A short essay about any of my favorite characters in A Dream of Red Mansions should be no less than 800 words. Please help me, it is urgent! ! ! ! !

On Miaoyu

Zhu Yunyan

In A Dream of Red Mansions, Miaoyu entered the official edition of Twelve Women in Jinling as a teenager, ranking sixth. She, Baoyu and Daiyu formed the "Three Jade in a Dream of Red Mansions". Miaoyu is another Daiyu, the shadow of Daiyu, and has a subtle relationship with Baoyu. Miaoyu and Daiyu both fled from Suzhou to Jiafu, but found bosom friends from each other. The image of Miaoyu is of great significance to A Dream of Red Mansions.

Miaoyu is a very special woman in A Dream of Red Mansions. She is like a wild crane in the clouds. She should live in a Buddhist temple, but she only lives in a grand view garden full of flowers. She is both a young lady and a young lady, saying she is a young lady, but she is really a young lady. Miaoyu ranks sixth in the official edition of Jinling Twelve Hairpins, after Xiangyun and before the Spring Festival. The former are Daiyu, Baochai, Yuan Chun, Tanchun and Xiangyun, not unimportant. Twelve women in Jinling are all women of the Jia family. Why do you want a nun who is not a Jia family to enter the official version of Twelve Women in Jinling? Miaoyu is especially favored by Cao Xueqin, and its position is particularly prominent, which has to attract readers' attention.

Miaoyu was the first to enter the Grand View Garden, but she was the last to make a positive appearance. She didn't officially appear until the 4th1time. Xu Jia and others have already eaten tea. She also took Granny Liu to Cuiqi Temple. Miaoyu took it in, "smiled inward" and "went to make tea". She used "a colorful Jason Chung in a kiln" and ate the eyebrows of the old gentleman and the rain of the old year. It can be seen that Miaoyu had to be attached to power and had to show due courtesy to this "Emperor Tai". Other than that, I don't see what she caters to. Later, when Mrs. Jia left, she "walked out of the door and closed the door as soon as she turned around", which clearly showed that she despised power, was born opposite, despised power, and had to rely on power. This is the nobility of Miaoyu and the tragedy of Miaoyu.

Miaoyu calls herself an "outsider", which is not only the capital that she despises the powerful and dislikes vulgarity, but also the chain that binds herself and keeps herself away from others. It is not only obtained from practice, but also forced by environment. The income from spiritual practice made her "jealous and tired of continuing her frontier", and ten thousand people did not enter her eyes; Forced by the environment, she speaks plainly, has moderate heart-to-heart, is naturally withdrawn, and everyone is rare. The combination of the two shows melodrama. However, "people who are too tall are more jealous, and so are those who are too clean." Although too vulgar people will lose the harmony that the world should have. "The line is higher than others, and everyone will be wrong." Even the good Li Wan said, "Miaoyu is disgusting, so I ignore her." Xing Xiuyan said that she was born a "freak", and the attitude of ordinary people towards Miaoyu can be imagined. However, in this grand view garden, there are two people who never like Miaoyu very much, that is Baoyu and Daiyu.

In the first 80 times, Cao Xueqin only described Miaoyu four times, namely, tasting tea (4 1), giving plum (50), flying post (63) and couplet (76). In these four descriptions, Daiyu is mentioned, which shows that Miao and Dai know each other. Except for the seventy-sixth couplet, the other three chapters truly and vividly wrote the intimate relationship between Miaoyu and Baoyu. It's hard to find three jade in the red chamber. As Pang Tuan said, "Miaoyu is also an outsider. Therefore, writing with a pen is wonderful. "

one

In the traditional culture of China, jade is a symbol of purity and beauty. Lin Hongyu, the daughter of Lin Zhixiao, a maid in Yee Hong Courtyard, was renamed Xiaohong because of the word "jade", which shows that the word "jade" is unusual and not everyone can use it as a name. Miaoyu is not only called "Jade", but also called "Miao". She is neither a member nor a relative of the four, but she lives in Jiafu. She is aloof and knowledgeable, and she is also called "Three Jade in a Red Chamber" with Jia Baoyu and Lin Daiyu. What is the beauty of her jade?

The beauty of Miaoyu is that she is another Daiyu, which makes the image of Daiyu richer and more complete. Sun Rong pointed out: "If we really read Samadhi in the Red Chamber. Then, it is not difficult to see the shadow of Daiyu from the image of Miaoyu. Take off the cassock again, and it will be Daiyu. Just as xiren is the shadow of Baochai, Qingwen alludes to Daiyu. "

First of all, Miaoyu and Daiyu have striking similarities in image, life experience and personality. Both of them are from Suzhou, and both of them are official families. Both of them are "sickly since childhood", proficient in writing and very familiar with classics. They have a wonderful appearance. They moved from Suzhou to Beijing and took refuge in Jiafu. The main reason is that "now their parents are dead, and only two old mammy and a little girl come to serve them". In addition to these superficial features, Dai and Miao people are also very similar in thought and character. Daiyu is a famous "little girl", "annoying" and "a word is worth a knife". These comments actually reflect her rejection of vulgarity and arrogance. Miao Yu is such a person. She came to Du Zhong from Suzhou, and originally lived in the "Muny Courtyard outside Ximen". Jia Fu invited her, and she said, "Houmen Gong Fu is pressing people with your power, so I won't go." Later, Mrs. Wang succumbed to her "natural pride", so she invited someone to send a car to pick her up. Miaoyu was "hired" by Jia Fu, and ten little nuns and Taoist priests were also "hired", so Miaoyu established her status as a lady in Jia Fu before she made a positive appearance.

Secondly, they are noble-minded and talented. Daiyu has a gift for chanting. She once wrote poems about Ju, determined that "quality is clean and clean, better than being trapped in a ditch", while Miaoyu is "beautiful in temperament, more fragrant in talent than fairy" and "ten thousand people don't look at him". Miaoyu belongs to the same type as Daiyu in both temperament and talent.

However, Miaoyu is different from Daiyu. One difference between them is that Daiyu has been ill since childhood, and many treatments have failed. Once a monk tried to turn her into a monk, but her parents refused, thus avoiding her being thrown out of the world; Miaoyu, who was ill since childhood, bought a lot of body pairs, which was useless. After all, she entered an empty net by herself and got better every day. From here, we can clearly see that Miaoyu's life is the life of Daiyu who became a monk and waited for her fate.

As can be seen from Xing Xiuyan's introduction to Baoyu, Miaoyu has been a neighbor of Xing Xiuyan in Pan Xiang Temple for ten years. She was only seventeen when she came to Chang 'an Capital Middle School and eighteen when she entered the Grand View Garden, which shows that she was only seven or eight years old or even younger when she became a monk. As the daughter of an official family, at this age, she should be allowed to look after her mother, but she will accompany the ancient Buddha with blue lanterns and listen to the bells and drums in the morning. This is many times sadder than those who voluntarily become monks because they see through the world of mortals. Miaoyu entered the Grand View Garden at a young age, but spent ten years beside Deng Qing's ancient Buddha. From then on, Cao Xueqin began to tell the whole story of Miaoyu, which made her a character full of bleak autumn wind from the beginning and unique in the figure gallery of the Red Chamber.

two

Although Baoyu "suspected" Baochai and Xiangyun, he never "suspected" Miaoyu. Baoyu's bosom friend is happy or sad for Miaoyu, and it is also the premise of his subtle relationship with Baoyu.

In the first eighty chapters of A Dream of Red Mansions, Jia Baoyu "suspected" Xue Baochai and Shi Xiangyun, but never "suspected" Miao Yu. Not only have I never "doubted" her, but I am very considerate and respectful to her. In the section of tasting tea in Cui 'an, the author wrote: "Baoyu pays attention to her manners", which shows that Miaoyu pays great attention to it. Miaoyu specially told Grandma Liu not to drink the cup she had eaten. Baoyu knew that she was too dirty to take it. When he left, he asked Miaoyu for the cup so that Granny Liu could sell it to make a living. Miaoyu listened, thought for a moment, nodded and said, "Nothing. It's a good thing I haven't eaten that cup. If I had used it, I would have smashed it and couldn't give it to her. If you want to give it to him, I don't care about you. Just give it to you. Take it quickly. " Baoyu said with a smile, "naturally, if you tell her, it will be even dirtier." Give it to me. Miaoyu ordered someone to give it to Baoyu. "。 Baoyu took it and said, "What if we go out and ask some boys to fetch buckets of water to wash the floor in the river?" Miaoyu smiled and said, "This is better. It's just that you told them to carry water and put it under the wall outside the mountain gate Don't come in. Baoyu said, "This is natural. "。 "This conversation, in the eyes of ordinary people, Miaoyu is" too clean ",and Baoyu is deeply considerate and respectful, and does not feel strange. But Baoyu doesn't understand Miaoyu's painstaking efforts.

Miaoyu sincerely "pulled" firewood and put it on for tea, but Baoyu "followed". Miaoyu "also poured Baoyu the green jade bucket she used for tea every day." How does the girl in the boudoir pour the green jade bucket that she uses for tea every day to the opposite sex youth? Besides, Miaoyu is a nun, Baoyu is a person who has just eaten wine and meat, and the author used the word "still will", indicating that Baoyu had eaten this tea before. Is the wonderful jade that spits meat too fishy for Baoyu?

Miaoyu has crossed the threshold of Buddhism and boudoir. Baoyu, who has always been considerate, did not understand Miaoyu's painstaking efforts and regarded the green jade bucket as a vulgar tool. Miaoyu couldn't help complaining: "Is this vulgar?" I'm not talking crazy, but I'm afraid you may not find such vulgar equipment at home? Baoyu apologized, but Miaoyu found a big cup carved with bamboo roots from "Nine Songs, Ten Commandments and 120 Paragraphs" instead of the jasper bucket. "。 He told a joke about "drinking cattle and mules" and said seriously, "You owe him two blessings for this tea, so I won't give it to you if you come alone. "This kind of confession of' there is no silver here for three hundred and twenty' is far from natural, but Miaoyu wants to say that Miaoyu's treatment of Baoyu is true feelings, but it is necessary to cover up the true feelings with affectation. This is really "tea can sit down, who can be his confidant?" " .

This tea tasting is based on plum blossom snow five years ago, and the "Jasper Fight" is presented to Baoyu. "Green jade bucket" is Miaoyu's own cup! It is a treasure that may not be found in Jia's house! "Green jade" is Baoyu's favorite word. At the beginning, Baoyu talked about "red fragrance and green jade", and when Yuan Chun ordered poems, he wrote "green jade spring rolls"! Hong Xiang is Hony's son, and it is clear at a glance who "Emerald" contains and what it gives! All the fat books are titled "Jia Baoyu's Tea in Cui 'an", highlighting "Jia Baoyu". The description of "Tea Tasting Hall" refers to the love relationship with Miaoyu, the owner of "Tea Tasting Hall". The novel looks at Miaoyu's behavior from Jia Baoyu's point of view, which accords with the content of the novel.

The second contact between Baoyu and Miaoyu was the fiftieth time. Baoyu is the "last one" in Xue Lu's temple couplet poems. Li Wan came up with a good way to punish Baoyu and let him go to Cui Qi Temple to "beg for red berries". Li Wan is the gentlest and easygoing person in the Red Chamber. She even said, "The red berries I just saw in the Cui Qi Temple are very interesting. I want to break one and put it in a bottle. I'm tired of Miaoyu being a human being, so I ignored her ... "Li Wan punished Baoyu for picking plum blossoms, and was about to" order someone to follow him well ",when Daiyu quickly stopped him, saying," No, it's good to have someone. " Li Wan nodded and said yes. "This idle pen just points out that Daiyu knows Miaoyu, and Daiyu understands the subtle relationship between Miaoyu and Baoyu. What's more, Baoyu's character of seeking red plums and wonderful jade, and her cultivation of literary and historical allusions. Don't you know the story of Lin Hejing's Mei Lanfang?

Seeking plums in the snow is a single contact between Baoyu and Miaoyu. The author dealt with it from the side. Regarding the process of wooing Mei, Baoyu only said, "I wonder how much effort it took me?" The following poems by Xing Xiuyan, Li Wan and Yongmei say "Is it an ordinary color? Yin is due to his snow and ice", "There is blood on the frozen surface, and infatuation is infinite, which will turn to dust" and "My predecessor must be a Yao and Taiwan species, and the color difference is beyond doubt", which are all symbolic meanings to describe plum blossoms, while Baoyu's poem "Visiting Miaoyu and begging for red berries" only has the process of begging for plum blossoms. After China's entry into WTO, red snow is adopted to cut the dust of Ziyun, which is fragrant and cold. "He just thinks Miaoyu, the fairy elder sister, is respectable and unattainable. Buddhism can only hold Miaoyu's people, but not Miaoyu's heart. The image of "plum blossoms outside the threshold" is regarded as the gray line of grass snakes, and Miao Yu responded by saying "outsiders outside the threshold" in the sixty-third session. Among the hundred flowers, China poets have a special liking for plum blossoms, and the number of Yongmei in past dynasties ranks first among the hundred flowers. The most charming temperament of plum blossom is that kind of narcissism, loneliness, loneliness, loneliness, which has become the spiritual prototype of China literati, but the nobility of Miaoyu is too powerful to be dispelled.

The third contact was the sixty-three times that Baoyu found Miaoyu. Baoyu, Baoqin, Xiuyan and Pinger are all one person. Xiuyan and Miaoyu still have the friendship of teachers and friends, but Miaoyu just sent a congratulatory message to Baoyu, which shows that it is sincere, natural and spontaneous. Baoyu "looked at him with the word' outsider', and I didn't know what the last word was in the reply." Just lost in thought, I still have no idea for a long time. Because he thought,' Ask Baochai, and he will criticize the grotesque again. Why don't you ask Daiyu? ""It can be seen that Baoyu is not afraid of Daiyu's jealousy and is very calm, believing that Daiyu will not be uncomfortable. However, Baoyu advertised everywhere with congratulatory stickers, but it attracted Xing Xiuyan's criticism, saying that Miaoyu "Monks are not monks, vulgar, women are not women, and men are not men. What makes sense?" "It turns out that this is such a bizarre birth." Xing Xiuyan, who has been friends with Miaoyu for more than ten and a half years, still looks at Miaoyu this way. "People who are too tall are more jealous, and so are those who lead a clean world." The attitude of others towards Miaoyu can be imagined. This makes Daiyu and Miaoyu cherish each other's appreciation more.

three

People's character is shaped by the environment. Miaoyu's life experience is unprecedented for other eleven women in Jinling. On the sixty-third occasion, Cao Xueqin revealed through the mouth of Xing Xiuyan that "I heard that he had invested here because of his untimely position and overwhelming situation." Miao Yu's "ten thousand people don't look into his eyes" is the same as Dai Yu's "aloof and confident, with dust-free eyes", both of which are created by the environment. If the dense phoenix bamboos beside Xiaoxiang Pavilion are the symbol of Daiyu's character, then the red plum in front of the jade palace is the symbol of Miaoyu's character. Miaoyu's loneliness, nobility and purity are the products of her contempt for the powerful and unwilling to go with the flow, but because of her status as a lady and girl, she has to be attached to the powerful and powerful. This is the struggle point of Miao Yu's contradiction, which is also caused by her cold and enthusiastic personality, and it is also her "beauty in the forest, the wind will destroy it;" The tragic fate of "the line is higher than people, and everyone must make mistakes."

The author did not directly write about Miaoyu's inner activities, but expressed them through poems. The only time there was a wonderful jade that was "more talented than a fairy" was when I went out to continue my poems on the night of the Mid-Autumn Festival. "Musician, Heart" and "Sound, Music Image". On the Mid-Autumn Festival night in Jidi Grand View Garden, the moon was shining brightly and the sky was clear in Wan Li. A wisp of flute rhyme floated into Cui Temple with the wind, and Miaoyu stepped out of the temple gate to meet Daiyu and Xiangyun in solitude. Miaoyu not only understood the Lonely Poems written by Daiyu and Xiangyun, but also continued the thirteen rhymes of Thirty-five Rhymes of the Grand View Garden on Mid-Autumn Night. Miaoyu's couplets include "Xiao Ceng makes women cry, and Qian Qian waits on children." Empty account hanging type, idle screen cover color Yang "and other sentences. Xiaozeng Li Fu is a classic, and the allusion comes from Su Shi's Qianchibi Fu. Because Li Fu's crying is particularly sad, it is used to refer to Silver's sadness. Furthermore, Miaoyu's "Xiao Ceng makes women cry" is caused by Xiangyun's "crossing the crane shadow in the cold pond". Since Xiangyun used the "post-chibi Fu", Miaoyu used the "pre-chibi Fu" to write poems naturally and appropriately, showing the feeling of quiet night. "Spectacular ghosts hit the wall, monsters crouch", which symbolizes the horror and gloom of the real society. When you are familiar with the road, do you know it in so hard to forget? If you know the source, you can masturbate by knowing the source of the avenue. "."Love is just self-indulgence. Who does elegance talk to? "This is the crowning touch, revealing her feelings of loneliness and anguish. The wonderful jade at this time is like "being in Buddhism and having a heart in the world of mortals".

"We are not happy-until the end of the day, we met. We understand. What is the relationship between acquaintances? " . Miao Yu and Dai Yu, who were exiled from Suzhou to Jiafu, found bosom friends despite their different social identities. We can see that Lin Daiyu never "doubted" Miaoyu. Back to the sixty-third, Jia Baoyu didn't know how to write back to Miaoyu. "You have to ask Baochai, he will criticize grotesque again. Why don't you ask Daiyu? " From Miaoyu's daily behavior, we can see that Daiyu is not "weird". Daiyu mistook the "snow water on plum blossoms" five years ago for the "rain in the old year". Miaoyu said, "You vulgar person, you can't even taste water!" Daiyu, known as the "little girl", doesn't mind at all.

In addition, in the seventy-sixth poem of The Concave Crystal Pavilion, Daiyu "praised" Miaoyu's continuation of history and Lin's poems, and said: "It can be seen that we are getting closer and farther every day, and now such poets are here, but they are on paper every day." Daiyu has never appreciated and praised others like this. For Lin Daiyu, Miaoyu is completely different from others. There is no such thing as "ten thousand people don't look him in the eye". The concave crystal pavilion is associated with poetry. She was afraid that Dai and Xiang would catch cold in the middle of the night, so she led them to Cui Temple, made tea, took out a pen and paper in person, and copied the poem that Dai and Xiang had just associated with. The book repeatedly wrote "Daiyu is very happy to see him today" and "Daiyu has never seen Miaoyu write a poem, but now she is so happy". It can be seen that Miaoyu is in a good mood in front of Daiyu. Throughout Miaoyu's life, there is only one happy moment. At the end of her poem, she said, "I'm tired of clouds. I make tea more carefully." This tireless "essence theory" shows what kind of soul mates are between two jade. "Stone and people left, Miaoyu was delivered to the door, and when she was far away, she came in behind the door", which was in sharp contrast with the time when people were leaving the jade palace, and reflected her infinite attachment to her bosom friend Daiyu.

label

Due to complicated reasons, the original work of Cao Xueqin's Dream of Red Mansions became a "broken-tailed dragonfly", and Gao E wrote wonderful jade three times when he continued the book. These are virus possession (87 times), jade loss (95 times) and disasters (1 12 times), which generally conform to Miaoyu's character. The inevitability of her tragedy is revealed from the title of her Dream of Red Mansions-"The world is cold"! This is also the place where she is different from other eleven women in Jinling. Therefore, Miaoyu's unique aesthetic function and existence significance are not possessed by other women in Grand View Garden. Miaoyu in A Dream of Red Mansions has little pen and ink, but it still brings us great shock. Her existence is of great significance to A Dream of Red Mansions.

The whole Dream of Red Mansions has too few good dreams and too many nightmares. Daiyu is difficult, and Miaoyu is even more difficult. "Shuangyu is a maverick, a maverick. Even if the dream is far away from home, it has been lost in the hometown where jade is nowhere to be found, and the lonely moon is hanging." Miaoyu has lived a wonderful life. "Even if there is a Millennium iron threshold, there must be a tile steamed bread." This is the end of all individuals in the world of mortals after 1000 years, if life is sent. Miaoyu's artistic image is successful. Because of her uniqueness, her talent and the meaning of her existence, it has been deeply branded in people's hearts.

References:

[1] Cao Xueqin, Gao E. A Dream of Red Mansions [M]. Beijing: People's Literature Publishing House, 1982.

[2] Cao Xueqin. Re-evaluation of Zhi Xianzhai's The Story of the Stone [M]. Shanghai: Shanghai Ancient Books Publishing House, 198 1.

[3] Cao Xueqin, Gao E. A Dream of Red Mansions (3rd Edition) [M]. Shanghai: Shanghai Ancient Books Publishing House, 1995.

[4] Han Xiwu. Miaoyu Daiyu: How many red tears cry Gusu [J]. Xiangfan Vocational and Technical College, 2007(4).

[5] Sun Rong. On the Artistic Conception of Miaoyu [J]. Diary of Red Dream, 1994 (1).

(About the author: Zhu Yunyan (1978.8-), female, Han nationality, native of Yiwu, Zhejiang Province, lecturer, now a master's student in the School of Humanities, Zhejiang Normal University, and her research direction is China ancient literature. )

Original load: Qunwen TiandiNo.112,2065438.