How to treat the current situation of hard-core animation in the animation market?

Tough guy animation doesn't explain, just talk about hardcore. The concept itself should be borrowed from the concept of hardcore games. As all gamers know, hardcore games refer to games with a certain degree of difficulty, which require players to have a certain strength and a specific audience. Then the corresponding concept of animation should be an animation with a huge and perfect world outlook, clear logic and deep content, which can be watched without relying on commercial means such as selling cute and rotten, and even with a certain knowledge base. In addition, the style of this kind of animation may not necessarily please the public aesthetic. It may be rejected by ugliness, or it may be rejected by incomprehension. In short, from the nature of the work itself, the so-called hard-core works are picking audiences from the beginning.

Let's compare Fei Mengfan and the butcher fan again. Obviously, they are tired of aesthetics, but the overall popularity is still higher than that of deep hardcore animation. Why? First of all, it's not because life itself is too difficult. Most people who struggle under pressure every day don't look at things that are deep and difficult to understand with the purpose of killing time. Originally, it was just to kill the time of fragmentation, but the more you watch it, the more you burn your brain. The more you watch it, the more depressed you are. Why bother yourself? If we only look at the performance of a single season, many sprouted meat fans may run quickly as soon as they come up. This is normal, not to mention the otaku gentlemen, even the otaku will be happy to see the cute sister paper. This kind of animation often has no obscure content, or funny or warm. Smile after reading it. After spending my leisure time, I feel better. Why not? On the other hand, some works with profound contents often have gloomy expression techniques, and even some pictures that bring bad impression experience may appear. In the process of watching, you need to concentrate on following the plot. The plot that is particularly difficult to understand may be skipped and you don't know what you are talking about. It can be seen that the time, cost and energy for the audience to watch such works are doubled. Therefore, for the purpose of leisure, it is more appropriate for Fei Meng to sell meat noodles.

Of course, as a house with aspirations, you can't just be satisfied with leisure content. We also need in-depth content to enrich ourselves. I have always believed that it is not the wave after wave of young ladies who have really supported the house. But more profound, even suitable for works used to hold letters. From a longer period of time, the animation with excellent content can be turned red continuously, and the audience base is getting bigger and bigger. Every Meng Xin probably has the experience of following the footsteps of his predecessors. Our generation grew up in the sun. Compared with the old fans in the past, people often lament that the current animation is not as deep as the original. Therefore, when the current business routines can't satisfy the new ones, it is naturally the time for them to jump into the old pit of ashes.

from the middle and late 199s to 27, the Japanese animation market was improving. At that time, the market share of Japanese animation was increasing year by year, whether it was taking the commercial route or the literary route, because the market share was increasing, more content was needed to fill it. The market will naturally give enough patience to some excellent works with poor popularity in the early stage. In the excellent environment of the whole market, it will also promote the enthusiasm and confidence of the creators. Many classics that are still praised were born at this time, such as EVA, ghost in the shell, Infinite Unknown and Gundam. For Meng Xin, these works are really too far away. Even in into the pit in 21, it has been seven years since then. Compared with the age of these works, yes, you are still a budding new one. Many works that were popular in those years have become "unpopular" because they have not been new for too long, and it is also a bit wronged. Of course, there are consciences that were cold then and are still cold now, like the Symphony Poem.

On the other hand, the phenomenon of declining birthrate in Japan is very serious now. The main audience of young people in Secondary Education is decreasing year by year. If the problem of declining birthrate is not solved, it will be difficult to replicate days of our lives in those days. Works with profound contents must take time to cultivate, but under the background of the fast-paced secondary industry in Japan today, it is impossible to cultivate a work for a long time as it was then. In addition to the animation that has been serialized to the present in the early years, Japan has long abandoned the annual episodes, and now even the semi-annual episodes of 24 episodes are much less. Under the constant impact of new works, many potential animations are hard to muster again, and when they come back, they may be exhausted again. Even now, many so-called hard-core tough guys are following in the footsteps of their predecessors. If you watch more routines, some things will not taste as pure as before. Even the tough guy hardcore will add some cute business elements, which is determined by the market. As an audience, what we can do is probably to cherish the creators who are steadfast in this market environment and their excellent works. Because the audience is the most powerful guidance in the end.