How to treat Zhongjun's view of love in Lu Xun's "Regret for the Past"?

For Zijun, she thinks that love is a destination and true. She has been immersed in the lingering courtship scene, and her spiritual needs have stopped.

Zijun's inspirational declaration of "I am myself, and no one interferes with my rights" is not a profound understanding of love freedom and marriage autonomy, but just another "advanced" version of the understanding of traditional marriage under feudal ethics. When she was in love, Zijun was independent and brave with her persistent love for Juansheng, but she grew up in a feudal ethical family and the traditional feudal thoughts were deeply imprinted on her. She regards her love and family with Juansheng as the whole content of her new life. "She hasn't read any books. She has been washing clothes, cooking, raising chickens and feeding dogs all her life." She had an argument with the landlord over the problem of chickens and dogs. Traditional family-style women have therefore replaced the brave zijun who just walks slowly and calmly, like nobody's business. The flower bought by Juansheng died without watering for four days, but she had already fed the puppy and named it Asai. For Yu Zijun, flowers are more suitable for lovers who have no worries about food and clothing, but for a housewife who faces daily chores, they are too romantic and extravagant. The name of the dog Asai is very meaningful. Through the name of the puppy, she can also show her hopeless resistance and refuge psychology to the patriarchal society, and she has become a woman who has lost courage.

For Zijun, with her personality, in the dark feudal ethics and in the patriarchal society, her sorrow is inevitable. Perhaps Bi Shumin's "the first one is filled with love and hate for people, the second with career and the third with himself" can be changed. Only by completely changing the attachment psychology of traditional women can independent new women really break through the secular hostility.