Reflections on the story of the yellow bird

After reading a famous book carefully, everyone must have a lot of experience in their hearts. They need to write a book review and make records. Presumably, many people are worried about how to write a good review. The following are the yellowbird comments (9 general comments) that I have compiled for you. Welcome everyone to learn from it, I hope it will help you.

The 1 ending of The Tale of the Yellowbird is unforgettable. Three people's entanglements, eventually one died, one broke the law, and one went away. They are all injured children.

In my opinion, the fairy's mistake is that she is too arrogant, rude to anyone, ungrateful and vain. Is it because she relies on beauty? This is really a femme fatale!

Yagyu is not bad at heart. It's just that puberty hormones broke out, which made him make a mistake that he must make up in his life. He still has many advantages, and I feel sorry for his ending.

Baorun is a poor man through and through. What happened to him? It's just too stiff. Shouldn't have gone to jail, taking away his best years. Isn't he the biggest victim? His deep affection left a deep impression on me.

Only Baorun's grandfather, the grandfather who lost his soul, is still alive, as if telling others that you will all die and I will live forever.

The story unfolds gradually in the dark, and everything seems unintentional, but it seems to be arranged. I have mixed feelings in my heart, which is a pity for the characters in the book. Three people who should have had a good life are entangled in each other on the road of life and eventually get hurt. Maybe this is fate.

I also understand that we should leave room for everything, be measured and not impulsive, otherwise it will easily lead to great disaster!

On the whole, this novel is worth reading. I recommend it!

The second chapter of "The Yellow Bird" is a book I got by chance. It is more appropriate to look at the fragmentation time at work, take it with you when you go to the meeting, and wait at the beginning; Look at the break; Occasionally, when the work at hand is not busy. Unexpectedly, I finished reading this book in such a time.

Author Su Tong is a post-60s writer who graduated from Chinese Department of Beijing Normal University. If he works normally, he should still be a teacher now. I used to be a teacher and an editor, but now I am a professional writer. It seems that normal university graduates can not only be teachers, but also writers. Like us, the young normal school graduates at that time were excellent, not to mention the graduates of the Chinese Department of Beijing Normal University.

This novel describes the love and hate between Baorun, Yagyu and the little fairy, starting from natural love and ending in tragedy. The psychedelic relationship between these three people is written with impermanent youth. A case of youth has written the history of that era and interpreted the endless abyss of evil.

After reading it, I sympathize with Baorun's experience, being teased by fate, and being wronged by the most beautiful youth in ten years. The wrong decision after I regained my freedom directly ruined my life. The fairy is also a victim. Before she experienced the beauty of youth, she fell into the abyss and fell to the bottom of her life. She was decadent, depressed and extravagant, and finally disappeared into the eyes of the secular. Yagyu made a mistake, which led to his freedom, but he lived with trepidation and was always nervous, and finally ended in tragedy. There are also superstitions and gossip of people in Toona Street, which reminds me of my life in the countryside when I was a child. They are all kind, but they are also in that state: they can't hide the kindness of their neighbors, love takes advantage of petty gain, no sympathy, suspicion and so on. This is the characteristic of the whole era. After experiencing extreme material shortage, people hope to be rescued and solved, but there is no way and no shortcut, so they pin their hopes on superstition and pies falling from the sky.

In this novel, the author calmly describes the fear and fragility of life in an era with gentle, calm and restrained patience. The characteristics and absurdity of social chaos, individual dilemma and group psychological disorder in the transition period are accurately analyzed and described smoothly. He implanted the psychological perspectives of different characters with his unique juvenile brushwork, and also completed the typical image of Baorun, a completely unlucky person.

The metaphor of the title of this novel echoes many metaphors and symbols in the text. The book exhorts forbearance, and the details are original. Whether it is the stubbornness and decline of family life, the ignorance of youth form and abnormal condition, or the embarrassment and entanglement of reality, it is poetically aroused by the author, and the people in a noisy era are restored to a lively, full, balanced and rigorous person.

After reading The Tale of the Yellowbird 3, I finally bought Su Tong's The Tale of the Yellowbird. At the newsstand on Zhujiang Road, I spent 15 yuan. A large-scale pure literature magazine "Harvest" can't be bought in Nanjing, so we have to rely on mail order. After reading it in one breath, stop for a day or two to savor the information Su Tong wants to express. Su Tong wrote a love triangle, and the ending was.

I am Su Tong's copper wire. I have collected several books and kept an eye on him. Originally, I was looking for Su Tong's book to start my novel and establish a style. As long as I make a good start, I can go to the end smoothly. Su Tong always said that I wanted to distance myself from reality. Although this is safe, I can see the sensation in Thailand. I want to say that Su Tong has a midlife crisis again.

The Story of the Yellowbird is a new stage of Su Tong, which means that the mantis pounces on the cicada and the yellowbird is behind. Originally, he intended to name the book Little La. He tried to move Toona Tree Street to Nanjing, trying to blend in with Nanjing's environment, and even trying to make his role jump a little wax, but the little wax in Nanjing evolved from Jitba. Walking face to face is better than jumping hand in hand. Dance is so full of passion, one pulls and one loosens. They are all so full of rhythm, more intense than the three-step waltz, more energetic than the four-step, and they can keep changing partners without falling in love with each other, just sweating.

Therefore, it is difficult for outsiders to understand the personality characteristics of Nanjing people, and it is also difficult to understand why Xiao Spicy is popular. It is also inaccurate to describe the relationship between the characters in the book with Xiao Spicy, that is, he quoted several places in Nanjing, such as Broom Lane, (East) Jingting Hospital and Hoop Tong Lane. These are places with historical origins in Nanjing. In this way, it is impossible to describe the regional culture of Nanjing. It seems that it still takes some distance to walk from Suzhou Canal to Nanjing.

In fact, when I read Su Tong's novels, I usually don't read the content carefully. Su Tong is not a storyteller. I appreciate his beautiful writing, and every article can be read as prose. His grasp of the characters' psychology is very profound. I didn't use the word in place because Su Tong has crossed the bottom line. He can understand human nature beyond time and space, whether it is good or evil, it is not appropriate to describe it in words. It takes many years of hard work and people's inner exploration. If Su Tong is a psychologist, it makes sense, that is, first-class actors like Gong Li and Cai Feihe are not needed, and ordinary actors can also stage wives and concubines through dialogue.

So I have always insisted that Mo Yan made Zhang Yimou and Su Tong made Zhang Yimou. All three are masters of China's cultural circles, while the other two have reached the peak of art, while Su Tong still has potential and fans. His works still have vitality. Needless to say, he is a Nanjing writer. He is from Suzhou. He made a new beginning with Wu Nong's Whispering, describing his beloved Huixian. Only a woman's nourishment can make him grow.

After reading Yu Hua's The Seventh Day, the story of the oriole 4, Su Tong's new work is really a oriole.

At least in yellowbird, Su Tong is still here. Toona street by the river, restless youth on the street. Su Tong's youth is hot and cruel, with a thick smell of blood, just like the wet and dark street, the skinny barefoot child on the street, a wound and an abscess on the child's foot even festered.

The image of oriole in the title does not really appear in the story of the novel, but the whole plot setting reflects a chain relationship of oriole in the later form: the fairy was bound by Baorun, and finally Liu gave birth to the fairy; Baorun asked the immortals for debts, and the immortals asked yagyu for debts. The whole novel is divided into three chapters, three perspectives and three interlocking characters. From the beginning of a photo to the end of the red-faced baby, Su Tong consciously or unconsciously presents another kind of loneliness for a hundred years.

In fact, as a novel, the three characters in the novel are very thin. Baorun, Yagyu and Fairy are even interchangeable. However, compared with Yu Hua's The Seventh Day, The Story of the Yellow Bird is much more successful in narrative.

Although the story of mantis catching cicada in The Tale of the Yellowbird is much simpler than that in the movie Double Guns, there are a lot of metaphors and symbols in the novel text, which gives the whole story the greatest possible interpretation.

The first is about the soul. In the novel, the lost soul is repeatedly mentioned. Grandpa Baorun's soul was lost in the bones in the flashlight. Besides, the characters in the novel are constantly reminded that they have lost their souls. This implies that contemporary people are in a state of lack of soul, a kind of emptiness and anxiety that cannot be attached. In the third chapter of the novel, when the fairy went to find Mrs. Pang, she mentioned such a sentence, "How to redeem the lost soul from God". The font of the original sentence is deliberately bold, and the author does not answer. Maybe this question is too difficult to explain.

Then there is about my grandfather-Baorun's grandfather. Grandpa runs through the novel from home to a mental hospital. Grandfather is a little old, but he always sees what happens. The plot of removing the bed in the novel appeared twice, once when Baorun's parents removed grandpa's wooden big bed, and once when Baorun sold his parents' bed. This implies a kind of destruction and abandonment. When Bao Run tied grandpa, he asked him if he wanted a democratic knot or a legal knot. Grandpa said that a legal knot is like being shot, so he asked for a democratic knot. But the democratic knot also tied grandpa. The black humor in it is full of irony. So grandpa can symbolize a certain era, a certain tradition or even a certain strength. However, he has lost his soul and become a shriveled body, which is gradually forgotten by the world. At the end of the first chapter of the novel, he wrote: "Later, the yellow croaker car passed the intersection on the moat, surrounded by a sea of people and a busy construction scene ... Grandpa said that the face of the motherland is changing with each passing day." At this time, my grandfather was firmly bound by democracy.

The second time the fairy appeared, she changed her name. For Baorun, Yagyu and even himself, immortals are out of reach. She is as beautiful as those quiet rabbits, but suddenly she will become a hedgehog full of thorns. Fairy is the ideal of all of them. Ideally, it is Baorun's misfortune and loneliness, the weight of Yagyu's life, and the anger and helplessness as a woman. Perhaps this is what Pang Song said, "Falling in love with a wild horse and having no grassland at home makes me feel desperate, Miss Dong".

In this simple story, Su Tong put as much content as possible. It's still hard to find quotation marks. It's still very poetic and feminine. However, too many people still left this story in the era that Su Tong was most familiar with. However, that age has gradually blurred, but our age is not clear. Perhaps it is time for someone to stand in our time, and it is time for someone to try to write the story of our generation.

As one of the representatives of avant-garde writers in 1980s, Su Tong once wrote such shocking novels as Wives and Concubines, My Imperial Life and Riverside. In the recently published Story of the Yellowbird, Su Tong tells the story of the cruel youth of the Yellowbird through a mental hospital in Toona Tree Street, some small people and some events.

The Tale of the Yellowbird continues Su Tong's narrative style and rhythm of small people and places. The story is not complicated, but a case of bullying by teenagers in the 1980s. The novel is divided into three chapters, namely, Spring has something to moisten, Autumn has yagyu, and Summer has a white girl. The titles of the three chapters all imply three different narrative perspectives, and each chapter is also divided into many titled sections, such as photos, the way to the workers' cultural palace, rabbit cages, water towers and Lala. Behind the topic is the change of this era, or the fate of these three insulted and injured people, including their later growth and constant collision.

Many people think that Su Tong is not good at telling stories, but the yellowbird is a very interesting story. The novel is about the relationship between two men, one woman and three people, and the influence of a wrong case in their growth on their lives. As teenagers, Bao Run and Liu Sheng changed their lives because of their meeting with fairies. In the end, Baorun stayed in prison for more than ten years, and Yagyu was always "a man with his tail between his legs", while the fairy turned into a girl in white and turned to dust ... At the end of the novel, Baorun's grandfather and fairy lost their souls, and the children born in the escape finally met by chance, which is Su Tong's satire on the whole secular world and also reflects his humanistic care.

Su Tong quietly described a picture of deja vu, but it was like a dream. There is the cruel youth of teenagers, all kinds of people in Toona Street, and city life, which is filled with the humidity and darkness in the south. After more than ten years, Baorun was released from prison, and Su Tong's series of tortures came: Does Baorun want revenge? How to retaliate? How can people who have done wrong without being punished repent? Su Tong wrote this process very delicately. In his novels, he closely combined the changes of the whole era with everyone's fate, tortured a very profound question, and discussed the psychology of the whole nation in detail and in depth.

Jingting Hospital written by Su Tong runs through the whole novel, forming a huge absurd symbol: there is no boundary between lunatics and normal people. In mental hospitals, there are growth, laziness and cruelty in youth, as well as deception, betrayal and bribery in adult society. This is a stage to show all sentient beings. Once the absurdity of madness is normalized, other coincidences and accidents written in this novel are not absurd enough. Su Tong wants to use this absurdity to reveal the most secret side of different human nature in the secular world.

Su Tong, who was the first to be famous for his avant-garde novels, still has avant-garde spirit in Yellowbird. A truly excellent writer always reveals a distinctive spirit in his works, which has a special way of expressing the relationship between life, characters, humanity and reality, and the world and life. There are many metaphorical details in The Yellow Bird. Grandpa in a mental hospital is a symbol. He is not necessarily a real madman, but a kind of alienation from the outside world. Dance "Lala" is a metaphor of the times ... through these metaphors, the past and reality are intertwined, revealing a particularly complicated and distorted human nature.

There is no yellowbird in the novel, but why is it named Yellowbird? In this regard, Su Tong explained that the yellowbird symbolizes the crisis lurking in the shadow and is eyeing the fate of people. The whole story is about a drama of "mantis catching cicada, yellowbird behind": Yagyu made a wet yellowbird, but the last yellowbird was wet ... It looks a bit tangled, but everything is natural. Every character and detail in the novel are handled very delicately, and Su Tong's beautiful and soothing narrative language is not uncomfortable to read.

Su Tong once said: "As a writer, I have always longed for a novel style that will flow and swing, and I am eager for a fresh and unfamiliar mentality to challenge every unfinished new work." Su Tong's vision is becoming more and more pragmatic. In The Yellowbird, he considers how people live and the relationship between each character and history, reality, the world and his own heart, which comes from a writer's sense of social responsibility and his sympathy and care for the people at the bottom. Yellowbird showed me the real Su Tong.

Reflections on the Yellowbird 6 Shortly after Yu Hua, a representative writer of avant-garde literature, published the novel The Seventh Day, Su Tong, another representative writer of avant-garde literature, also published the novel The Yellowbird. Some people say that Su Tong is not a storyteller, but in The Tale of the Yellowbird, the hat of "not telling stories" may have to be taken off. From the perspective of three different parties to the case, a three-part structure is formed, behind which is the change of this era, or the fate of these three insulted and injured people, and their subsequent growth and constant collision are written.

In The Yellowbird, Bao Run and Liu Sheng changed their lives because they met a fairy. In the end, the real criminal has "been a man with his tail between his legs", and the immortal has become Miss Huang and fallen into the dust. The ending of the novel is that Bao Run stabbed Yagyu with a knife and returned to prison, while Miss Huang Ran left, leaving a newborn baby. ...

This novel is undoubtedly a very important novel of Su Tong, which closely combines history with the present, and leads to the final torture, which is about some internal problems of nationality and human nature. "If a nation does not reflect and torture, many problems will not be discovered, and it is impossible to muddle along like this. Many of our questions need a positive answer. " Yongxin, deputy editor-in-chief of Harvest magazine, commented on yellowbird. The story in the novel is symbolic and pushes the thinking of life to the extreme. It can be said that Yellowbird is a work full of aura, and it is Su Tong's comprehensive interrogation of the complexity of the world and current social life with his unique narrative style. Every character in the novel faces a similar dilemma-how to overcome the time that has been passing away from them or their hearts, and this is a dilemma that no one can get rid of.

It is also difficult to shape literary characters in order to shape typical characters in novels. The reality provided by contemporary life makes it easy for people who originally needed to rely on strong imagination to go deep into the text. Baorun, Yagyu and Xiaoxian, like a tripod, not only set up a platform to interpret life, but also became the fate shackles of emotion and "dangerous adultery". One person is bound by another person, and one person can't trust another person, helpless, and untrustworthy, and finally they are miserable. Although we can't lose confidence in life, we can't make a judgment immediately: how should we deal with the mental lesions in the depths of our souls.

An excellent writer will not generalize, abstract and guide life condescendingly, but he will be able to strip off all kinds of illusions of reality and existence through the appearance and chaos of life, expose the decline and potential desolation at the peak of prosperity, and quietly reserve and accumulate vitality when he is sad. Through the text, Su Tong extended the question we are facing about the current society: What do people advocate in this era, wealth or true feelings? Does the human soul belong to matter or spirit? How can our spiritual consciousness be realized?

After reading the yellowbird, I thought at first sight that "mantis catches cicada, yellowbird is behind". Of course, this book has nothing to do with yellowbird, but uses yellowbird to represent a kind of "possible danger", "possible crime and punishment" and "possible fate".

The story that happened in a mental hospital in Xiangchun Street tells the love and hate of the little people in that era, and also metaphors the long political society in the 1970s and 1980s. Whether it is the bottom of society or rural residents, the whole nation is bound by ropes.

Grandpa lost his soul and dug his soul everywhere in Toona Street, suggesting that people's souls had nowhere to put in the whole period.

The complex love between Baorun, Fairy and Yagyu. Baorun's love for fairies is green. 18-year-old boy tasted love for the first time, but he didn't know how to love. Yagyu's love for fairies is a philistine's love, a socialized ordinary citizen image and an instinctive love. Fairy's love is socialized love, and it is love with chips. Love has become a symbol of socialization, and its relationship with the body is uncertain. Such a female fate deserves sympathy.

Grandpa lost his soul, but he lived the longest.

Baorun's spaced out, probably after ten years in prison, things have changed. When his father died, he faced his grandfather and went crazy with pain when he didn't remember him. When he remarried and was abandoned by his mother, he was already insensitive. He gnashed his teeth when he forced the fairy to pay her debts.

Yagyu lost his soul, and his mother always reminded him that his happiness was a fluke. He must be a man with his tail between his legs. He lives in Baorun's shadow and always helps him take care of his grandfather. Finally, he paid Baorun's debt with his life.

The little fairy's soul is lost, her soul is lost in the illusion of prosperity and vanity, lost in painful memories.

The story is sad, but the ending gives the baby hope: he left the victim's mother and threw himself into the arms of the peaceful old man.

Thoughts after reading The Yellow Bird; The theme of Reading in November is the winning works of Mao Dun Literature Award. I read whenever I like, and I never care what the winning works are. Literature generally has a strong brand of the times, especially the award-winning works, which have not gone through the big waves of history, so they are just a hollow reputation, and perhaps there is no pearl at all. The selected book "The Story of the Yellow Bird" is simply a shining figure who saw the winning works of Mao Dun Literature Award on the cover.

The story is divided into three parts: Baorun Spring, Yagyu Autumn and Miss Huang Summer. The time span is more than ten years. It tells the relationship between two men, one woman and three people, and the influence of a misjudged case on their lives during their growth. As teenagers, Bao Run and Liu Sheng changed their lives because of their meeting with fairies. Baorun angry fairy kidnapped people, yagyu reconciled with the fairy, and the fairy testified against Baorun. In the end, Baorun spent more than ten years in prison. Yagyu has "been a man with his tail between his legs", and the fairy has turned into Miss Huang and turned into dust ... At the end of the novel, Grandpa Baorun who lost his soul and the child born to the fleeing fairy finally met by chance.

Finally, Baorun oriole killed Yagyu. The whole work doesn't see the social changes alluded to, and there are many elements in the story. The whole story is like a dream. The logical thinking of a science student like me can't keep up with the author's thinking at all. The whole story feels gray, like a thick cloudy day, and the clouds have been pressed on my chest, making it difficult to breathe and find a ray of sunshine.

Many people in the works are looking for their lost souls. Rich people, veteran cadres and ordinary people are all in mental hospitals, and everyone lacks souls. Some people live like a walking corpse, as if there were no joys and sorrows. Some people hide their goodwill like the devil and occasionally hurt people for a short time.

There is no winter in the three parts of the work. Perhaps in the end, only the cold winter and the vast yellow snow can cover up all the ugliness, and the earth is so clean!

1994, Su Tong returned to Toona Street with oriole, with paranoia and willfulness.

The novel is named "mantis catches cicada, yellowbird is behind", which means the crisis lurking in the shadow and eyeing people's fate. Around the spring when innocent teenagers are imprisoned, the autumn when they are timid and guilty, and the summer when they are humble and beautiful, diseases are numerous and bizarre. Su Tong, 50, still can't escape the established theme of his works-escape.

The meanness of human nature is the original intention of escape. After all, this is just an irresistible passage from the bud of spring to the wrong place, from being driven out of my mind to despair. The novel goes from lost soul to search, from crime to redemption, from sinking to escape, from birth to death, step by step, and finally laments everywhere. Don't talk about fate, but finally lost to the so-called fate, ridicule, irony, almost presumptuous. Between the lines, Xiao Suo's madness makes people hold their throats and sigh silently.

Young girls are fleeing, middle-aged men and women are fleeing, and the elderly are fleeing. Life on Toona Street is both hurried and unpredictable. At the beginning of the story, those things that once forced you to flee dug an abyss and turned around, but they were pushed to an eternal position by fate, struggling or crying, and finally survived the talk of future generations before and after meals. Then you find that the nervousness and caution along the way will always be your stubborn protective color. In the eyes of outsiders, it's just a joke, especially redundant.

At the end of the story, I began to feel the truth. In a word, I was desperate. Where will you go? Things change. Life has given you a play. You have no right to change the script at the beginning of the interpretation. Therefore, it is really painful to reel off the cocoon, and how can it be a failure afterwards?