Marionette classic joke

A good actor is often the guarantee of a "good role", but even a good actor does not mean that he can play any role.

Jiang Wen almost made a big joke in this respect.

199 1 year, Jiang Wen passed by Hongkong, and producer Feng Hsu invited him to have dinner together. At the dinner table, she talked about the new film Farewell My Concubine and asked Jiang Wen if she was interested in playing Duan Xiaolou, the King of Chu.

Jiang Wen, 28, quickly said, "I'm really not interested in playing the role of overlord Chu, but I really want to try the role of Cheng Dieyi."

Xu Feng couldn't help laughing. Jiang Wen asked inexplicably, "Who said I couldn't play concubine?"

Later, after Jiang Wen told the story himself, it caused a heated discussion on the Internet.

The public agreed that it was right not to let Jiang Wen play at that time. If Jiang Wen really plays Cheng Dieyi, the role will probably be "destroyed".

After all, Jiang Wen's appearance is rough and straightforward, while Cheng Dieyi's appearance is soft and delicate. There is a natural gap between them from the inside out, and no matter how good his acting is, it can't be filled.

This story of Jiang Wen also proves one thing:

Actors must weigh their roles well when they take over the play, and they should not be "blindly confident".

Crustily skin of head, even if the acting skills are superb, the result is often a long story.

Today, Pige will talk to you. Obviously, he is a "powerful" actor, but because of "choosing the wrong role", the result is embarrassing 10 actor.

Let's take a look at what they all suffered, what kind of "Waterloo" they suffered, and what their respective problems were.

Let's start from the 10 position-

10, Yin Tao (such as Liao Sha's happy duet, the ideal life with love as warm as snow)

Yin Tao, who graduated from military art and drama, is a typical domestic powerful actress.

This year's movie "On Earth" made Yin Taohong popular all over the country. In the eyes of the audience, many awards were "booked in advance" by Yin Tao this year.

But in fact, in the month before On Earth, 43-year-old Yin Tao was suffering from the biggest crisis since she became an artist.

Because she starred in a happy duet.

This is a drama about urban workplace life, in which Yin Tao plays the No.1 female Liao Sha.

Liao Sha has a tough personality and is a well-deserved sales elite in her work. She rushed forward with the whole team alone. But she was beaten as soon as she got home, and her husband's "slow fever" made her only accept it silently.

Unexpectedly, a sudden accident at work made Liao Sha "the tiger fall to the ground". Since then, the calm relationship between husband and wife has also been broken, and the crisis has followed.

Objectively speaking, the actors who support Yin Tao are not weak, Sean, Justin and Ceng Li. ...

However, after the broadcast of the play, the word-of-mouth declined sharply, and Yin Tao's audience was hit hard.

Looking back now, the fundamental problem is that Yin Tao chose a role that is not suitable for him.

In temperament, Yin Tao is not suitable for co-acting as a "strong woman in the workplace". It may also be that there are too many dramas, and Yin Tao doesn't know how to deal with the emotional problems of modern workplace elites.

In addition, in Glee, the script designs many inexplicable female emotions, which not only contradicts the role itself, but also causes Liao Sha's sense of separation at home and in the workplace.

Some inexplicable little expressions and the anxious nature of this role also make Yin Tao's acting skills nowhere to play.

Similar problems are also reflected in the TV series "The Ideal Life of Love" 202 1 starring Yin Tao.

The play is set in a pink girl, Yin Tao plays Wen Ruxue, and the goal is "heartthrob".

Yin Tao's looks and temperament are not sexy and unrestrained, and she advocates eating, drinking and enjoying.

Especially when watching a drama, the audience will inevitably compare her with the old version of Chen Hao's "The Heartthrob", which is more natural than making a fool of yourself.

Throughout her acting career, Yin Tao is really good at time drama.

This "natural bodybuilding" also has a lot to do with her appearance.

Her facial features are exquisite, her eyes are bright, and her two shallow dimples show the unique oriental beauty of China's classical beauty.

It is doomed that Yin Tao will play a better role in the time series, especially the role of forbearance and restraint, which can maximize his acting skills.

Zheng Juan in On Earth is a typical example.

Under Yin Tao's interpretation, Zheng Juan, who is ill-fated but hardworking, is simply a model of a good wife and mother.

Luo Yuzhu in "Chicken Feathers Fly to Heaven" also has this feeling.

However, this kind of appearance is put into urban drama, coupled with those modern secular farce, and it is directly removed without a trace.

We always say that "a good drama can't beat a beautiful woman", but Yin Tao and modern workplace dramas have shown obvious acclimatization. Returning to the drama of that era and choosing the role that suits her may be Yin Tao's best choice.

09. Zhang Ziyi ("Shangyangfu" decorated by Wang Xian)

Zhang Ziyi's acting skills, of course, are beyond doubt. All the actors who have experienced the big screen experience are generally "dimensionalized" on the small screen.

But last year's "Shangyangfu", why did she pull her performance reputation to the lowest point?

When we look closely at Zhang Ziyi in Shang Yang Fu, there are two most obvious problems.

The first is casting failure.

Zhang Ziyi plays Wang Xian in Shangyangfu, with a great age span. "Wedding Gift" begins with the girl 15 years old and Zhang Ziyi is 43 years old.

Because there are no young actors, it is inevitable that Zhang Ziyi will play the role of the girl directly.

In order to highlight Wang Xian's girlish feeling, Zhang Ziyi had to perform a lot of performances for the audience, which lowered Zhang Ziyi's performance level.

Secondly, Zhang Ziyi's disobedient performance habit.

There are essential differences between TV plays and movies. Zhang Ziyi is a big-screen actress. She is good at content. A look can help the audience to spy into the inner world of the characters and understand their complicated lives and experiences.

So we can often see Zhang Ziyi's eyes and expressions in the film. His eyes are cold, unfocused, his expression is serious, and he has a story at a glance.

But TV plays are different from movies.

The TV plays are slow in narration, with little blank space and full in plot, especially characters experience's. If you use this kind of performance technique again, it will appear stiff and inflexible, which will make people jump out of the play.

However, in Ode to the Sun, Zhang Ziyi did not change his performance style, which led to being ridiculed as "like a blind man".

In the atmosphere where other actors are performing outside, Zhang Ziyi is like an outsider, speaking soft lines and with a marionette-like expression, unable to see the emotional connection between the characters, thus losing his vividness.

Movies and TV plays are always different art types, which are very different.

Actors who are used to big-screen performances must choose their roles and do their homework in TV dramas. Don't step on a big hole like Zhang Ziyi, who obviously has the performance strength.

08. Yang Zishan ("Two Conjectures of Marriage" by Shen Mingbao)

Although Yang Zishan is not a well-trained performer, she looks very distinctive, with curved eyebrows and sweet smile. Her personal image is very healing, and she has the characteristics of a first-love girl.

Because of this appearance, she frequently appeared in youth romance films at the beginning of her debut, and became famous with the role of Kevin·Z on 20 13.

Among non-professional actors, Yang Zishan's performance was remarkable, with no superfluous expressions and movements, good lines and infectious crying.

But this year, in the urban emotional drama Two Conjectures of Marriage, the professional woman Shen Mingbao played by Yang Zishan overturned.

The rollover of this role has little to do with Yang Zishan's performance, but the problem lies in Shen Mingbao's role setting.

Two conjectures of marriage is the masterpiece of urban dog blood. In order to stir up the topic, love rat Buff piled on the male owner crazily, which led to the complete distortion of Shen Mingbao, a professional woman.

In his career, Shen Mingbao worked in the company for ten years, and his hard-working case was stopped by his boss, but he could do nothing but be bullied.

At home, she met her husband on a blind date and got married four months later.

When she first fell in love, she not only forgave the man's impudence and indecency and stayed with him, but also decided to get married through a ridiculous test software.

After marriage, I was indifferent to my husband's various "labels" and was almost sent to "Female Durban".

She not only accepted the "sister" born to her husband's father's third party, but also was abused by her mother-in-law. I have to work hard when I am pregnant, and I was ridiculed by my husband just after miscarriage. ...

In social relations, I found a rich second-generation girlfriend, and my self-esteem was always trampled on. After I stepped on it, I immediately wanted to make up for nothing, which made people very confused.

The source of the audience's malice for the role of "Shen Mingbao" is not Yang Zishan's performance, but the exaggeration of the plot, the distortion of the characters, and the dog's blood that deliberately creates conflicts between marriage and family.

Of course, for Yang Zishan, the role of Shen Mingbao is undoubtedly consuming his audience's popularity, because the audience will involuntarily associate the actors with the roles when watching the drama.

Therefore, when choosing a script in the future, I think it is very easy to have a long snack, especially for Yang Zishan, who is just pregnant, which will easily lead to her career crisis.

07. yolanda (Yining as "The Season of Meeting")

In recent years, Yuan Quan has many outstanding big-screen roles, such as the stewardess in Captain and director Wen in Chinese Doctors, which left a deep impression on the audience.

Only in this year's new drama Meet Time, Yolanda, who was acting with Lei Jiayin, also overturned.

In the play, Yolanda's performance itself is not a big problem, and the turning point mainly lies in the woman "Yining".

Yining is an extremely contradictory and complicated character, and it is also the most bloody dog in the whole play.

Let's look at the settings first. Yining came to work in Shanghai from Linshui County, Anhui Province. She is a strong woman in the urban workplace, with a gold collar and an annual salary of 2 million.

But under this series of brilliance, all the relationships around her are ridiculous to the extreme.

Yining's father died unexpectedly in his early years, but his younger brother went crazy when his future was bright, and he wanted to take extreme measures to retaliate.

Husband not only eats soft rice, but also is an unfaithful love rat. His first love, Jane Hongcheng, was his own son who killed his father's enemy.

Looking down this circle, you will find that there is no normal person around Yining ... It is really difficult for Yolanda to play such a role. What can he do except endure?

Of course, objectively speaking, Yolanda's performance is not wrong. His eyes are full of content and his crying is full of atmosphere, but the role is really fake. Whoever plays will make the audience tired.

Meeting Time is a drama in the midday sun, and it is also one of the worst dramas this year.

What was originally a high-concept family revenge turned into dog blood.

If the midday sun continues the quality of the play, it will not only ruin your reputation, but also ruin a good actor.

06. Tan Ya (House of the Heart: Gu Qingyu)

In 2020 and 20021year, Tan Ya was in the limelight for a while after shooting two videos.

However, in this year's new drama Heart Residence, Gu Qingyu, played by Tan Ya, is controversial and criticized a lot.

In detail, there are two reasons for the audience to vomit.

First of all, the role itself has various problems.

As an urban gold collar, Gu Qingyu's greatest hobby is "interfering" with her brother's family affairs, which eventually led to the breakdown of her relationship with her sister-in-law and her brother's death.

When dealing with the suitor Zhan Xiang, she neither refused nor accepted, confidently accepted all the good things of others, but kicked them away when she met her first love.

The role of Gu Qingyu is an exquisite egoist, and this selfish woman full of petty bourgeoisie makes the audience sick most.

Tanya suffers from the design of the role, but it happened that a life drama like Christina played opposite her.

This is also the second reason for Gu Qingyu's rollover, and the performance is a long story.

Tan Ya gives people the impression that she is very familiar with the performance mode of Jin Ling, an urban drama actress. She has many strange little tricks that make people feel design, such as pouting and smiling.

In the scene where my brother died, my acting skills were even crushed by Christina. When I heard the news of my brother's death and watched Tan Ya's performance, I told the audience with a ferocious expression that "I am very sad" and "I am going to die of grief".

Look at Jie Bing's father and Christina's wife and judge each other.

The first reaction to the unexpected death of a loved one is shock and disbelief, and it is by no means to put on a "pain mask" to squeeze tears.

It doesn't seem to matter if you watch Tan Ya's performance alone, but it's very different from the drama bone.

It's not that Tan Ya has no acting skills, but that there are too many urban dramas, and acting skills have entered simple and rude programs and routines.

If we don't change it, the road of Tan Ya's opera will inevitably get narrower and narrower.

05, Lei Jiayin ("Informer" plays Marco, "Meeting Time" plays Jian Hongcheng)

Lei Jiayin is the most popular actor in recent two years. On the small screen, there are meritorious works, the world meets time, and on the big screen, there is close contact with the ancient mahjong style of the writer Odyssey, which can be described as "all sizes".

Since his debut in 2004, he has been dormant 10, and Lei Jiayin has gradually become famous. The gold robbery was the turning point of his career, and the longest day in Chang 'an was the real take-off of his career.

Lei Jiayin's image is very recognizable, with a big head, inconspicuous edges and corners, soft facial features and watery eyes. Especially when he is emotional, he can make people into the play.

In the first half of his life, he played Chen, which even made people hate him.

This also determines that Lei Jiayin has the highest degree of fit with a role, that is, a person who is honest and simple, humorous, unobtrusive and not aggressive, but can change the situation by his accumulated energy.

For example, Yu Min in meritorious service.

The desire in the antique encounter of mahjong.

There is also Zhou Bingkun in "The World on Earth".

But for those who are sharp-edged and bring their own aura as soon as they appear, it is a side effect for Lei Jiayin's performance.

In the past two years, Lei Jiayin has two most obvious failed roles, one is Kyle in Informer, and the other is Jane Hongcheng in Meeting Time.

Kyle's problem is that there are too many emotional scenes in a movie that is dominated by crime and suspense and full of various commercial elements.

Crime and love go hand in hand in the film, which is destructive to the expression of characters and the transmission of themes.

We can often see such a scene. One second, Lei Jiayin is still talking about love words, and the next, you are chasing me and being chased.

On the other hand, Lei Jiayin is the kind of actor who needs time to create the charm of his role. The setting of the film had a devastating impact on his performance.

In Meet Time, Lei Jiayin appears as a bully.

There are many contradictions between his personal characteristics conveyed by his usual expressions and acting skills and the characteristics of the role itself.

It is difficult for you to judge whether Lei Jiayin is an honest man or a wily man, and whether his style is vigorous and vigorous or boiled frogs in warm water.

Affected by this feature, the audience is uncomfortable with Lei Jiayin's role.

Of course, this is not just Lei Jiayin's problem. For him, the more popular the play is, the more he needs to know what is more suitable for him.

Sometimes, change, breakthrough and transformation are not good for actors, especially actors like Lei Jiayin.

04. Chen Jianbin (The Journey Without Confusion is decorated by a horse, and Love Me Don't Think Too Much is decorated by).

Chen Jianbin graduated from Chinese Opera, which is one of the few postgraduate degrees among the actors.

Chen Jianbin was not well-known in his early years, and was gradually known to the audience after starring in Ten Years of Marriage in 2003 and winning the Flying Award.

Because of his low-key and humble personality, Chen Jianbin has not made a big splash for so many years, but he has appeared in many hit dramas.

From Qiao Zhiyong in Qiao Family Courtyard, to Cao Cao in New Three Kingdoms, and then to the emperor in Empress Entering the Palace, Chen Jianbin pushed himself into the ranks of domestic first-line movie stars with three dramas.

20 14 wrote and directed A Spoon, and won the Best Actor in Golden Horse.

However, Chen Jianbin's acting skills are also selective, and the flood of praise has not covered up his shortcomings, especially in modern dramas.

Chen Jianbin's performance has a very striking feature. When he portrays characters, he is usually slow and hot, and there are few scenes of emotional outbursts. He focuses on the role of life and historical drama, and Chen Jianbin's lines are also distinctive, with a little accent and no stress.

This feature is added to the dramas of the times and historical figures. After all, it has nothing to do with modern life.

Once you are involved in romantic dramas and workplace dramas, the gap comes out.

In Journey Without Confusion, Chen Jianbin plays a Marxist and a bookstore owner, but his image is full of the greasiness of online celebrities.

Especially in modern Chen Jianbin, there is no beard and costume decoration, and the shortcomings of the image are exposed, and both loose skin and double chin make the audience feel uncomfortable.

Moreover, in this play, there is no room for Chen Jianbin's serious "poker face" expression, which leads to poor emotional communication and the shortcomings of the play are exposed.

Of course, in Love Me, don't think too much. The role of Chen Jianbin is also such a problem.

The premise of the love between uncle and little girl is that uncle is handsome enough and eye-catching, and you can look at Chen Jianbin's appearance, which makes people play instantly.

Moreover, compared with Journey Without Confusion, Chen Jianbin didn't even change his hairstyle, which was easy for the audience who had watched both plays at the same time.

These two plays have also brought about a discussion about whether Chen Jianbin's acting skills are overvalued.

Among the powerful actors, not all actors have a wide play path and strong plasticity. In this respect, Chen Jianbin does have some shortcomings.

What kind of image, what kind of drama, either insist on fitness and lose weight, change hair style, cooperate with the role to improve their physical fitness, or take on the role of costume drama to play their own strengths.

I don't want to change, but I also want to get a good reputation. At the moment when social media is developed, it is almost impossible.

03. Lyric (Bao Xue, decorated with "North Zhejiang South Garden")

Lyric has acting skills, and the audience should be most familiar with her role of Huanbi in The Queen of the Palace.

Huanbi is a malicious character, with all the tricks and means, and eating inside and picking outside is annoying.

The image of Lyric in the play looks harmless to people and animals, but when he uses his means, his teeth itch, and he is a typical figure standing against each other.

But it also proves that lyricism seems to be only suitable for shaping such a brilliant supporting role, because there are actors like Sun Li and Chen Jianbin. When she took the role of female number one herself, she obviously felt uncertain.

In The Road to the South, she plays an unknown little actress, Bao Xue, a lively and lovely girl with a cheerful personality who always pampers her elders.

In the position of the first hostess, but the performance is not in place, the body dances wildly when the performance is lively, but in the serious play, it is too much and the acting is seriously divided.

There are few deep eyes when emotions break out, and almost all of them are expressed with ferocious expressions and hysterical lines.

Exaggerated acting is also easy to convince the audience.

In addition, the sense of suspension and hypocrisy in The Road to the South further aggravated the word-of-mouth collapse of the heroine Lyric.

When choosing a play, an actor should not only choose a role that suits his own style of play, but also find a good script and what stage to perform, otherwise he will be attacked.

02. Sun Honglei (Sweeping the Black Storm: Li Chengyang)

Sun is undoubtedly a good actor.

Liu Huaqiang in Conquest, Fire with Seven Swords, Yu Zecheng in Lurking and Zhang Lei in Drug War are all very classic characters.

After participating in Extreme Challenge, Sun, who frequently appeared in variety shows, began to bring her own personal design, which greatly consumed her mystery as an actress and ruined the diversity of her roles.

Sun should also know that netizens questioned him, so he took over the large-scale crime drama "Sweeping the Black Storm" on 202 1, as if he was determined to prove himself to the audience again.

But after the series was broadcast, Pigou still wanted to say that he was wrong this time.

There is nothing wrong with the role of Li Chengyang.

He used to be a policeman and later worked for a criminal group. He needed to mediate between good and evil. He is a confusing character.

This role is difficult to shape, but once it is well played, it will surely become a classic.

It is a pity that Sun, who has not been in contact with this profound and complicated role for a long time, obviously has not found Li Chengyang's shaping fulcrum.

Almost all his performances are suspended and expressed for the sake of expression.

His glaring, greasy smirk, unknown rigidity and various poker face expressions made the audience unable to understand what he was expressing.

In addition, there are too many acting schools and old drama bones in "Sweeping the Black Storm". With the joining of a series of actors, such as wuyue, Sun's routine performance suffered great losses.

Therefore, Sun's "wrong choice" lies not in the role itself, but in himself. After years of wandering in reality shows and urban dramas, he left in a hurry.

It can also be seen from "Sweeping the Black Storm" that it will be very difficult for Sun to transform from a variety coffee.

0 1, Edward Zhang (Ying Zheng as Dafuqin)

Edward Zhang is well-known to the audience, which can be traced back to the Three FireWire Brothers in 20 13, followed by the dedication of Sparrow and suspect X, which made Edward Zhang gradually famous.

Zhang Lu looks easy to recognize. His face is thin and has sparse stubble. He is suitable to play the role of a little uncle, such as Shi Hong, a middle school teacher in The Dedication of Suspect X.

This big screen face, combined with Edward Zhang's steady and skillful acting, is enough to make him an excellent actor.

However, in the selection of dramas, Zhang Lu's understanding of himself is still insufficient. Playing a historical drama like Dafuqin obviously doesn't hold up.

In appearance, because Edward Zhang rarely appeared in costume dramas, at first glance, it seems like putting a modern man in the shell of ancient clothes, which is very inconsistent.

Temperament, like Zhang Ziyi in Shang Yang Fu, 40-year-old Edward Zhang will play 13-year-old Ying Zheng, let the audience applaud him.

In addition, after growing up, Edward Zhang has neither the blood of a young emperor nor the domineering of a mature emperor, because his figure is too thin and his shoulders are too slippery, which also makes Zhang Lu look like a "shrinking neck" without the dignity of an emperor.

In some shots, you may even find that his shape is a bit like an umbrella. ...

Some scenes are very similar to Prime Minister Tortoise in comics. ...

Playing an emperor, especially in historical dramas, requires not only an innate temperament, but also constant struggle with oneself to ponder, feel and break through.

The first emperor of Edward Zhang, Qin Shihuang, at least failed in temperament and aura.

Acting and choosing roles is a technical job. Sometimes good acting is not a "passport" for all works, but also a professional skill that every powerful actor should exercise.

I hope these good actors can have a snack when choosing plays in the future, and don't affect their reputation because of their roles and scripts, let alone their careers because of bad plays and movies.

After all, it is not easy to train a good actor, but it is too simple to destroy a good actor.

Text/Pippi Film Editorial Department: Mayfly

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