heart ache, and even the strange smile after being hurt by prostitutes made people feel so sad! After the death of a person's heart, any physical injury is nothing, and the injury of the heart is the greatest injury. Therefore, the harm that a husband does to his wife's mind is much more cruel than the harm that a client does to his body.

Eight, is it only women who are in the dilemma and pain of always looking for the entrance to the castle? Where are men's dilemmas and pains? Where are the dilemmas and sufferings of mankind?

Nine, is all human suffering the original sin of men and women!