Rural dramas with grounded gas emerge one after another. Will you support or resist?

There are several age levels to answer this question.

First of all, rural women aged 40-60 prefer life dramas. Is the plot about: marriage, mother-in-law, neighborhood, parents and children, content? The greater the contradiction between the characters in the play, the more they like to watch, and the plot will be ups and downs. That's what my mother likes to watch. When three aunts and six grandmothers get together to play cards or work, they just talk about last night's plot. I emphasize that because Cantonese is the main language here in Qingyuan, rural women here like to watch TV dramas dubbed in Cantonese.

Preference of rural men aged 40-60: Cantonese opera (traditional drama, Guangdong local traditional opera sung in Cantonese, world intangible cultural heritage), historical drama and war drama. Plot is also their main topic after dinner, and they can accept TV dramas in Mandarin.

Rural TV dramas include Warm Spring, Burying Trees, Nongjiale, Shui Sheng Lakeside, City Stranger, Going to the East, Ma Xiangyang Going to the Countryside and so on. These TV plays are all about stories that happened in the countryside. The plot in the story is vivid and easy to be sung, which is very popular among artists. Among them, I personally went to Malik Xiangyang to go to the countryside. The biggest difference between "Ma Xiangyang Going to the Countryside" and the previous rural theme is that the "first secretary" being interpreted by Wu Xiubo is no longer a tall, tall and comprehensive established image. In the story, a hedonistic guy was suddenly sent to the countryside. He faces great difficulties. He was born in this city. Like most city people, he doesn't even know how big the two ridges are, and the living conditions in the countryside are very poor. A mouse in the room scared him all night, and he couldn't find a "problem cadre" in the north to go to the countryside. Jokes are naturally indispensable. At the same time, this is also the interesting point of the play, just like banishing Wang to Thailand. Naturally, the trip of "problem cadres" to Dahuashu Township is also "the people are in dire straits".

However, in this TV series, Ma Xiangyang showed the resilience of a secretary and the brains of a generation of young people, and finally overcame difficulties and led the whole village to become rich.