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In phonology, which crosstalk performers are overrated in their artistic level?
Crosstalk has developed for so many years and has developed into a form of mass entertainment. In the phonograph world, there are also many young and old actors. Some of them are really talented and learned, but there are also some actors in the recording industry who are not worthy of the name and their artistic level is overestimated. They are, Chang, Lausanne and.
Yang Shaohua Yang Shaohua is a great man in the field of phonology. Now he is old and respected everywhere. Everyone knows that Yang Shaohua has been mentioned, but its artistic level is not as strong as everyone said.
Before, he was always on stage, and he was often told to talk less and let the cat out of the bag, because Yang Shaohua always kept quiet about what he rehearsed, and always played freely, which caused many accidents. After a long time, many people are reluctant to perform with him.
For a long time, Yang Shaohua rarely planned to take power. Later, with the support of China Zhao Weizhou, he slowly became angry again. After he got a little angry, he stopped focusing on cross talk and began to make money by commercialization. Now he has become a master of many people. In fact, his ability itself is not so strong, but everyone is ridiculous.
Chang's Chang family has been circulating crosstalk for generations, and Chang, as the oldest member of Chang's family, enjoys a good reputation outside. There is no denying that the Chang family does have people with very strong cross talk skills. Nowadays, the honor in phonology is partly due to the reputation of the Chang family.
Chang is very old now, and most crosstalk performers of his age have passed away, so he has become a respected crosstalk master. China people have always respected teachers and cared about young people. After all, Chang has been cultivating crosstalk all his life. It is understandable that he is called a master by his younger generation at such an age, but his cross talk level is not very high.
Lausanne Lausanne fell at the most popular time, which doomed the fact that he was praised by future generations. Although Lausanne had not entered the crosstalk family at that time, Lausanne has always been regarded by fans as a very good crosstalk actor. His performance of "Learning Art in Lausanne" at the Spring Festival Evening was regarded as a classic by later generations and was a sensation at that time.
Now it must be refuted that Lausanne has no real talent and learning. It has long been said among the people that Lausanne and Zhao Benshan were the hottest and most powerful comedians in the Spring Festival Evening. If it weren't for the car accident, Lausanne's future would be limitless. However, due to the unfortunate death of Lausanne, our memory of Lausanne only stays in the series of works "Learning Art in Lausanne". However, although these works were relatively novel in the 1990s, his performance form was too single and his stamina was insufficient.
Gao Xiaopan Gao Xiaopan, as a representative of young people in phonology, is also very popular, but Gao Xiaopan's expression is still too single. The rapid development of hip-hop theater led by Gao Xiaopan has surpassed Gao Xiaopan's own strength. After listening to Gao Xiaopan's words, many viewers said that much thunder and little rain were a bit of a misnomer.
It is true that Gao Xiaopan has a certain cross talk feeling and a certain level of creation. However, Gao Xiaopan's single form of expression is still very poor in performance, which is not easy for Gao Xiaopan audiences to accept.
Of course, although these crosstalk performers are more famous than their own strength, they have also made achievements in the field of crosstalk, and we should also tolerate and respect them. What other welcome comment areas do crosstalk performers like this have?
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