The relationship between freestyle and Hiphop?

New Style Development LA style LA: Los Angeles, California, USA, referred to as LA NY style NY: new york, the eastern city of the United States, referred to as NY before the 1990s: Urban black dances that have appeared in California since the 1960s, including Bugaro, Poppin, Lockin and other styles, can all be collectively referred to as La Style; However, the urban black dance breakin in new york in 1970s and the new urban black dance in new york in 1980s have many styles, such as freestyle, house and jazz, which can be collectively called ny style. In the late 1980s and early 1990s, the dancers in the East had basically mastered all kinds of dances in the West. With the popularity of house music, the concept that dancers only use a single step or style in dance gradually faded, and new schools began to rise. Almost at the same time, the clown dance, which appeared and rose rapidly in the early 1990 s in the west, and krumpin, which appeared later, updated the definition of LA STYLE. So what is the post-90 s NY style? The answer is simple, that is, a new school dominated by freestyle. Of course, this is only temporary. As Krumpin and Clownin are accepted by more and more oriental dancers, the definition of NY will gradually fade. After 2 1 century, the concept of new style appeared in front of the world, which is a controversial "new concept". In fact, the predecessor of new style is freestyle hiphop. Literally, it can be seen that the new style is the inevitable product of the development of freestyle to new school. From the semantic point of view, new style has two characteristics: A, new action, which is equivalent to the meaning of free play and innovative action pursued by freestyle. So the new school is only a personal dance style, so there is no new school to dance with, only the new school to dance with. B, new style, in the old school era, freestyle dancers used to dance to music and beat the time mechanically; In the new school stage, what dancers pursue is to integrate dance steps with the rhythm of music, so as to better show the beauty of music and dance. Perhaps this is one of the reasons for the birth of the new style and new concept, in order to distinguish it from the freestyle in the old school era. So how can we become a first-class dancer? Suppose there is a piece of light music, the DJ plays 1 8 beats, 8 beats, 1 * * *, and 16 beats. We can think mechanically that third-rate dancers can only step on eight big beats (beat), second-rate dancers can step on all 65,438+06 beats (combined with beat), but first-rate dancers can't. From "stepping on the beat" to "integrating with the beat" to "dancing out of the beat" from "old school" to "new school" to "street dance art" from "freestyle" to "new style" to "street dance artist", on the other hand, dancers who came into contact with the new style before 2005 should remember that at that time, the concept of the new style had just been introduced to the mainland. In 2005-2006, there were "the upsurge of seeking NS music" and "What is the upsurge of learning NS". Here we mentioned NS music. NS has no specific music, but in the early days of NS, NS dancers have the same special hobbies: A, they tend to use less remakes and more small beats. Now, many dancers have used the steps of poppin, jazz and krumpin, and some dancers try to jump out of new feelings. Correspondingly, there are many dancers who can show the art of street dance through their own steps. (Although not common in China, it can be seen in both Japan and the United States. Maybe this is the gap! Supplement: I mentioned freestyle many times when I mentioned oriental dance in my article. I think you may not understand what I mean by using this word. I also have my own views on freestyle hiphop (freestyle hiphop appeared in new york in the early 1980s. At that time, the most popular music in new york was the old school (it was not easy to mix the steps of different dances), and the most popular dances were hiphop (commonly known as "black dance", which was based on updown and body rhythm), jazz and breakin. I think you should be able to think that the freestyle that dancers did in that environment was basically some movements of hip hop. Even after house music became popular, they learned the dance steps of lockin and poppin from the west. Until the development of pop music in the new school era, even in the 2 1 century, new york people still retained their interest in hiphop (well, in the article "What is the NY style after 90?" The answer is simple, that is "a new school based on freestyle". I don't need "hiphop based" here to reflect the development of freestyle and take care of the theme of "new style development" in the article.