Who is "smart-ass, conceited, born in the last days, biased" in a dream of red mansions?

Tanchun, the third young lady of Jia family, is an ideal, ambitious and accomplished woman. She dares to say that she is bold and practical. Her best performance is to manage the Grand View Garden during Xifeng's illness, promoting the advantages and eliminating the disadvantages, and full of reform spirit; When she raided the Grand View Garden again, she was fearless. In order to maintain her dignity, she gave Wang Baoshan a slap in the face, showing her determination and courage.

"A Dream of Red Mansions" wrote: (Divide the flesh and blood) sail three thousand stormy roads and throw the flesh and blood home together. I'm afraid crying will damage my old age. Tell my parents not to worry. Poverty has been fixed since ancient times, and there is no chance of clutch. From now on, we will be divided into two places, each keeping safe. I want it back, don't get involved. -This shows that she left home late. In the last forty years, she continued to write that she married the son of Zhou Qiong, the general manager of Haimen and other places, but according to Cao Xueqin's original intention, she may have married a prince and become a princess. In the sixty-third chapter of the book, "Shouyi Hongfang Group gave a banquet", Tan Chun drew lots, and the sign said, "Whoever wins this sign is your husband. Let's congratulate you and have a drink together. " They laughed "... we have a princess at home, aren't you a princess, too?

All right. "exultation, exultation" may seem like a joke, but it may also be a foreshadowing. She painted a brand of apricot flowers, which read "Xian Pin in Yaochi", and introduced a poem by Gaochan in the Tang Dynasty, "An apricot rose out of the wall and planted in the clouds". According to the traditional customs of feudal times, "Sun" is the symbol of the emperor, and "Rising Apricot" should refer to the ladies around the emperor. According to the notes in the 556 Years of Qianlong read by Grandpa Shu, there is a queen in A Dream of Red Mansions and a princess outside (see Shu Pi's Poems with the Garden), or the early manuscripts do have the plot arrangement of Tanchun marrying a princess. Anyway, Tanchun finally flew away.

Jia Tanchun was born to Jia Zheng and his aunt Zhao, the third young lady of the Jia family. She is clever, scheming and decisive, and even Mrs. Wang and Feng have nicknamed her "Rose". Her feudal hierarchy is particularly strong, so she despises and hates her own biological mother, Aunt Zhao, who is in the position of a servant girl and heartless. When she raided the Grand View Garden, in order to maintain the dignity of the master in front of the servant girl, she "told the servant girl to open the door with a candle", and only allowed others to search her locker, and no one was allowed to touch her things. "I didn't plan on it." Wang Shanbao, who didn't understand this, touched Tanchun and got a slap on the spot. Tanchun was deeply touched by the crisis that Jia Mansion was about to collapse. She tried to save it with a small reform of "promoting advantages and eliminating disadvantages", but it didn't help. Finally, Jia Tanchun married far away.

Jia Tanchun is the main character in China's classic novel A Dream of Red Mansions and the illegitimate daughter of Jia Baoyu, the protagonist of the story. She was born to Aunt Zhao, and her mother is Jia Huan. She is also the founder of Haitang Poetry Society, nicknamed Xiake, and lives in Qiushuangzhai in Daguan Garden. She is smart and capable, and infers from the judgment of twelve women that she will eventually marry the other party. Jia Zheng was born to my aunt Zhao, the third young lady of the Jia family. She is clever, scheming and decisive, and even Mrs. Wang and Feng have nicknamed her "Rose". Her feudal hierarchy is particularly strong, so she despises and hates her own biological mother, Aunt Zhao, who is in the position of a servant girl and heartless. When she raided the Grand View Garden, in order to maintain the dignity of the master in front of the servant girl, she "told the servant girl to open the door with a candle", and only allowed others to search her locker, and no one was allowed to touch her things. "I didn't plan on it." Wang Shanbao, who didn't understand this, touched Tanchun and got a slap on the spot. Tanchun was deeply touched by the crisis that Jia Mansion was about to collapse. She tried to save it with a small reform of "promoting advantages and eliminating disadvantages", but it didn't help. Finally, Jia Tanchun married far away.

court decision

"I'm smart and ambitious,

People born in the last days, their luck often fades.

Qingming tears send Jiang Wang,

A thousand miles east wind dreams far away. "

[Notes]

This one is about Jia Tanchun.

1. From-Ben. The clever Cheng misread Qingming and repeated the first two words of the third sentence. In the novel, it is said that "Xifeng is not allowed in the delicate place of exploring spring" (back to the 55th time), and it is written that she wants to do something.

2. "Born in"-Tan Chun's ambition finally failed, so he could not display it, because this feudal family had reached the end of the world. Fat criticism: "exclamations are self-contained." Show affection for the author's life experience.

3. The word "Qingming"-Tomb-Sweeping Day sends tears to each other by the river, which means that her family sent Tanchun to the sea to get married. The woman on the boat in the brochure is Tanchun. There is probably a passage describing the sadness of farewell in the manuscript, but there is no such plot in the sequel of the last forty chapters. We changed "sending tears" to "crying" and farewell to looking home. Flying a kite in the painting symbolizes going and never coming back. The so-called "gossamer is weak, don't blame the east wind." The 22nd lantern fan made by Tanchun kite. Therefore, flying a kite means "letting go", not "letting go". The novel specifically describes the plot of flying kites (said to be the root of the disease). The "two people" flying kites in the painting are the planners who later sent Tanchun to get married, but they could not implement it. It may be that Zhao bears a grudge against Tanchun and threw himself into Mrs. Wang's arms, denying his birth mother. "A thousand miles away from the east wind, a dream is far away", which means that the road is long, the dream is hard to come true, and I can't meet my family. It's different to marry Tanchun and then go back to her family to visit relatives.

Tan Chun's Dream of Red Mansions

Boneless

Sail for 3,000 days, and join the family of flesh and blood.

Afraid that crying would ruin my old age, I told my parents: Leave it alone.

Poverty has been fixed since ancient times, and there is no chance of clutch!

From now on, we will be divided into two places, each keeping safe.

I want it back, don't get involved.

[description]

This piece of music was written by Jia Tanchun. The title of the song is separation of flesh and blood, which means separation of flesh and blood relatives.

[Notes]

1. The word "Yifan" refers to Jia Tanchun's distant marriage.

2. Parents-refers to Jia Zheng and Mrs. Wang. Jia Tanchun was born to Jia Zheng's youngest wife, Aunt Zhao, but she denied her real mother: "I only know two people, and I don't care about the others." (Twenty-seven times) So Aunt Zhao said that she "forgot the basics without long feathers, only picked the tall branches and flew away."

3. Poor communication-poverty and greatness.

[Appreciation]

The nickname of Miss Jia's third daughter is "Rose", which is in sharp contrast with her sister "Second Mother", who is also an unmarried woman. She is clever, scheming and decisive. Even Xifeng and Mrs. Wang are afraid of her and let her be a little bit. In her consciousness, the feudal hierarchy of master and servant is particularly deep. The reason why she is so contemptuous and heartless to her biological mother, Aunt Zhao, as a servant and concubine, dares to overstep the boundary between "up" and "down" and offend the dignity of her master. When viewing the Grand View Garden, in Tan Chun's view, "inducing such ugly behavior" is more serious than anything else. She "ordered all the maids to open the door with candles" and only allowed others to search their own cabinets and not to touch her girl's things. There was no room for manoeuvre when she said it. This is also to try to maintain the prestige and dignity of the master in front of maids and servants. "There is nothing in my heart." Wang Shanbao didn't understand this and got a slap on the spot.

Tanchun was deeply touched by the crisis that Jia Mansion was about to collapse. She tried to save the decline of this feudal family with a small reform of "promoting advantages and eliminating disadvantages", but she could only fish in vain.

For people like Tan Chun, the author has class preference and class sympathy. However, the author did not violate the objective authenticity of history and characters, but still described this image very deeply and truthfully wrote the inevitable outcome of her "born in the last days". The plot of Tanchun's later marriage in the manuscript is different from that in the sequel, which we have already said in the annotation of her judgment. The song "From now on, the two places will be separated, and each will be safe" is also proof that she will never return. "After the third spring, all the fragrance is gone", which was written 80 years ago before Yingchun got married. Judging from their Wen Qu and related criticisms, they also wrote it before Jia's defeat, probably shortly after 1980s. In this way, after the eighties, it is bound to be a wave of unrest, and the plot is quite tense and rapid. It will never last like the author's Four Beautiful Fishing.

Jia Zheng was born to my aunt Zhao, the third young lady of the Jia family. She is clever, scheming and decisive, and even Mrs. Wang and Feng have nicknamed her "Rose". Her feudal hierarchy is particularly strong, so she despises and hates her own biological mother, Aunt Zhao, who is in the position of a servant girl and heartless. When she raided the Grand View Garden, in order to maintain the dignity of the master in front of the servant girl, she "told the servant girl to open the door with a candle", and only allowed others to search her locker, and no one was allowed to touch her things. "I didn't plan on it." Wang Shanbao, who didn't understand this, touched Tanchun and got a slap on the spot. Tanchun was deeply touched by the crisis that Jia Mansion was about to collapse. She tried to save it with a small reform of "promoting advantages and eliminating disadvantages", but it didn't help. Finally, Jia Tanchun married far away.

"I am a person, but I can go out. I will leave early and set up my own business. At that time, I will have my own reasons. "

This is a passage in Tanchun's heart. The phrase "I will leave early" just shows that people around me are looking down at her. This environment is really unbearable! "I'm just a man" just means that she is a woman, which is a helpless sadness. "When I start a career, I will have my own reasons at that time" just shows the sadness of my low status at this time, but I can't change my status. So Tanchun "couldn't help crying" after saying this (back to 55).

The above discussion shows that in that patriarchal society, people look at Tanchun with a humble eye, thus forming a hidden pain in Tanchun's heart.

No one can choose their own gender. As a woman, Tan Chun must follow the female model stipulated by the patriarchal society. For example, "men value strength and women value weakness"; "Respecting obedience is also a great gift for women." Women must be willing to be "humble and weak". "Don't be humble and want self-respect, don't give in to weakness and want to be self-reliant, then you commit righteousness instead of righteousness." . Since the Song and Ming Dynasties, the theory that "a woman without talent is virtue" has been vigorously promoted.

However, Tan Chun is a person with a strong nature. She is not inferior to men in self-confidence: "Who is the hero of Lotus Society? Only men can be men; Go straight to the elegance of Dongshan and let the powder. " (back to the 37th) It was she who started the poetry club in Grand View Garden. Fifty-six times, she promoted the advantages and eliminated the disadvantages, showing that she was capable. In addition, the furnishings of the bedroom "Autumn Cool Zhai" also show the bright and clean nature of exploring spring and extraordinary mind. Therefore, Cao Xueqin said that he was "smart and ambitious" in Twelve Women in Jinling. Obviously, Tan Chun's personality is incompatible with the female model in the patriarchal society. Just because I am a woman, I will be restricted by society. "I come from a girl's family, and there is nothing to say", let alone "starting a career". This is the first embarrassment Tanchun suffered, and it is also the beginning of tragedy.

2. Tan Chun is an unmarried woman who is discriminated by patriarchal clan system. Even in the family, she can't give full play to her talents. The restriction of patriarchal clan system on unmarried women and the restriction of society on women bound her. The feudal society of "no division of wives and concubines leads to family disorder, and no division of Shu Ren leads to family disorder" puts Tanchun in an awkward and unfavorable position: on the one hand, she is the girl of the host family and enjoys all the privileges of the feudal aristocracy; On the other hand, she is also a "menstruation girl" despised by the secular, and people will intentionally or unintentionally mention that she is an unmarried girl in words and deeds.

As Xing Er said after praising Tan Chun to You's sisters, "It's a pity that his wife didn't raise him." After repeatedly praising Tanchun's three "good" words, Xifeng said with great regret, "It's a pity that she didn't give birth to a child in her wife's stomach." She said to Pinger, "In the future, there will be a frivolous person. First of all, we must find out whether girls are unmarried women, and most of them are unmarried. " "Concubine" directly affects her future marriage, and Yingchun is an example; But also affected her position in the family. Although she is a nobleman, she is a little lower than being treated. This is beyond her character.

Being a concubine has become a heart disease that cannot be cured and dug out. It also made her form a unique mentality: try to rely on Jia Zheng and Mrs. Wang and try to stay away from Aunt Zhao. It's best to let others forget that she was born to her aunt, and only know that she is a "school sister". However, not only can she not change the fact that she is a concubine, but her biological mother, Aunt Zhao, is also a despised figure. My younger brother Jia Huan is even more obscene and annoying everywhere. It's always noisy, even if everyone doesn't say Tanchun, I don't know how many times I laughed at her. Therefore, Tanchun's situation is rather embarrassing. Stay away from your birth mother and simply cut off the inevitable connection between honor and disgrace and * * * *? Tanchun can't control the former and get rid of the latter, which is her second embarrassment.

Tanchun can resist fate, but can't choose his own background. After all, facts are facts. The inferiority of concubines has always been a shadow that Tanchun can't get rid of all her life, and it is a hidden pain buried in her heart, which has caused her sense of inferiority. In addition, we should also see that her inferiority is inseparable from disappointment. Tanchun never really got maternal love. She has a feeling of indifference emotionally. When Pinger said in front of her, "Don't disappoint the girl's kindness to our grandmother." It's just that this slightly emotional remark suddenly made her very euphemistic and warm, "not only can't breathe", "sad again", but also said, "I think about my girl's home carefully, and I still have no one to care about. How should I treat others? " Speaking of which, I can't help crying again. In Tanchun's heart, I have long felt that she is the only one who is unloved and not warm. "Her inferiority and disappointment are inseparable, rather than her inferiority is based on disappointment. This makes the whole image of Tanchun shrouded in a heavy sigh. "

Resistance in inferiority 1 "Because inferiority always causes tension, the compensation action for striving for superiority will inevitably appear at the same time." (2) Establishing a sense of superiority and obtaining psychological compensation is an important means to eliminate inferiority complex. This is also Tan Chun's first attempt to get rid of inferiority complex.

Tanchun took care of the housework for Xifeng. She knew that people speak little, so she was "angry" from the beginning, "looking for a few interested parties to set an example with decent people" and establishing authority. Even in some trivial matters, Tanchun tries to show majesty. Such as taking a bath: "Tanchun sat cross-legged on a low couch, and the maid came up to him with a basin, then knelt down and held the basin high;" Two little maids knelt beside them, holding towels and making up in front of the mirror. "Even Pinger, who has considerable status and real power, is obedient." She hurried up and took off her bracelet with Tanchun and took a big towel to cover her skirt in front of Tanchun. " Another example is her dining: "I just feel that there is silence inside, and I can't smell the sound of bowls and chopsticks. "On one occasion (the fifty-fifth time), Tan Chun was absorbed in playing chess, but the housekeeper Lin Zhixiao's family did not dare to disturb him, so they had to" stand for a long time "(the sixty-second time), which showed that he was" in bad weather ". Tan Chun's "deliberately superior everywhere" is precisely because she has a sense of inferiority, which needs to be "offset by special efforts" (3).

In fact, these behaviors of Tanchun are easy to understand. Because of her inner inferiority, she can only balance her heart by showing superiority through superficial words and actions. Because she has that unfair resentment in her heart, she can't be like Yingchun-the girls fell out with women, and she didn't talk or stop them, but she still stayed out with "the emperor's father's induction". She wants to resist and deal with the whole hierarchy by herself, which is undoubtedly a moth to a fire.

The externalization of her deep inferiority is also manifested in her strong self-esteem. The best way to show Tan Chun's strong defense of his dignity is to "copy the Grand View Garden"-

"Copying and inspecting the Grand View Garden" is the most barbaric, violent and harmful action of Jia rulers. It completely tore off the veil of gentleness of the aristocratic family, like a crazy female beast, biting at will in its own nest. Many girls living in the Grand View Garden (except Baochai's relatives), together with Baoyu's residence, the lifeblood of the Jia family and the servant's wife, have been "copied" away. Faced with a group of vicious servants directed by Mrs. Xing and Mrs. Wang, Baoyu, who has always been perverse, dared not resist. Daiyu, who has always been small, is also tight-lipped. Only Tanchun showed a resolute and uncooperative attitude and fought fiercely, giving Wang Shanbao, the chief culprit of the inspection, a loud slap in the face!

To tell the truth, I feel depressed when I watch A Dream of Red Mansions, and I am really pleased to see Tan Chun's slap in the face when I am depressed. We saw her leading the maids to "wait for the door by candlelight". Qiu Shuangzhai was filled with anger that seemed to be ignited, and the people waiting for the search were on the verge of explosion. Feng, who is used to bossing around, has completely lost her unique shrewdness under the girl's bullying, so she has to be passive and Nuo Nuo, and even bother to apologize. The initiator of a storm, Wang Shanbao, who framed Qingwen, did not believe that "a girl's family would be so fierce and a concubine"; So he "took advantage of the situation to make faces" and even "stepped forward in public, pulled up Tanchun's skirt and deliberately lifted it. Hee hee smiled and said,' I even turned over the girl's body, so there is nothing'. In the face of such an impudent and rude search, will Tan Chun, who cannot be underestimated, give up? It seems that we haven't had time to think it over before we heard a bang, and the Wangs had slapped Tanchun in the face. This resounding palm is one that people dare not do, and it will also bring justice to the people.

In this struggle, Tan Chun, because of her status as a concubine, also put her in an insulted and hurt group. Not to mention Tan Chun's thorough belief that feudal families can only be "completely defeated" by "suicide and self-destruction", nor did he say "gradually" or "even the day when you copy!" Only by looking at her anxiety, despair and fierce rage in the process of copying, we can observe Tan Chun's attention to the family system and his own dignity, his desire for protection, his deep concern and his long-term concern. Tanchun was worried because she witnessed the beginning of the family's "suicide"; Tanchun was furious, because the former minions dared to stand up and despise the "school sister." That loud slap in the face was not only a silent protest against the raid, but also a blow to the aristocratic slaves who despised Tanchun and thought that "it's another concubine, how dare you". This slap in the face resounded through the Grand View Garden and shocked the second Rong Ning government. Beating Wang Shanbao's family in the face may not be painless in the heart of Jia rulers. Tan Chun, who is always peaceful and calm, issued her own protest cry in such a seemingly radical way, expressing her strong dissatisfaction with the stupid behavior of the suicide family authorities! Also maintained its inviolable dignity!

3. The opposite of inferiority is self-confidence. Resisting inferiority can often stimulate people's initiative and creativity and turn it into firm self-confidence. Just like Tan Chun's poem Zanju said, "Clap your hands and laugh with him on the roadside when people are not there" (the 38th time). Strong self-confidence supports Tanchun's ideological character and makes her dare to break through the barriers of traditional ideas. She started the first poetry club in Grand View Garden. Most of the daughters in the Grand View Garden don't just "know a few words" as Lao Zongzu said. Most of them are restless, knowledgeable and talented, but why only Miss San organized a poetry club? It can be seen that this "talent" is unparalleled and has never been possessed by others.

She cares about the fate of the family and knows the long-standing abuses of the Jia family. Therefore, when she manages housework, she uses a proactive spirit to "promote advantages and eliminate disadvantages", showing the courage of an unusual boudoir woman. She is really a "hero in the pink team".

At the beginning of the fifty-fifth session, someone wrote that Feng was ill and "unable to serve as a director". Mrs. Wang doesn't want to worry about it. "If there is a big event, you will advocate it yourself; Let Li Wan's assistant temporarily do all trivial things at home. " Just considering Li Wan's "lack of knowledge" and possibly "pampering servants", he "ordered Li Wan to make an appointment to explore spring" and made it clear that "I will give it to him when the wind is cured". After Tan Chun took office, he immediately showed his diligence, ability and principles. This article is not detailed here. Let's take a look at the reforms made by Tan Chun when he was an assistant. First of all, we should avoid duplication of expenditure and reduce expenditure. The second is to "contract" the garden to increase income. The concept of "contracting" comes from the inspiration of landscape management. Li Wan made a simple summary of the "contract system": "Saving money is a trivial matter. Someone cleaned the garden and they were allowed to sell it. Make it power, move it for profit, and then do your duty. " . The new measures of exploring spring have achieved good results. Driven by tasks and interests, the contractor naturally maintained and retained the entire Fu Rong and Grand View Garden, without worrying about the owner at all, which can be described as "doing nothing". It was Tan Chun who got rid of the disadvantages, governed with reason and drove people away with interests. When important people such as Jia Mu were not at home, Fu Rong was in good order, and slaves at all levels performed their duties without orders. Looking back, Cao Xueqin's title is "Sensitive Exploration of Spring to Promote Advantages and Eliminate Disadvantages", and the word "sensitive" gives her unparalleled wisdom.

Attitude towards Aunt Zhao Although Aunt Zhao is the root of Tan Chun's inferiority complex, I think that "the son is not too ugly for his mother", and Tan Chun is not heartless to Aunt Zhao, but more often he is helpless to his mother.

Aunt Zhao is Jia Zheng's aunt Although she has a son and a daughter, her position in the Jia family is still "extremely low, even worse than unmarried maids and elderly servants." "A child is more expensive than a mother", but the humble position of the biological mother, Aunt Zhao, inevitably makes Tanchun embarrassed. In addition, my aunt can't keep her position, and she "talks about life in every way", so that she is often tied in front of Mrs. Wang (back 56). Aunt Zhao went to make trouble when she visited the housekeeper in spring. No sooner had Aunt Zhao gone than Tan Chun said, "Give up your seat at once, and ask Aunt Zhao to speak slowly. Who bullied Aunt Zhao, I will make the decision for you. " But I didn't expect Aunt Zhao to say that she was ashamed and had a big fight. So when Aunt Zhao repeatedly said "You were born to me ... and you were raised by me", Tan Chun had to say "Who is my uncle? My uncle has just been promoted ... ",to tell my aunt to shut up, or make a fool of herself and make people laugh.

Every time there is a conflict with Aunt Zhao, it will deeply touch Tanchun's sensitive nerves. Her mood should be "hate iron and not produce steel", which should be used by parents on their children, but in Tanchun and Aunt Zhao, the opposite is true. From Tanchun's words, we can see her hope for her aunt. "Look at Aunt Zhou, who can bully her?" Aunt, why can't you restrain yourself? Only by paying more attention to yourself first will someone respect you. In Tanchun's heart, I don't want my aunt to be virtuous. I just want to play with my aunt Zhou. Unfortunately, even my aunt can't make such a small request. "。 Tanchun was only disappointed again and again.

Tanchun also really cares about Aunt Zhao. From the fight between Aunt Zhao and Fang Guan and other girls, which woman in the garden doesn't watch the fun? Who will really persuade? Only Tanchun is really anxious and really wants to stop the fight. "Why don't you respect yourself? Drinking too much wine is also a shame. "From Tanchun's disappointment, anxiety, embarrassment and pain, we can see Tanchun's helplessness. Every time I see this, I think of Tan Chun's "My aunt is nobody's business, how can I hurt others ..." I think that in fact, Tan Chun's request is very simple, that is, Aunt Zhao should use a decent and dignified method even if she fights. Her heart wants others to respect her mother. Aunt Zhao always fails to live up to expectations, often to the point where "people hate dogs", and Tanchun can only be accompanied by embarrassment.

Tanchun's feelings for Aunt Zhao are obvious in the episode of Tanchun's distant marriage in the TV series. Tanchun said goodbye to Zhao, indicating that there is still flesh and blood after all. Some of Tanchun's "excessive" behaviors can only be said to be caused by temporary anger. After all, the biological mother is connected with her own flesh and blood, and it can't be broken.

Explore the meaning of image, sigh. If Tan Chun was born in modern times, his career will be very successful. It happened that she was born in a hierarchical society, which caused her fatal injury from birth-illegitimate daughter. Even with talent, what that society needs is "a woman without talent is virtue." She was born embarrassed, and she is even more embarrassed to live. But she didn't want to fight for it and let herself be "nobody hurts, nobody cares", which may be what Schopenhauer said: life is pain. As long as people want something, pain is inevitable.

Each of us has different degrees of inferiority complex, but not everyone can surpass it. Tanchun showed a "red rose" with her own way, which is "the essence of literary talent, forgetting the customs when seeing it". Too many thorns are because there are too many irregularities, and thorns are just a way to protect themselves.

It can be said that each of us explores spring to varying degrees in a certain sense, but the location, time and conditions of restriction, restraint and even burial are different. People and living environment are always contradictory. I think this is the secret of tanchun's vitality. As long as this contradiction exists, the significance of Tanchun's image exists.

Open classification:

Literature, redology, a dream of red mansions, twelve women in Jinling, figures in the red chamber

References:

1. A Dream of Red Mansions People's Literature Publishing House, Cao Xueqin and Gao E, 1990, 1 edition.

2. Analysis of Jia Tanchun's Inferiority in A Dream of Red Mansions Journal of Hunan First Normal University, Volume 4, No.3, September 2004

3. "The housekeeper is capable, but the sky is powerless-on the reform of family management in Jia Tanchun" and Liu

4. Journal of Binzhou Institute of Education, Volume 6, No.2, June 2000

5. "It's all obscure opinions" —— Comment on Aunt Zhao.

6. Journal of A Dream of Red Mansions, No.6, 2005

7.( 1) Excerpted from "Inferiority and Transcendence-Psychological Analysis of Tanchun" Mei, Guizhou Literature and History Series, pp. 57-58.

8.②③ Excerpted from alfred adler's Beyond Inferiority, Beijing Economic Daily Press, 1997, pp. 76 and 74.

9. Appreciation of Cai Yijiang's Poem A Dream of Red Mansions.