Appreciation of "The Thorn on Earth" —— Talking from the tenderness and strength of words

1 I can't wait to have a look at Mr. Wang Guowei's immortal work "The Thorn on Earth", which is a masterpiece in the aesthetic history of China classical literature. There are studies on the elaboration, understanding, artistic conception and types of words. Speaking of this sentence, I want to say a sentence written by my father-in-law's calligraphy, "People don't seek quality, but seek perfection", which is actually very similar.

Mr. Wang Guowei has long understood that words are the relationship between people, and words are like a mirror, which always reflects the current writing mood. Now many scholars and meditators are pursuing a kind of "purity", that is, sticking to themselves and living in their own way! Born in troubled times, no refined people can resist the obsession of today's society.

Considering the artistic conception, Wang Guowei put forward "in one word" in the sentence of "Spring with Red Apricot Branches" in "Jade Louchun", and the word "noisy" made the realm come out completely, which was enough to spread its charm. "Liuyan is lighter than Han Xiao", with delicate mind and full of spring. "Han Xiao is lighter", which is like a secret love of a girl caught a glimpse of, and also a hidden happiness. As the saying goes, "only a beautiful woman knows about a young affair", there is a kind of beauty that touches people's hearts, just like the fresh beauty brought to you by the spring breeze. "Clouds break through the moon to make a shadow" is a good word "de", and the artistic conception is more open. The picture shows camellia, which is an artistic conception. Attached is a song-Camellia branches jump in spring, attracting magpies to break the cold winter.

3 Wang Guowei proposed that size doesn't matter whether it is good or bad. The size of the realm, regardless of advantages and disadvantages. Also known as "the ground", it is divided into leisure places, such as "fish in the drizzle and swallow in the breeze". The environment of Du Fu's thatched cottage and the leisure of the countryside are vividly displayed, and the author enjoys the freshness of the arrival of the spring rain. Although he has been displaced for a long time, he is worried about the country and the people, naturally satisfied with his present life, and can't help but have a passion for this subtlety. This is also written by Du Fu-leaves fall like the waves of a waterfall, and I watch the long river always roll forward. A solemn and stirring realm, an awe-inspiring breath, and an aesthetic feeling of human reproduction. Regardless of the realm, the key is humanistic beauty.

When I was studying, I didn't feel much when I listened to the teacher's nagging about Li Taibai's atmospheric works. I just nodded, perfunctory teacher understanding. Now, following the master Wang Guowei to reread the masterpiece "Words on Earth", I feel a lot. Because I have some social experience and life experience, I added some emotional elements of my own, so I can better understand the wisdom of the ancients when reading. Li Bai's poems and songs are full of self-confidence. A person's words show a person's personality, which cannot be concealed or fabricated, naturally revealing a sense of occasion. If you want words to be natural, you must first cultivate your own heart and sublimate in a subtle way. Women are not in a hurry to bloom, and they can only stand out after precipitation.

5 Wang Guowei's essays rely on careful thinking, to touch the temperature of the text, to penetrate, to go from the outside to the inside. Poems in literature and poems in poetry are defined as "exquisiteness" and "profound beauty" respectively. They are also representatives of the Flower School, and they are also in love with men and women, but the power of rebirth in sadness is different. After all, it is personality that determines fate, which is correct. A man who doesn't know amorous feelings at ordinary times is more harmful to a woman's happiness. But too amorous feelings, it is easy to become ubiquitous and promiscuous.

Yan Feng said, "When the wind starts to blow, it will wrinkle a pool of spring water." I can't understand the ambiguous sadness and incomprehensible tension for the time being. I just feel that my vision is very broad.

6 Huajian style of writing, exquisite conception, gorgeous and rich lack of true temperament. Represented by Wen, Wei Zhuang, etc. I remember a friend once made a harsh suggestion that my article was too flowery and lacked the beauty of simplicity! I really felt bad at that time, because the style of the article may be related to the author's personal style. I am not a simple person, it is really difficult to twist an article into a simple work. Despite this, I still feel that "human cultivation is an article", and words are as good as their heart and words as their nature.

Share Wang Guowei's "Try to make up with tears" (Yan Fengyou) and "Life can be geometric when it comes to wine" (Wei Zhuang). Simple words and strong sadness cover up your emotions, and the realm comes out from this. The subtlety lies in writing the true state of mind through the objective lens.

7 Many people are filthy, and beautiful people are dying. What kind of artistic conception is it? In the late Tang poetry, Xiang Lian sold green leaves, and the west wind worried about green waves. Regret the disappearance of good things.

In fact, many times, the more people who transcend secular relations, the more they can concentrate on their own academics, which is another manifestation of a clean person. Wang Guowei should be like this! This is where I admire more and more!

Let's talk about this poem in Li Sao again, and I'm afraid the beauty will die. This also reminds me of Qiong Yao's "Three Lane of Plum Blossoms", in which plum blossoms break people's intestines. The scene written in the finale is that Haoguang rode away with Yin Shuang's cold body ~ ~ ~ After a long time, two beautiful white tigers appeared in the distance chasing ~ ~

If I can understand the feeling of beauty dying, this ending is probably enough to explain, at least I think so. The soul of a word is telepathic with the person it reads, and the appreciation of poetry is a matter of different opinions, so there is no need to break it.

Wang Guowei is sensitive to words and accurate in analysis. Wen Feiqing's ci is crowned with "painting a golden partridge" and wins with beauty. The emotion contained in it is called "sentence show". I like implicit expression. Although it may make me guess, it is actually a kind of beauty. But people with a certain realm pursue "bone show" and "divine show". But Wei Zhuang's ci is beautiful and the artistic conception is broad. Wang Guowei defined his word as "beauty". However, combined with the personal status of the late Tang Dynasty, even if it is a saying in the boudoir (it is difficult for a slave to come out of the closet, which is called lang's wanton pity), future generations will deceive some unbearable backgrounds and laugh without saying a word. Because only the real thing will be unforgettable.

Zhou Jie, a poet in the late Qing Dynasty, had such a beautiful world of narration-harmony between stone and water. Strict makeup is good, light makeup is good, coarse clothes are messy, and the national color is not covered.

He compared Wen Feiqing's words to strict makeup, Wei Zhuang's words to light makeup, and Li Houzhu's Li Yu's words were coarse hair, which made no secret of the national color. Good detailed analysis.

When we read "Life grows naturally in the East" and "How sad can you be? It's just a spring water flowing eastward. My late Lord always compared sadness to stormy waves, heroic and broad-minded, which was related to the sadness of his death. Since ancient times, many people have suffered in life, and few people can sing a swan song. We appreciate the beauty of ancient poetry, whether we are enjoying the magnificence of life or enduring the suffering of life. If we are happy, our eyebrows will rise, we will swallow mountains and rivers, but we will also be sad!

10 talked about the Southern Tang Emperor, and then talked about an issue of "objectivism" and "subjectivism". There is a view that objectivists know the world well, and the so-called "things are different and people are worldly." For example, "Dream of Red Mansions" and "Water Margin" have been collected by countless people as masterpieces, and finally I realized that "the paper is full of absurd things and a handful of bitter tears". No wonder I can't understand these two classic works. When it comes to "subjectivists", it is good to know the world well or not. Being loyal to one's own emotional expression, art and life, and being promoted to an aesthetic height with the help of words or other literary carriers, is the best interpretation of true temperament.

165438+ The independent cold bridge is quite similar to the West Lake, which means "the bridge is broken constantly" and "the long bridge is not long". The poet's troubles exist in all sentient beings. We are just a drop in the ocean walking in the vast dictionary. How can you gain insight into the world if you don't care about countless connections? Poetry, for my aesthetics, and words, for my warning.

12 If you study, I agree with Mr. Wang Guowei. A person who can't really face himself must have a delicate and evasive mood. No matter how gorgeous the words are, they are "more expensive" because they have lost their souls. Among all my friends, the only one who has always attached importance to the weight of the soul is the little Misgunus. Perhaps these two years have been completely assimilated by her, constantly thinking about the level of thinking. You can say that you are not grounded, you can say that you are not pragmatic, and you don't even eat fireworks. However, thousands of years of history have lost many cultural and artistic essences, which is also due to the neglect of the world. I like reading ancient books very much. While enjoying the feast of ancient poems, I can look at myself in the mirror and get dressed.

13 some people say that reading ancient books is a face-to-face dialogue with the ancients, taking the essence and wisdom of the ancients. Today, I will share Mr. Wang Guowei's poems about the graceful poet Qin Guan. There is a poem he relishes, "Treading on the Sand". After reading the whole poem, I was like Dongpo, and I read something in the last sentence-who is Xiaoxiang going for? At first glance, it's just a description of the landscape. Chen Jiang is surrounded by Chen Shan, and it is natural that mountains and rivers depend on each other. But it seems to have a metaphor of impermanence of life. There are some tears and silent tears in the sentence, which may also be a relief and an expectation of another life. This unspeakable pain is exactly the same as when Dongpo was demoted. If you have experienced the helplessness of life, maybe you will have a certain * * * sound to this sentence. I think this poem is beautiful because it resonates with the public.

14 A standard of poetry is "aura" besides "realm". Just like a person, the best evaluation, I think, is not called beauty, but "temperament" and "aura". A good poem is either magnificent and tragic like a rainbow, or it is like smoke and fog, and it will last for a long time. Haha, in the past, I took a Chinese class and tasted a poem. I randomly echoed the teacher's opinion that it was a sentiment in the scenery and an expression of ambition. Only when you have really experienced vicissitudes can you appreciate the central acid of poetry, and you will like those sonorous sentences that laugh at yourself, explain yourself and entertain yourself more and more, which are powerful, upright and detoxifying.

15 How to understand Mr. Wang Guowei's poems and the word "absence in God" can be simply understood. For example, in Farewell My Concubine, the overlord in the land of Xi returned to camp after defeat, which can be a stampede, a calm defeat, and a king's demeanor. God is the atmosphere, and people, like poetry, have their own style. Without God, it is difficult to become a climate. Even if flowers send colorful words, style is the true nature. Another example is elegant music, which is praised by readers for its deep affection and courtesy. But the decadent voice, colorful and greasy, is considered as an unqualified tone.

16 Zhou Bangyan's flowery rhetoric was dismissed by Wang Guowei, who said it skillfully and had no atmosphere. If you comment on a person's writing quality, look at the weather? Artistic conception? Deep? In my opinion, words are gorgeous, magnificent, broad-minded, sad and happy, just like I look at things, solid things are my colors. I just want to belong to myself. Everything is unique. As long as your own words, your own style and your own thinking are unique, you don't have to follow suit.

17 tasting words, like a cup of tea, full of fragrance; Just like eating a cup of Zhong Ding jade food, your lips and teeth are fragrant. Zhou Bangyan's kind words, like stunning beauty, make people feel interesting. A good word "six sweet-scented osmanthus dolls" combines the color and fragrance of moonlight to create a beautiful artistic conception. In poetry, the moon is a hazy fairy, the fairy of Chang 'e, ethereal and inviolable. There is a saying in Dongpo-I hope people will live for a long time and have a good scenery thousands of miles away. Good things are always associated with ChanJuan. "Osmanthus fragrans" and "Chanjuan" are nicknames for the moon, and they are used properly occasionally.

18 Share "Shui Long Yin" by Dongpo and Zhang Zhifu. Dongpo was originally a rhyme, but it seems to be the original song. Zhang Zhifu's ci was originally sung, but it looks very harmonious and can't be forced.

I like Dongpo's ci and don't follow the crowd. Can be a good combination of feelings and scenes, smooth, delicate and transparent emotions. The scenes I saw were all feelings in my chest. Scenery originates from emotion, which is obvious and profound in the scene.

If the spring scenery is divided into three parts, two of them become dust, and the other part disappears when it falls into the water. In detail, a little bit is a tear. The beauty lies in that all the "landscapes" of flying flowers, broken duckweeds, falling red and Huayang are scattered everywhere, and they are sublimated into "feelings in the landscape" because of inner resentment, but what I see is "tears", and things and feelings are so wonderfully integrated. This is the beauty of writing.

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The ancient poem Dimfragrance was defined by Mr. Wang Guowei as "too emotional" and "insoluble white sugar water". The work has advantages and disadvantages, and the feelings are sincere. The technique of "emotion is expressed in the scene, and emotion is shown in the scene" is applied to the extreme, which is rare in ancient and modern times. Only by learning to appreciate the good and the bad can we move forward. The feelings of the ancients, whether passionate, sad, thoughtful or secretly pleased, are all good medicines for people in this world to get rid of impetuous troubles. The simplicity between the lines is soft at heart.

Reading words is like love, and love is about personality. Love is obvious in poetry, but plain in poetry.

If you don't feel tired in your chest, why count the dusk?

Wild cranes in the idle clouds are lonely in the cold and worried about falling. -Reading Wang Guowei's Theory of Interest.

The word 2 1 is thrilling and shocking. A guzheng song can calm the impetuous heart, and a beautiful word is full of artistic conception and soft in the heart. The words mentioned by Mr. Wang Guowei are divided into "ge" and "bu ge", which is really difficult to understand and distinguish. Tempering words is a tool for poets, and the key depends on basic skills. What I understand is that the reader fails to understand the meaning, and there is another layer of obscurity. However, "non-separation" is an internal modesty and an external expression. "Separation" is a cover-up for clumsiness. I don't know if I understand correctly. Teach me. Teach me.

For example, a sentence that is regarded as "inseparable".

No matter what techniques, allusions and personification the poet uses, as long as the words woven can present the feelings to the readers most truly, naturally and sincerely, and let the readers be there, that is, "never leave." The article must be "not separated".

A person's worst state should be "wine to eliminate sorrow, flowers to eliminate heroic spirit." Mr. Wang Guowei defined Baishi's ci as inaction, and it is difficult to hide its weakness. I'm more sure that all poets are trying their best to maintain their living conditions. Setting up a memorial archway is everyone's self-affirmation and self-improvement. I don't agree with Mr. Wang Guowei's condescension, because no one can shed tears, not everyone can be as generous as Su Shi and Li Bai, and they all have the confidence of "going out and laughing, we are Artemisia people". When we are down and out, we can still "look back at the bleak place and go home, there is no wind, no rain and no sunny night". If you read the words of the ancients, you'd better understand them more!

People who play word games have a sensitive blx. They are seen through at a glance, but they are not used to hiding themselves. Perhaps, years of habits have developed a clear and transparent style. Ancient and modern, Chinese and foreign, what can really take care of yourself is a person with temperament, not empty, not floating or dry. What is written is not made, it is true. There is both affection and euphemistic shyness. Quiet, just right. For example, Xin Qiji and Su Shi.

Things can be satisfied, people can be satisfied, not seeking quality. Why can Dongpo handle things with an open mind? He has a natural dispatching ability, and then he has a sense of responsibility to join the WTO. He has a carefree heart to be born and enjoy the park. In Zhuangzi's aesthetic philosophy, it is said that everything can be aesthetic, and life and death are just a stage, so we should treat them equally. Dongpo's ci is very distinctive and has a hearty feeling when read. Cultivate the qualities of saints and cut off their own shortcomings. People, if they don't practice in advance, will get nothing if they close their doors.

This time, we finally found a perfect solution to explain our pursuit of a better artistic life. Without discussing with our literary friends, what has art given us? Including literature! In addition to the word "beauty", there may be a placebo effect. When you are perfectly combined with art (whether literature, painting, photography, music, sculpture ~ ~), you can forget the world. If you put your heart into it, you will know how deep it is.

Silence, sometimes not called "speechless" or "speechless", is also a way to safeguard one's dignity. Understand, then understand.

With Su Shi's legacy, he can naturally enter Wang Guowei's eyes. All the realm-oriented rhythms, verve and temperament are colorful in Dongpo's ci, and Rong Ruo's ci is nothing more than that, which can achieve the purpose of being vigorous, boundless and not vicissitudes, and its meaning is still inspiring. Reading it, tasting it and arguing about it, what is beauty, is a mirror for future generations.

What is the experience of living like a poem? There is an explanation in Yan Yu's poems about Canglang-the princes in the prosperous Tang Dynasty were only interested, and the antelope hung on the corner, and there was no trace to be found. Therefore, it is wonderful, thorough and exquisite, and cannot be parked together, such as the sound in the air, the color in the phase, the moon in the water and the image in the mirror.

The beauty of life lies in understanding that the thinking of "incoherent and endless meaning" is galloping. Although the fireworks choke the nose, they are beautiful because they surround the village.

Appreciate this sentence, "He Lao Yu Fu, Jin Ou is immortal", appreciate the scenery on the Imperial Moon, and secretly admire the territory as round as a cup. Think of a plot in Prime Minister Liu. On the emperor's birthday, gentry and other ministers cracked down on first-class velvet antler, ginseng and other precious products. Where is Liu Yong? He brought a bucket of ginger. At that time, the gentry were about to laugh at his rudeness. When the emperor asked questions, Liu Yong took his time and said calmly, "Emperor, what do you think of this ginger? Does ginger look like a river or a mountain? I'll give you a bucket of rivers and mountains now, take it! " At this point, I am very happy.

Can this have the same effect?

Poetry is unfair, and there is a saying that "it is difficult to work with a happy word, but it is easy to work with a sad word". Mr. Wang Guowei is very insightful and hit the nail on the head. I have thought a lot and felt it for many years. Happy for a while, depressed for a while, a pile of poems. Teenagers do not know the taste of sorrow, fall in love with the floor, fall in love with the floor, and insist on worrying about assigning new words. Distinguish between true feelings and sophistry, passers-by can tell at a glance.

You must struggle all your life and do your best today.

Aunt Qiong Yao's fatigue just filled the gap in China. I am no exception. Last year, I read "Three Lane of Plum Blossoms" crazily and wrote two articles "Reading Qiong Yao 1 2". I was depressed and forced myself, so I went to the shooting place of the West Lake (Shuiyunjian) alone and sat quietly watching the performance. Every time I think of it, I thank myself for my willfulness and find the balance between heaven and earth.

Ignorance, Constant Love and Re-acceptance —— Agama

Tomorrow's world, who is whose cinnabar and who is whose Pandora?

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Talk about temperament, talk about charm, it is better to talk about realm. Mr. Wang Guowei's handy "realm" puts forward that "realm is self-contained." So constantly seek "realm" and "case". The strength that poetry gives us is not to challenge the poetry congress to win the championship title, but to understand what poetry is saying, to express the feelings of poetry and to feel where it is. Faced with the pain given by others, some people choose to hold grudges for life, some choose to forgive, some choose to tolerate, some choose to be indifferent, some choose to forget, and some choose not to disturb and coexist with them. Where my heart goes, there is my place.

After reading The Ancestor of the Opening Pledge, we can only understand "rhyme" in an unspeakable way, and everyone appreciates the differences. I like to express myself in subtle ways. Xin Qiji said: "From now on, I am drunk on a moonlit night and my ears are hot. That should mean when I am unhappy. " Mr. Wang Guowei emphasized the word "hot" and said it rhymes! I focused on the last sentence "there should be a time to say Nong", which seems to vaguely make people feel that "there" is full of affection and is already in hot water. The expression is obscure and thought-provoking. The beauty of Ci in Song Dynasty is like the beauty of poetry in Tang Dynasty. The poet's nine arguments call for the land of the soul, and the clouds are full of water.

Today, I saw Tan Xian's "Die Lian Hua"-lotus seeds are green and bitter, and it rains every day when singing. Cardamom is fragrant and willows are withered. At that time, people had nowhere to go.

In the words of Cui Hu, a poet in the Tang Dynasty, people don't know where to go, but peach blossoms are still smiling in the spring breeze.

It also emphasizes the sadness that "people don't know where to go". Due to different dynasties, the poet's mentality is also different. The first poem was in the late Qing Dynasty, when the world was in turmoil and people were uneasy. The poet missed the grand occasion of the past. First of all, after the Tang Dynasty, the country was rich and the people were safe, even if "people don't know where", they wouldn't be sad, because "peach blossoms still smile at the spring breeze", optimistic and open-minded, and don't cling to one thing.

Read poetry, read the life I want, read the light of dawn.

Scholars despise each other, a hundred schools of thought contend, and their ambitions are full. Being trapped in Luo Zhi is not without morality, and each has its own meaning. Since ancient times, the literary world has been full of flowers, each with his own love and everywhere. Scholars respect each other, love each other, and virtue each other.

The magnificence of Song Ci lies in Wu Nong's soft language. The beauty of words is nothing more than Emei, solitary rainbow, Tianya, gloomy clouds and loneliness. Ode to Shi Dazu's Flying Swallows. Chanting to Yan, "a bright future", "Forget it, and believe in the end of the world", "A moth who worries about harm draws a column every day", for me, I am intoxicated and don't know the way home.

The poet's emotional surge is easy to imply, and he is deeply afraid that an awakening will knock down infinite sadness. "Implication" has always been the most precious thing for women.

Zhong Ding's jade food is like that gorgeous rhetoric. People are caught in glitz and superficiality, and most of them are lost in their hearts. In ancient times, the clothes were plain and clean, and it was difficult to hide the national color. It is called a beautiful city, and it will be a treasure if it is discussed with the highest aesthetics.

However, the same is true for the taste of words. It is still the secluded mountains and rivers to sip the true nature and swallow the rivers and mountains. Quality of life, marking the long river, galloping the boundless, Do not forget your initiative mind, keep Zen.

People who write words generally have the same thinking. Judging from Jiang Xun's "literary power", literature is not only an artistic expression of language, but also a realm of thinking and the generation of sympathy. He is more or less similar to the spiritual world advocated by Wang Guowei, abandoning utilitarian heart and pure aesthetic taste. The power of literature also includes the factor of faith, right? Without faith, the spiritual world is not rich. Mountains and rivers, the sun, the moon and the stars are all compassionate. As a result, people become real flesh and blood.

Speaking of Liu Yong, the first impression is a romantic talent wandering between singing and dancing. Because of "forbearing the fame and singing shallowly", it offended the saints, and because of "forbearing the neglect of time", it was worshipped by many singers. For Wang Guowei, who has a serious mental cleanliness addiction, it is frivolous and vulgar to call Geji "grandma's heart". However, Wang Guowei finally regards literature as the eternal meaning of life and can shoulder the heavy responsibility of comforting the soul. Art will make people not empty all their lives. Girl, if you want to marry, marry art.

Appreciation of poetry has also improved people's aesthetic and spiritual level to a certain extent. Mr. Wang Guowei said that Dongpo's ignorance lies in spirit, while Baishi's ignorance lies in appearance. For Wang Guowei, who is obsessed with spiritual cleanliness, he pays attention to the spirit and rhyme of poetry, while some abandon the gorgeous appearance. Put forward "the rhyme is high and the soul is glorious, and the words are beautiful in spring." The contrast between Dongpo's "River of No Return, Langtaosha, Man of Eternal Romance" and Baishi's "Wine Mourning Flowers and Heroic Spirit" is that one is broad-minded and the other is compassionate. In fact, writing is related to personality and tolerance.

4 1 Literature originated from game theory. At first glance, it seems a bit funny. In The Human Thorn, the author expounds the self-cultivation and attitude that the author should have. Poets must participate in the universe, be able to write about the universe, and be naturally angry. Beyond it, it is possible to observe it, so it is high. This statement is just right. You can be a slave to romance, or you can be happy with flowers and plants. Go out and cross the world.

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