Kill life-a murderer always kills him.

Traditionally, Niu Zui is not a good person.

He has never done anything serious, such as molesting women, digging graves and stealing property.

He doesn't break the law, cross the line or kill anything, but everyone is afraid of him and hates him.

His only characteristic is lively and different, which is why he will die.

I saw many comments on Douban and Zhihu, boasting and cursing. Don't brag, just curse, listen to their opinions and improve their cognition.

The critics of this film basically have two prominent views. One is that killing is abstract, incomprehensible and unorganized. The other is that the role of Niu Zuli is too strong, and it has become a figure that everyone hates, which is not enough to serve as the theme of the film.

It seems reasonable at first glance, but it is actually unreasonable. Don't argue in a hurry, let's take our time.

Both of these criticisms point to the story narration of the film and the role setting of the main characters. Do they really have problems?

There is a problem, this cannot be denied.

As far as the overall plot is concerned, many places do not make sense. For example, why don't the townspeople just kill them? Clan society is afraid of breaking the law, and it is not difficult for clan leaders to kill a man who has lost his morality. Since widows can be buried in ponds, there is no reason why they can't kill cows. For another example, Yam Tat-wah plays a strange doctor. Who is he? What are you doing here? Why? There is no valid reason. Villagers are even less likely to lie collectively. Even if it's two people, you can't say that both of them can be reliable. It is impossible for a group of people to cheat a person without giving clues. What's more, cows are not stupid, they are muddy people, and muddy people must have wit. So being able to trick him into thinking that he has cancer is insulting the IQ of the audience.

I say this not to destroy the city wall, but to illustrate a fact: do you want to see a movie or a documentary? Do you want to enjoy art or feel reality?

Killing Life is an art film, not a documentary.

Generally, the narrative of the plot is relatively complete, which can make the audience feel the rhythm of the whole story, which is enough for an author film.

If you think it's wrong, you can look through the books to see which story book has no logical mistakes and all the details are real and sensible. If there is, it is not a book, but history. But even the stone can't do it.

As for the second question, I still think so. You can't treat a cow's mouth like a human being. If we regard him as a human being, the film is not only not literary and profound, but also vulgar, low-level and obscene (although human beings themselves are also).

The compactness of cattle represents a lively life, which is a powerful force different from the mainstream, like a catfish in the tuna group, maintaining the vitality of tuna. Some people say that his image is male genitalia, but I beg to differ. The reproductive organs have no meaning except sexual function and excretory function, but cows are not strong. They are running water in a pool of stagnant water and voices in silence.

Yu Nan is really sexy. Many people are talking about wearing beauty contact lenses. I think it's harmless because a clown like me can't see it at all. I only see the sexiness of all the women released by one Sargam. This sexiness has nothing to do with eroticism (suspected of lying), but with the enjoyment of aesthetic feeling. Its natural charm, elegance, unhurried and rare!

Bo Huang's acting skills are beyond reproach. In a sex scene with, there is a trace of male yang, which is in sharp contrast with the impotence of bones. Yu Nan is in sharp contrast to his conservative but hungry aunt. Two kinds of contrast constitute two levels of thought. The first level is beautiful and powerful. The first level is ugliness and cowardice. It alludes to those seemingly full of moral articles, but in fact they are pseudo-moral and pseudo-noble in private.

After the cow was put into the water injected with estrous drugs, the whole town was liberated at once, which can be said to be a great event, because it released human nature, which is tantamount to a revolution from the perspective of social development.

Eat drink man woman, human nature. If this move is personal, we will say that he is a bastard. If it is social, we will find an excuse for it and bring a fig leaf to prove the glory and greatness of mankind. But it's really no big deal. Sexual liberation has existed since the Ming Dynasty. Anyone who has studied high school history should know that Li Zhi is a loyal promoter and advocate of this movement, which can be traced back to the Tang and Song Dynasties. I won't go into details here.

I don't know how to advocate this kind of sexual liberation, but how to release my repressed heart. The rotten slag of "keeping righteousness and destroying human desires" should have been thrown into the fire a long time ago.

The firmness of cattle does not care about illusory ethical norms and the honor of immortality, but about real life.

When Yu Nan was about to sink into the pond, Niu Jian rescued her from the river and took her away in front of everyone. No one in the village will marry a widow, but she is strong. When the calf got married, the cow dug up other people's ancestral graves and returned the gold and silver to the calf. He did everything that did not conform to the traditional norms of Changshou Town.

When Grandpa Zu was dying, the mayor and others looked at him and tried every means to make him live 120 years old. This kind of behavior seems filial, but it is inhuman.

Niu Zhuang brought wine to Grandpa Zu.

Grandpa Joe was very happy, drank wine and left with a smile.

The cow is strong and happy. He has no reason to be unhappy. He liberated a soul.

Niu Qiang's idea is simple; People should not deliberately pursue longevity, the key is to live a quality life.

Some people say that in life, some people live long, some people live short, some people talk about black and white, and some people fight for high and low.

But in life, the topic of length is actually the most meaningless.

Almost all the film critics say the word villagers, which is really fallacious!

In a town, it makes sense to confront all the townspeople.

Town is a formed social system, which not only has the highest authority, but also has its own economic development, established moral norms and long-term psychological model. In this context, the exhibition space of the film suddenly came out.

The village is too small and the county is too big. Small town, just right!

According to my understanding, cattle should be strong and work hard to the end. But the movie finally gave up, and it was an absolute failure.

Some people say that "killing" without killing cattle can be called killing? Can scream! Psychological expectations are more tense than actual actions. When the killing action is completed, the meaning of killing is over. If you drag on like this, you will kill your heart and your heart, but you won't die! Definitely another surprise.

Unfortunately, the cow died, died in front of the public, died psychologically, and died in the father's love.

Finally, the film deliberately made Niu firmly turn over a new leaf, kowtow and pay off debts, and died. It doesn't make sense, such a person can't be a father, and such a person won't bow!

I still want to say that such a thing can't be a person, but a breath and a spiritual symbol. Never admit defeat, always full of energy, always high-spirited, high above. You may not have met him, but he must have influenced you.

At the end of Killing, Yu Nan walked out of the mountain with a robust child. The old patriarch died of cancer, and at the funeral of similar cult activities, a major earthquake broke out, and all men, women and children were spared.

Including the doctor played by Yam Tat-wah and the doctor played by Alec Su, were all buried in the mountains.

All the murderers died, and Longevity Town became a black joke. For Yam Tat-wah's death, some people don't care, others don't understand. In fact, Niu Jian said from the beginning:

You owe me my life!

In addition, the music box and keys in the film also have rich symbolic significance. Due to the limitation of articles (ZOO), (zhe) and (tai), I will not analyze them for the time being. Interested friends can leave a message in the message area, whether they are against or support, they can talk together ~