Zero tolerance for thunder dramas cannot stop at "removal", do you agree?

Anti-Japanese War-themed film and television dramas are often produced, but there are not many that "overturn". If we say that in the past, thunder dramas such as "Tearing Off the Japanese with Hands" and "Hiding Thunder in Buns" were magical and ridiculous.

The movies that have been ridiculed recently are all mixed together and turned into nonsense. Some of them copy the routines of idol dramas and let the Eighth Route Army soldiers wear hairspray and live in villas; The plot is about falling in love in the military academy of the Republic of China.

There are also some that claim to "restore history", but the result is modern costumes, time-traveling props, and empty scenes, which often make the audience extremely heartbroken. Generally speaking, these thunder dramas are good on the outside but flawless on the inside. Even playing them at double speed cannot cover up the logical flaws in them.

The Anti-Japanese War was extremely arduous, and every inch of mountains and rivers was bloody. The creators did not study so many historical materials and did not restore so many stories. Why did they have to create these "four dissimilarities"? In the final analysis, we still believe in the logic of "appearance economy" and "traffic first".

Take "Thunder Warriors", which was canceled due to widespread criticism, as an example. Many famous anti-Japanese war generals in history were young people, including elite children who returned from overseas. According to the show's producers, In this case, it would be a good idea to find some "little fresh meat" to participate in the performance, so that they can reproduce the heroic spirit.

But the problem is, how can there be glamor, romance, foreign wine and coffee in war? In the play, the battlefield is turned into a show, the fort into a catwalk, and a lot of text is devoted to the actors acting cool. It can be seen that showing the "hot-blooded youth" of soldiers is fake, but relying on the appeal of idols to fool "fans" is real.

It is precisely because there are more and more producers making quick money that anti-war dramas are frequently mixed with dramas such as "Mary Sue", "Gong Dou", "Petty Bourgeoisie" and "Idol", creating a One joke after another.

Literary and artistic works record the times and also convey value. Anti-war dramas are not just unfinished. The key is that this kind of irresponsible entertainment operation dissolves the hardships, bloodshed and sacrifices of the past, and blasphemes the anti-war spirit of our nation.

In recent years, as audiences have become increasingly rational, the formula of "fresh meat + IP = success" has gradually failed. Many viewers are also spontaneously resisting the cultural garbage in anti-war dramas and other dramas. Of course, this It's a positive sign.

However, the endless emergence of thunder dramas proves that relying on market self-purification is far from enough. After the dramas are broadcast, they are removed from the shelves amid public criticism. After all, they are just making up for the situation. After all, the waste of resources and negative social impact have been caused.

The zero tolerance for thunder dramas should be further reflected in all aspects of early project establishment, approval, and control, to promote the return of industry production to the basic scale that should be adhered to, and to eradicate the living space of shoddy and inferior works.

According to statistics, when the Anti-Japanese War broke out, the average age of the military chiefs of the Eighth Route Army and the New Fourth Army was about 30 years old. How should we remember and show the determination of a generation of young people who have shed their blood and sacrificed their lives "even though tens of thousands of people have died"?

In what way should our heroes be imprinted on the collective national memory? This is not only a subject for literary and artistic creation, but also worthy of deep thought by the whole society.