Did the filming of "Three Lives Three Worlds Ten Miles of Peach Blossom" really go bad?

The mixed costumes and art styles received a lot of criticism after the film was released. In the wedding scene of the film's hero and heroine, the two's headwear was "complained" by netizens as a "rose red door curtain candlestick" on Bai Qian's head, while Ye Hua wore a "Qianlong pastel porcelain vase suit". Some viewers even wondered why there were colorful feathered collars, plastic skirts and mosquito net-like shawls, as well as a supporting actor dressed like a parrot and a female character wearing plastic beads on her forehead. supporting role? They were designed by Lawrence Xu, who once designed Fan Bingbing's "dragon robe" look for the red carpet at the Cannes Film Festival. Unfortunately, these exaggerated combinations do not have the beauty of traditional costumes, nor can they highlight the character's fairy-like character.

One of the film's directors, Zhao Xiaoding, has served as the photographer for films such as Zhang Yimou's "Hero" and "House of Flying Daggers". He has also shot many brand commercials. His advantage lies in the pursuit of beautiful and delicate images. In the movie "Three Lives Three Worlds Ten Miles of Peach Blossom", whether it is the snow-capped mountains or the clouds in the heavenly palace, they are indeed very realistic. However, some critics believe that the overall visual effect of the film is rich in color, but the artistic beauty is insufficient, making it difficult for people to have a long-term aftertaste. In the scene where Ye Hua is cooking for Bai Qian, Zhao Xiaoding can be said to have made full use of his experience in shooting commercials - killing fish, shaving scales, ramen noodles, and sprinkling green onions. The ramen noodles flying in the air under the enhanced lens are eye-catching. I mistakenly thought this was a food advertisement.